https://video.rhizome.org/about/instancehttps://video.rhizome.org/videos/localhttps://video.rhizome.org/w/23noUBDuQ7Yxuoun4gFZAEhttps://video.rhizome.org/lazy-static/thumbnails/086dcfb1-cf56-43c9-be13-babf34d24906.jpgWorld on a Wire Dialogues 2: Mikhail Maksimov and Tabor RobakWorld on a Wire Dialogues is a joint project by Rhizome and Garage Digital, featuring conversations with artists about the implications of simulation practices in digital art. The discussions are moderated by Nikita Nechaev and Michael Connor. In this conversation, artists Mikhail Maksimov and Tabor Robak discuss their approaches to working with digital objects and environments, touching on principles of complexity and emergence in simulated realities. The artists in the series are drawn from the respective programs of each partner: the exhibition World on a Wire, produced by Rhizome in partnership with Hyundai Motor; and the exhibition Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene at Garage, as well as the Garage Digital program. https://video.rhizome.org/videos/embed/086dcfb1-cf56-43c9-be13-babf34d24906https://video.rhizome.org/w/66obUenxxrJDA7iuM9J4iAhttps://video.rhizome.org/lazy-static/thumbnails/293e1601-12cd-482c-920a-eea7758bfb18.jpgWorld on a Wire Dialogues 1: Sara Culmann and Theo TriantafyllidisWorld on a Wire Dialogues is a joint project by Rhizome and Garage Digital, featuring conversations with artists about the implications of simulation practices in digital art. The discussions are moderated by Nikita Nechaev and Michael Connor. In this conversation, artists Sara Culmann and Theo Triantafyllidis discuss new forms of storytelling in digital media, and their structural connections with the technological narratives shaping contemporary society. The artists in the program are drawn from the respective programs of each partner: the exhibition World on a Wire, produced by Rhizome in partnership with Hyundai Motor; and the exhibition Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene at Garage, as well as the Garage Digital program.https://video.rhizome.org/videos/embed/293e1601-12cd-482c-920a-eea7758bfb18https://video.rhizome.org/w/mgqBxLri3vsbTtqAwt27qyhttps://video.rhizome.org/lazy-static/thumbnails/a41e1915-6911-4944-92eb-b7c2ec4b7980.jpgWorld on a Wire Dialogues 3: Timur Si-Qin, Alena Shapovalova, and Alisa SmorodinaWorld on a Wire Dialogues is a joint project by Rhizome and Garage Digital, featuring conversations with artists about the implications of simulation practices in digital art. The discussions are moderated by Nikita Nechaev and Michael Connor. In this conversation, artists Timur Si-Qin, Alena Shapovalova, and Alisa Smorodina will discuss new connections between humans and “the natural” as a source of possible spiritual reconfiguration in the context of the post-Anthropocene. The artists in the program are drawn from the respective programs of each partner: the exhibition World on a Wire, produced by Rhizome in partnership with Hyundai Motor; and the exhibition Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene at Garage, as well as the Garage Digital program.https://video.rhizome.org/videos/embed/a41e1915-6911-4944-92eb-b7c2ec4b7980https://video.rhizome.org/w/x219pmhCBxuJQKjBjFuLVahttps://video.rhizome.org/lazy-static/thumbnails/fb2f21aa-a847-43b3-b22b-d9c88821080b.jpgCRYPTOLAND annotated animation errors00:01 Shirt changes texture 00:06 Random flickering artifacts on seat 00:11 Christopher's back is not touching the seat 00:27 Tail rotor not turning 00:27 Helicopter moving in steps 00:32 Dude sliding over the floor 00:42 Lady standing on the left before is moving in from the right 00:56 Golf cart moves across the water and then the shore 01:08 Christopher's shoulder bag is gone, now he grabs a carrier bag. 01:08 Water texture video loop point 01:10 Suitcases moving through legs of portier 01:17 Welcome sign mirrored on the backside 01:27 Rapidly moving palm tree shadow 01:36 Bag wobbling in hands of portier 01:43 Christopher's eyebrow flickering 01:51 Scary thumb 02:04 Potted plant is moving 02:20 All wheels staying straight while the car is making turns 02:20 Car composited over foreground foliage 02:23 People disappear and reappear 02:23 Shoddiest composite ever 02:35 Car as wide as the two track street 02:43 Malformed QR code 02:45 Random library objects at random scale and position for furniture 03:02 Conny's right arm moving through his torso 03:09 Background stroller's feet below the ground 03:18 Folks in queue passing through each other 03:34 Prices for drinks listed without currency 03:38 Horrendeous kerning 04:00 Car seats look like the robot from _The Day the Earth Stood Still_ 04:14 Menu opens by itself 04:22 Placemat disappeared 04:31 How Bianca holds the fork 04:41 Bianca's neck 04:57 Low poly bird 05:15 Apostrophe in random place 05:32 Conny's legs (20 sec sequence) 05:56 Folks hovering above the ground, women in high heels standing in sand 06:36 Dancers' feet partly hovering above and partly sunk below the ground 06:50 Conny has no arms 06:52 Conny's arms pass through his torso 07:12 Christopher's and Conny's feet hovering above the ground 07:21 Glass cling sound but only paper umbrellas touch 07:28 People passing through each other 07:32 Hem of Conny's glove wobbling 07:34 Left foot of man sunk in floo...https://video.rhizome.org/videos/embed/fb2f21aa-a847-43b3-b22b-d9c88821080bhttps://video.rhizome.org/w/d1cpNj8iCbX1pEtjHXYNJvhttps://video.rhizome.org/lazy-static/thumbnails/6134b21e-8d63-421c-a530-4f95cb21e3e9.jpgOn Curation - “Speculative Values: Between the Institution and the NFT” Event“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Panel 3 | On Curation Artnome's Jason Bailey JPG's María Paula Fernández Rhizome's Michael Connorhttps://video.rhizome.org/videos/embed/6134b21e-8d63-421c-a530-4f95cb21e3e9https://video.rhizome.org/w/gbtfbo7UoPTo2u4ec6W6Lihttps://video.rhizome.org/lazy-static/thumbnails/7aef4ebe-c0ad-4629-b7d7-9a38a4c2861d.jpgRe:thinking the Institution “Speculative Values: Between the Institution and the NFT” Event“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Panel 2 | Re:thinking the Institution Artist Rhea Myers Artist & Furtherfield co-founder Ruth Catlow https://video.rhizome.org/videos/embed/7aef4ebe-c0ad-4629-b7d7-9a38a4c2861dhttps://video.rhizome.org/w/gj3fU7MD6anquALfX13Hzhhttps://video.rhizome.org/lazy-static/thumbnails/7bfddbcd-a38f-4085-81dc-00e7e35dd37e.jpgPrompts for Legacy Institutions “Speculative Values: Between the Institution and the NFT”“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Panel 1 | Prompts for Legacy Institutions Writer/Curator Shumon Basar Architect Keller Easterling Artist Hito Steyerl (Moderator)https://video.rhizome.org/videos/embed/7bfddbcd-a38f-4085-81dc-00e7e35dd37ehttps://video.rhizome.org/w/uymh7h7xBeq7WtgTfApVH9https://video.rhizome.org/lazy-static/thumbnails/e7442e01-b821-4b36-b498-b37787ce817e.jpgIntroduction - Speculative Values: Between the Institution and the NFT”“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Introduction Rhizome's Michael Connor & Kadist's Joseph del Pescohttps://video.rhizome.org/videos/embed/e7442e01-b821-4b36-b498-b37787ce817ehttps://video.rhizome.org/w/ieL855ks3dqh2yNDH3XEwJhttps://video.rhizome.org/lazy-static/thumbnails/8b9737a2-1cad-4e50-a21b-d991ccd96de6.jpgDAO as an institution - “Speculative Values: Between the Institution and the NFT” Event“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Panel 5 | DAO as an institution TributeLabs' Priyanka Desai & Aaron Wright Friends with Benefits' Trevor McFedries Gnosis' Kei Kreutler (Respondent) Journalist Nathan Schneider (Respondent) Rhizome's Michael Connorhttps://video.rhizome.org/videos/embed/8b9737a2-1cad-4e50-a21b-d991ccd96de6https://video.rhizome.org/w/wvNpLg9SSZr8BGan9fqNy4https://video.rhizome.org/lazy-static/thumbnails/f71b5483-5706-4677-bc16-7e2a8231a71b.jpgInterdependents - “Speculative Values: Between the Institution and the NFT” Event“Speculative Values: Between the Institution and the NFT” Event hosted by Rhizome & Kadist at the New Museum. Panel 4| Interdependents Artist Mat Dryhurst Artist Holly Herndon Curator Nato Thompson (Interviewer)https://video.rhizome.org/videos/embed/f71b5483-5706-4677-bc16-7e2a8231a71bhttps://video.rhizome.org/w/b46fzcyWFQLSJDTob2pHVzhttps://video.rhizome.org/lazy-static/thumbnails/5169daa6-bc1c-48b9-827e-c3d90b83b7cf.jpgFOSDEM 2022: Sustainable community building with the Wikibase Stakeholder GroupRecorded 5 February 2022. The Wikibase Stakeholder Group is a new initiative testing alternative approaches to governance, decision-making and community-building for open source digital knowledge management. It aims to facilitate collaboration across various institutional and individual partners in order to ensure the continued development and long-term sustainability of Wikibase, a suite of tools for data management within a linked open data environment. Wikibase is currently developed and maintained by Wikimedia Germany, a chapter of the non-profit Wikimedia Foundation. Wikibase is vital infrastructure for the public linked data project Wikidata, but since its open release in 2015 it has been increasingly taken up in research, cultural and institutional contexts due to its flexible, open and collaborative architecture. Rhizome have been piloting the use of Wikibase within GLAM contexts since its release, and have co-organized the first set of public meetups and events around the emerging Wikibase community and ecosystem of decentralized Wikibase instances. Following the success in bringing the community together through these events Rhizome and a few early adopters started the Wikibase Stakeholder Group at the end of 2020. In this talk, we will present the activities of the Group to date, lessons learned from our experiences in collective decision-making, funding for collaborative development efforts, and negotiating between individual project requirements towards a common roadmap in line with ongoing efforts of the Wikimedia team. Expected prior knowledge / intended audience: No prior knowledge is required for this talk, except general familiary with open source community contexts and open data management tools. The intended audience is other practitioners actively involved in open source communities, in the governance and organization of communities, and/or the development of tools for linked open data management. Speakers: Lozana Rossenova, Dragan E...https://video.rhizome.org/videos/embed/5169daa6-bc1c-48b9-827e-c3d90b83b7cfhttps://video.rhizome.org/w/6a64zcTRsHgfCfCGpyzNsvhttps://video.rhizome.org/lazy-static/thumbnails/29c281ad-2b4b-4fe2-941c-4e382f8cdf01.jpgFOSDEM 2022: Knowledge management communities panelRecorded 5 February 2022. Discussion between speakers of the Knowledge Management Communities panel. Open source software can help in building communities around common practices. Damien Goutte-Gattat's talk shows how a piece of software (Ontology Development Kit) can help ontology editors to deploy their tools and at same time foster standardized ways to write and publish their work. A double benefit grounded in FOSS practices. But Open source software also benefits in return of organized users communities. Lozana Rossenova and Dragan Espenschied present the Wikibase Stakeholder Group which gathers a community of wikibase server and its plugins users and developers. A detailed explanation of how to care a community around a FOSS. Those two sides of community building around knowledge management will be discussed with the speakers in a live discussion panel. Questions from the audience will be collected from the textual chatroom and voiced by the session moderator. Speakers: Paul Girard, Damien Goutte-Gattat, Lozana Rossenova, Dragan Espenschied [Conference Website](https://fosdem.org/2022/schedule/event/open_research_knowledge_management_panel/)https://video.rhizome.org/videos/embed/29c281ad-2b4b-4fe2-941c-4e382f8cdf01https://video.rhizome.org/w/cQeyJmtn4hyWL4iXND6HnBhttps://video.rhizome.org/lazy-static/thumbnails/5fd095e4-ffee-4351-a292-0cdb446e45c1.jpgBlockchain Horizons October 22, 2015Blockchains are distributed databases, secure and transparent by virtue of peer-to-peer networks that collectively validate each entry. As the technology behind cryptocurrencies like Bitcoin, the blockchain has given rise to divergent speculations about the future of politics and finance outside of direct state control, from self-governing utopias to sublime dystopias. “Blockchain Horizons” convenes artists, critics, and entrepreneurs to discuss the cultural implications of this technology for publishing, licensing, and distribution. In doing so, it treats the blockchain as social fact rather than science fiction. Participants include Kevin McCoy, artist, entrepreneur, and founder of current NEW INC member Monegraph, a blockchain-based solution for attributing and distributing art, conceived of at the 2014 Seven on Seven conference; Hanna Nilsson and Rasmus Svensson from Berlin-based design firm PWR Studio, who are developing a decentralized platform for publication and distribution of digital texts; and Rachel O’Dwyer, a Dublin-based researcher and curator with a focus on the political economy of communications, digital currencies, and media cultures. In addition, Nora Khan, DeForrest Brown, Jr., and the Actual School will present an ongoing online project entitled Futures Along the Blockchain. Initiated by Lars Holdhus and commissioned by Rhizome, the website for the project features an online group discussion about blockchains and proposes applying the technology to questions surrounding music distribution. https://video.rhizome.org/videos/embed/5fd095e4-ffee-4351-a292-0cdb446e45c1https://video.rhizome.org/w/95aC88KDqCZwhJMEoKumKYhttps://video.rhizome.org/lazy-static/thumbnails/415e03be-9f99-436e-a52e-cd1c44dbea96.jpgWikibase Ecosystem Enablement Workshop 2022-04-2801:05 Introducing online documents 02:28 Pulling docker images 03:30 IDEs 06:23 Installing mwcli 08:13 Intro to mwcli tool 11:39 Set up Mediawiki development environment 20:50 How to reset the dev environment to beginning if something goes wrong 22:10 Install mysql database backend 23:00 Mediawiki installation 26:39 Localhost subdomains 40:04 IDE first steps 41:20 Getting started with the BoilerPlate extension 45:55 Locating your installation if you don't know where it ended up 48:00 Telemetry of wmcli tool 53:03 Creating an extension from scratch 58:21 Boilerplate code 59:36 Audoloading namespaces 1:00:25 Declaring extension configuration options 1:02:41 Hook handlers, interationalization, front end resources 1:05:50 BeforePageDisplay hook walkthrough 1:13:39 Freeform: starting to implement first extension with BeforePageDisplay hook! 1:30:33 Adam quickly walking through creating the extension 1:40:39 Quick scroll through other types of hooks 1:42:11 Adding API functions and Special: pages 1:43:20 mwcli more userful commands 1:44:48 mwcli extra services (phpMyAdmin, MailHog, etc) 1:48:18 Discussion about different extensions interacting via their own hooks 2:01:13 Pair programming wbremovequalifiers ticket with Wikibase 2:03:00 Difference between Wikibase repository and Wikibase client 2:04:00 Looking at Wikibase repository code 2:09:00 Submitting code to gerrit 2:11:00 Extension dependencies 2:14:10 Add "Powered by Wikibase" icon to footer 2:22:12 Using Mediawiki codesearch 2:33:41 The "callback" key in the extension's json manifest 2:37:52 Storing front-end assets (icon) 2:42:45 Loading custom CSS 2:45:38 Feedback form 2:46:51 Live feedback [Workshop structure document](https://docs.google.com/document/d/1oyGx2YRu9mcGLQ2cRfZvut0XwkSPMbt_n_5Whol2vCc/edit#heading=h.79bwkk4h2gg6)https://video.rhizome.org/videos/embed/415e03be-9f99-436e-a52e-cd1c44dbea96https://video.rhizome.org/w/nMDGftgpNAWUeDAF3BbA1Qhttps://video.rhizome.org/lazy-static/thumbnails/389807d2-672b-4b64-b4d6-af26f6aeccf2.jpgWikibase Ecosystem Enablement Workshop 2022-05-24Timestamps to follow soon [Workshop structure document](https://docs.google.com/document/d/1GDgp6bjJ9LMobUNwDArtwQUzAqf7OSkLuxLsydO8vkE)https://video.rhizome.org/videos/embed/b06f9c79-f4ce-4471-ac85-54e4cd5668b8https://video.rhizome.org/w/hDTd3DLGCo913BDnZFDGTAhttps://video.rhizome.org/lazy-static/thumbnails/1d3395d6-b23c-4411-aacd-e6bdd00ae12d.jpgThe Longest Whistlegraph Ever (so far)Rhizome Presents: The Longest Whistlegraph Ever (so far) 00:00 - Title 00:37 - L1 Cave 02:37 - L2 Flower Chain 06:05 - L3 Argument 09:13 - Drop 10:25 - L4 Building 15:27 - L5 Candle Dance 19:09 - Remix 20:38 - Credits • Composed by Whistlegraph (Alex Freundlich, Camille Klein, and Jeffrey Alan Scudder). • Photography by Brian Echon. • Edited by Whistlegraph. • Special thanks to Celine Wong-Katzman, Michael Connor, Zion Douglass, and Derek Wright. • Additional music by Charles Kamin-Allen. Performed and recorded on August 3. Premiered by New Museum on September 13. © 2022 Whistlegraph, LLChttps://video.rhizome.org/videos/embed/86dc4bc0-8bc3-4ef7-bc42-eeed960c6de8https://video.rhizome.org/w/jacX9kydJYpgeSRiLSCivRhttps://video.rhizome.org/lazy-static/thumbnails/4b498e91-7ede-464e-8502-e733ebf53209.jpgAccess Quality Metrics for Net Art (for iPres 2022, Glasgow)Travel issues prevented me from delivering that talk in person so I quickly made this video.https://video.rhizome.org/videos/embed/930d8e02-6074-4168-9181-22a4f3cedd27https://video.rhizome.org/w/8NFocB855HUCzmtymLW3WHhttps://video.rhizome.org/lazy-static/thumbnails/2feda36f-b7df-480e-8bd5-e2131ee51439.jpgStories from the New Aesthetic: Joanne McNeilStories from the New Aesthetic took place at The New Museum of Contemporary Art in New York City on October 11, 2012. The New Aesthetic was a research project by James Bridle, investigating the intersections of culture and technology, history and memory, and the physical and the digital. For this event, was joined by Aaron Straup Cope and Joanne McNeil to discuss stories related to these ideas. Joanne McNeil is a 2012 USC Annenberg-Getty Arts Journalism Fellow. Her writing has appeared in Modern Painters, Wired (UK), the Los Angeles Times, and other web and print publications. https://video.rhizome.org/videos/embed/3f34745b-f71e-41d4-80d9-6cee8d10abddhttps://video.rhizome.org/w/pdw94MLC7SqdpyZspV7Tkghttps://video.rhizome.org/lazy-static/thumbnails/3a1ee0b8-4053-445c-be9f-d6ea383b95e6.jpgVirtuality Salon 3: Samantha Culp on art in ARRhizome x Kadist Virtuality Salon: Samantha Culp on art in AR Monday, January 25th, at 12pm PST / 3pm EST For the third Rhizome x Kadist Virtuality Salon, writer/producer Samantha Culp presented her research on Augmented Reality (AR) art and took part in an informal discussion about a recent article in Art in America, which offered a critical appraisal of recent artistic experimentation, and the particular issues artists face in working with or against AR platforms.https://video.rhizome.org/videos/embed/bc01b032-b68b-458f-bd5b-61b460d76429https://video.rhizome.org/w/cfxLvdo5TjKJzM5CcG38Zshttps://video.rhizome.org/lazy-static/thumbnails/eb768ec8-eb46-4efc-8a6b-6ae69370bd2f.jpgAbout Rhizome 2001 VHSA brief history of Rhizome’s roots and how the organization champions artists through its digital art archive. Produced in 2001, this infomercial was digitized from VHS.https://video.rhizome.org/videos/embed/5b1c83ed-2174-48af-9fa2-8989536b67b0https://video.rhizome.org/w/uZ6LJPybpeJnHdiwm4sfeUhttps://video.rhizome.org/lazy-static/thumbnails/ffe1942c-d30e-4678-ab27-674982e4d17e.jpgStories from the New Aesthetic: James BridleStories from the New Aesthetic took place at The New Museum of Contemporary Art in New York City on October 11, 2012. The New Aesthetic was an ongoing research project by James Bridle, investigating the intersections of culture and technology, history and memory, and the physical and the digital. For this event, Bridle was joined by Aaron Straup Cope and Joanne McNeil to discuss stories related to these ideas. James Bridle is a writer, publisher, and technologist. His writing has appeared in Wired, Domus, Icon, and widely online. He speaks worldwide on the intersections of literature, technology, and culture, and writes about what he does at booktwo.org. https://video.rhizome.org/videos/embed/eab8d586-efdd-4609-8a82-e078dbbaf2dehttps://video.rhizome.org/w/sHpG18P9L24YRYPbnkCCRwhttps://video.rhizome.org/lazy-static/thumbnails/f42b0e5f-5083-4096-9f9a-fabdcdd0ace2.jpgStories from the New Aesthetic: Aaron Straup CopeStories from the New Aesthetic took place at The New Museum of Contemporary Art in New York City on October 11, 2012. The New Aesthetic was an ongoing research project by James Bridle, investigating the intersections of culture and technology, history and memory, and the physical and the digital. For this event, Bridle was joined by Aaron Straup Cope and Joanne McNeil to discuss stories related to these ideas. Aaron Straup Cope was Senior Engineer at the Smithsonian Institution’s Cooper-Hewitt National Design Museum. Before that, he was Senior Engineer at Flickr focusing on all things geo-, machinetag-, and galleries-related between 2004 and 2009. From 2009 to 2011, he was Design Technologist and Director of Inappropriate Project Names at Stamen Design, where he created the prettymaps project. https://video.rhizome.org/videos/embed/d855b2f3-2dba-4140-a5fe-35b03ef31638https://video.rhizome.org/w/3jv9kmBNj6AQMzHsjv4Rezhttps://video.rhizome.org/lazy-static/thumbnails/9b02cf79-945a-42a9-80f9-f98f076e32d7.jpgSocial Media and the Warrior Women Water ProtectorsSocial Media and the Warrior Women Water Protectors March 23, 2018 at the New Museum This conversation will address the role of social media in the movement to stop the Dakota Access Pipeline and its ongoing role in the way the struggle is litigated and remembered. In stark contrast with the American Indian Movement’s openly antagonistic relationship with the mainstream press in the 1970s, the Standing Rock organizers struggled to communicate an accountable and reflective message as thousands of independent media makers, armed with smartphones and social media accounts, rushed to join the cause. More broadly, Facebook has emerged as the go-to organizing tool for Native activists, but it also platforms abuse, dysfunction, and distortion. What kind of ethical engagement with social media is possible in Native communities that have been deeply disrupted by internalized colonization? Elizabeth Castle Scholar and activist Marcella Gilbert Nutritionist and community organizer Madonna Thunder Hawk Co-founder, Women of All Red Nations Organizer, American Indian Movement and Standing Rock encampment Grandmother to a generation of activists https://video.rhizome.org/videos/embed/12c7a028-3a93-4c08-801d-953241c7d97fhttps://video.rhizome.org/w/kBrkEbwcK6gu4VgqBk4Ea1https://video.rhizome.org/lazy-static/thumbnails/539ea95e-ff47-4b62-836a-8ee76fe40ca6.jpgA conversation between Meriem Bennani and Aria DeanNarrated by an animated crocodile, Meriem Bennani’s recent film "Party on the CAPS" is a docunarrative exploring the robust, technologically advanced, and totally hybridized culture of a fictional island in the Atlantic Ocean called The CAPS. The film follows residents of a Moroccan neighborhood on the island–who, like all of the CAPS’ inhabitants, are refugees rejected by the United States—as they hang out, party, and otherwise go about their lives in this speculative society. Blending science-fiction and geopolitical realities, Party on the CAPS addresses immigration, surveillance, the real and the virtual, and globalized culture with humor and empathy. Following on from an exhibition of the work as an installation at the Stoschek Collection in Berlin, Rhizome presented an online screening of "Party on the CAPS" followed by a conversation between the artist and Rhizome editor and curator Aria Dean. Please note that this video does not include "Party on the CAPS," only the conversation related to it. https://video.rhizome.org/videos/embed/9ed0483b-e761-46c1-91fd-7a7508429f6ahttps://video.rhizome.org/w/ay1GMsnXjVjMTS1uc94v3mhttps://video.rhizome.org/lazy-static/thumbnails/01b452db-c8ca-4459-bac0-0b775c89a30d.jpgA Conversation with Kate CooperOn the occasion of New Museum’s “Screen Series Online: Kate Cooper,” Rhizome has invited the artist and presentation curator, Jeanette Bisschops, New Museum Curatorial Fellow, to discuss Cooper’s vivid and provocative CGI videos on view as part of Screens Series Online, and to preview forthcoming work. https://video.rhizome.org/videos/embed/4d5a7b5f-3fe5-4aa8-b1f4-2125f1778574https://video.rhizome.org/w/hCtabeiXZ8h1VCmtTuP85ihttps://video.rhizome.org/lazy-static/thumbnails/e7304d74-ec35-4fe8-9069-02eb2bbdc5bd.jpgLets Talk Net ArtMarch 21, 2019 Organized alongside the Art Happens Here exhibition, Lets Talk Net Art dives into Rhizome’s Net Art Anthology which retells the history of art created with computer technology. Presenters including Josephine Bosma, author of Nettitudes: Let's Talk Net Art, share their thoughts on digital media and art. https://video.rhizome.org/videos/embed/86a9bb2a-e7a6-4223-82f8-c5e07a2df7adhttps://video.rhizome.org/w/mbuXjFaAt4reYgBpyomuAnhttps://video.rhizome.org/lazy-static/thumbnails/32482d46-9e7c-41e3-8253-34e362e96eaa.jpgIn Conversation: Ane Graff, Tal Danino, and Martha KirszenbaumRecorded September 10, 2021 on the occasion of The Armory Show, Rhizome and OSL Contemporary co-presented a conversation with artist Ane Graff and Tal Danino to discuss their interdisciplinary work. This talk was moderated by Martha Kirszenbaum, curator of Liquid Life, on view at the Kistefos Museum and featuring Graff's works. https://video.rhizome.org/videos/embed/a36e0de8-903f-491e-ac4b-195394c6c079https://video.rhizome.org/w/fZDFPujfD6rbvBwhQ1d1ZLhttps://video.rhizome.org/lazy-static/thumbnails/0758b1eb-7ff6-4be4-8632-78c9a5274875.jpg2015 IDEAS CITY Festival - Rhizome + åyr Salon - Hood by Airbnb —Housing in NYCAs part of the 2015 IDEAS CITY Festival, Rhizome and the New Museum invited åyr to organize a day-long salon addressing Airbnb and contemporary domesticity in New York. Hood by Airbnb —Housing in NYC Murray Cox (Inside Airbnb), Chris Glazek (Genius), Benjamen Walker (Theory of Everything), Deanna Havas (artist), and Peer Illner (philosopher). https://video.rhizome.org/videos/embed/796c8fb0-0185-4135-ba6c-809ec8cf48f6https://video.rhizome.org/w/rEmhatKmBFd25ZNJsNPJ1Vhttps://video.rhizome.org/lazy-static/thumbnails/2b122b88-d87c-4b5d-bdd9-f5120d72f6da.jpg7×7 Stavanger: Shu Lea Cheang & Kate AdamalaEpisode One of 7×7 Stavanger, a newly imagined, online only edition of Rhizome's flagship art-tech platform, co-presented with Kunsthall Stavanger in Norway.https://video.rhizome.org/videos/embed/cfcf3a18-bf1d-47c8-b2a3-39e81b309f15https://video.rhizome.org/w/41PkjH9BVGKVREMu73Pq96https://video.rhizome.org/lazy-static/thumbnails/475650d9-208d-4652-b208-ed1cda50e21b.jpg2015 IDEAS CITY Festival: Rhizome + åyr Salon - HOSPITALITYAs part of the 2015 IDEAS CITY Festival, Rhizome and the New Museum invited åyr to organize a day-long salon addressing Airbnb and contemporary domesticity in New York. Hood by Airbnb —Housing in NYC Murray Cox (Inside Airbnb), Chris Glazek (Genius), Benjamen Walker (Theory of Everything), Deanna Havas (artist), and Peer Illner (philosopher).https://video.rhizome.org/videos/embed/18689608-9a81-44a0-a01f-d3a03b4c39edhttps://video.rhizome.org/w/pPeNcMWnxz82P9dNxmn7iWhttps://video.rhizome.org/lazy-static/thumbnails/70a3da9c-79ab-4963-bc65-2488d12d3819.jpg2015 IDEAS CITY Festival: Rhizome + åyr Salon - WHAT DO YOU HATE?As part of the 2015 IDEAS CITY Festival, Rhizome and the New Museum invited åyr to organize a day-long salon addressing Airbnb and contemporary domesticity in New York. Hood by Airbnb —Housing in NYC Murray Cox (Inside Airbnb), Chris Glazek (Genius), Benjamen Walker (Theory of Everything), Deanna Havas (artist), and Peer Illner (philosopher).https://video.rhizome.org/videos/embed/c0daa619-daeb-43e2-8a1f-6d9e531c9350https://video.rhizome.org/w/94cYLUcycBBPzcrZ94uUSVhttps://video.rhizome.org/lazy-static/thumbnails/671cde6a-c6e5-4f7a-ad61-200cb1ac50f4.jpgA day in the lives ofCynthia and Celinde are conjoined twins who live in the mind of their autistic host. You will be joining them today in their myriad adventures. You may have already gotten to know them a bit in the computational network community they usually hang out in, whether on DeviantArt or elsewhere. This is the first time they are out and about in the world, and boy do they have a lot to show and tell. You will learn lots about machinic death drive and changelings. Be wary of metaphorization. They don’t like it when you expect them to teach you about yourself through their body. Rather, they prefer to teach through being in the world. Buckle up and enjoy your trip! Andrea Crespo: A day in the lives of” is commissioned by Rhizome and copresented with the New Museum as part of First Look: New Art Online. https://video.rhizome.org/videos/embed/413bb90b-37ca-4dff-8316-42aad47fbb29https://video.rhizome.org/w/tC38fNsdADNXwWLH8pe8iVhttps://video.rhizome.org/lazy-static/thumbnails/27e3d39c-8839-4285-9187-73acf08b14e9.jpg386 DX LiveJanuary 31, 2019 New Museum, NYC Created by Russian artist Alexei Shulgin, 386 DX was “the world’s first cyberpunk band.” Known for its live performances on city streets and in nightclubs, the performer is a dingy, singing PC that runs Windows 3.1, equipped with a vintage sound card and loaded with MIDI files of drums, guitar, and synth and accompanying lyrics. Its live performances (it only plays covers, ranging from “California Dreaming” by the Mamas and the Papas to Nirvana’s “Smells Like Teen Spirit”) are accompanied by colorful digital graphics reminiscent of early 1990s screensavers.https://video.rhizome.org/videos/embed/dfaed444-a7e7-46a2-b07b-f3dad3dec423https://video.rhizome.org/w/e2ZsRJffgq59BVmX8j5aW8https://video.rhizome.org/lazy-static/thumbnails/8d902f4e-c840-40d0-9f87-c8dcf16d423e.jpgAGNES - walkthrough 1created June 20 2019 by Michael Connor FF 66.05 on Mac 10.14.5 A self-identified spambot, AGNES was commissioned by London’s Serpentine Gallery in conjunction with the launch of their new website in 2014. Though AGNES’s stated mission was to provide more information about the artists on view at the Serpentine Gallery, she was also hungry for personal information from her visitors. She interacted with visitors through text, narration, content pulled from other websites, and even written correspondence, offering questions and observations that ranged from comical to cloying, and from friendly to mildly surveillant.https://video.rhizome.org/videos/embed/698df58f-4ca7-442f-8697-575feeb8ba67https://video.rhizome.org/w/xmiLajzGtN7LRuo5KPCFTkhttps://video.rhizome.org/lazy-static/thumbnails/2dbbc27f-92d0-4682-8564-5d6dbe0f7548.jpgagnes3A self-identified spambot, AGNES was commissioned by London’s Serpentine Gallery in conjunction with the launch of their new website in 2014. Though AGNES’s stated mission was to provide more information about the artists on view at the Serpentine Gallery, she was also hungry for personal information from her visitors. She interacted with visitors through text, narration, content pulled from other websites, and even written correspondence, offering questions and observations that ranged from comical to cloying, and from friendly to mildly surveillant. https://video.rhizome.org/videos/embed/fde11ea5-0ce6-4cab-b686-a3fafc23978dhttps://video.rhizome.org/w/5pSAdMo1Mvzb3qYEzXLGoghttps://video.rhizome.org/lazy-static/thumbnails/a743207a-3ed0-4133-9ca7-55fb613029c8.jpgambient portraitsmanuel arturo abreu, 'ambient portraits,' 2017https://video.rhizome.org/videos/embed/23b9d6ab-2acb-4caf-a715-b7d846e9af1bhttps://video.rhizome.org/w/nD1ANJHwNtWqwcwYAbsubohttps://video.rhizome.org/lazy-static/thumbnails/ee3bef18-c5a7-4a69-804f-f8d87083a03a.jpgAn Elegy for Ancestors - quick snapshotAn Elegy for Ancestors - quick snapshothttps://video.rhizome.org/videos/embed/af3acd19-c66e-4034-b9a8-a2146e698c3ahttps://video.rhizome.org/w/p8Jkgv6CE8yuhTfHzw4oq2https://video.rhizome.org/lazy-static/thumbnails/7f8d6e54-0473-480d-a8fd-faff9b609c93.jpgArt & Tech Residency at Waterside ElementaryArt & Tech Residency at Waterside Elementaryhttps://video.rhizome.org/videos/embed/bb567bd4-8313-4851-b5da-0b5c70760cc1https://video.rhizome.org/w/561a6U6CQEyyNKydQpFY4Ahttps://video.rhizome.org/lazy-static/thumbnails/a1fcb85f-9600-4240-8709-31fdb1f50b68.jpgART-COM 1981 - Galloway & Rabinowitz - Living in the image as place - Class @ Loyola Marymount Un...ART-COM 1981 - Galloway & Rabinowitz - Living in the image as place - Class @ Loyola Marymount Universityhttps://video.rhizome.org/videos/embed/21175ec5-5aad-4dac-8faf-a5062e220938https://video.rhizome.org/w/gKcYGwarHYUzwTfUU1htBFhttps://video.rhizome.org/lazy-static/thumbnails/cb4a05d9-cf25-4ee3-a1f5-289c9f795ff8.jpgB.A.B PSA #1The multimedia project Black Artist Burnout evoke the experiences that Black artists often have when dealing with white institutions, even ones with “good” intentions. The first video shared by the group opens with a content warning, followed by a notorious clip from the television sitcom Family Matters in which the character Laura is the victim of racist graffiti at school. The videos go on to feature GAN-generated, Rorschach-style inkblots, 3D avatars of Black people expressing exhaustion, and snippets from conversations which seem to feature artists comparing notes on their frustrations with the cultural sector. https://video.rhizome.org/videos/embed/7f817185-9bbb-40b8-a477-87a0a1948ce1https://video.rhizome.org/w/aG7Pr7EKFWfzRiGenzdFfLhttps://video.rhizome.org/lazy-static/thumbnails/1f60cb4d-49e2-4f5f-b4b2-5a72e13f0afc.jpgBAB Infomercial 2The multimedia project Black Artist Burnout evoke the experiences that Black artists often have when dealing with white institutions, even ones with “good” intentions. The first video shared by the group opens with a content warning, followed by a notorious clip from the television sitcom Family Matters in which the character Laura is the victim of racist graffiti at school. The videos go on to feature GAN-generated, Rorschach-style inkblots, 3D avatars of Black people expressing exhaustion, and snippets from conversations which seem to feature artists comparing notes on their frustrations with the cultural sector. https://video.rhizome.org/videos/embed/4e7c334b-1e9f-4e6d-8c10-6849683ee724https://video.rhizome.org/w/8Us2dXm1gAXXWy9sMpB2Uohttps://video.rhizome.org/lazy-static/thumbnails/8bdb84e9-cd51-4e2f-a2db-4de0e6ee2391.jpgBarcode Nudes (Ally Theater)N-Prolenta, Barcode Nudes (Ally Theater), 2017https://video.rhizome.org/videos/embed/4002aec7-3f35-4382-9d45-f301a876ac8ahttps://video.rhizome.org/w/ueC1VyGtaGFmpq4AcXAb8jhttps://video.rhizome.org/lazy-static/thumbnails/1fc6aa93-52f1-4b4f-868a-7f6b291825ec.jpgBIT Plane - Bureau of Inverse Technology - VDB versionPlaceholder-- VDB version Under the auspices of the anonymous collaborative the Bureau of Inverse Technology (BIT), Natalie Jeremijenko and Kate Rich created BIT Plane in 1997, shortly after NATO and the U.S Air Force flew the first Predator surveillance drones over Bosnia and Kosovo. Jeremijenko and Rich’s radio-controlled, video-enabled model airplane (a precursor to now-familiar consumer-grade drones) surveilled radically different landscapes than its Predator predecessor, but its very existence was indebted to much of the same government research and development that made military UAVs possible.https://video.rhizome.org/videos/embed/e4a6bf41-5522-49fc-b2c6-1d89a40b24b0https://video.rhizome.org/w/hnvvbAtRXEqnG7hvaTwzbZhttps://video.rhizome.org/lazy-static/thumbnails/bd8a9412-976b-4b1f-b61a-b3c6cff7f7a1.jpgBIT Plane by the Bureau of Inverse Technology (BIT)Between November 1997 and February 1998, the Bureau of Inverse Technology (BIT) launched and flew a remote control plane, nose-mounted with a miniature video camera and transmitter, through Silicon Valley, which BIT described as “the glittering heartlands of the Information Age.”https://video.rhizome.org/videos/embed/8493050a-82ec-4a7c-8887-501273b3e8e1https://video.rhizome.org/w/foACp27LUSGh2pG5VLMJezhttps://video.rhizome.org/lazy-static/thumbnails/319a4c62-c45f-4ec6-b458-182bc497e41a.jpgBLACK ON WHITE, GRAY ASCENDING by YOUNG-HAE CHANG HEAVY INDUSTRIESCo-presented by Rhizome and the New Museum, December 1, 2007 - March 23, 2008. Co-organized by Laura Hoptman, Senior Curator, the New Museum, and Lauren Cornell, Executive Director, Rhizome and Adjunct Curator, New Museum. Video by Dennis Knopfhttps://video.rhizome.org/videos/embed/7487a4e7-56dd-4fef-bd7f-60b95b774ae3https://video.rhizome.org/w/tNCM8TDHJ2U318frqVabUghttps://video.rhizome.org/lazy-static/thumbnails/cc3a6d2d-7609-4a91-a890-5bea1bb494e4.jpgBlogs are Art TooBlogs are Art Toohttps://video.rhizome.org/videos/embed/e1299f63-ba5d-4012-a99e-f4fcefd62437https://video.rhizome.org/w/wpfPfFSCuKjsw4WJLdtVTihttps://video.rhizome.org/lazy-static/thumbnails/c2660b62-f332-4568-97d9-e2c927d0b96c.jpgBroad Band: The Untold History of the Women Who Made the InternetJoin author and musician Claire L. Evans–– joined by Jaime Levy, Stacy Horn, and Marisa Bowe–– for a conversation about her recently published book Broad Band: The Untold History of the Women Who Made the Internet. Filmed April 19th, 2018 at the New Museumhttps://video.rhizome.org/videos/embed/f631657a-72a1-4315-b659-00104f4a8f0bhttps://video.rhizome.org/w/9XLSSPLWRPkgQErZAsUZmQhttps://video.rhizome.org/lazy-static/thumbnails/55fdf275-6ae6-4a1a-b754-f34fa3d443cb.jpgCare ForgotRyan Clarke visual mixtape 2019 special thanks to the Jules Cahn Archive at the Historic New Orleans Collection.https://video.rhizome.org/videos/embed/4892ac55-0fc0-4603-b1a8-9239a98f097chttps://video.rhizome.org/w/8fqF6a9qntXb5QgmR5CJsqhttps://video.rhizome.org/lazy-static/thumbnails/48186401-af39-491d-adaa-fbfb4a1990a4.jpgLive Playthrough of Mezzanine with Inpatient InteractiveOn October 15, 2022, Rhizome presented Mezzanine, a video game by Inpatient Interactive (Mitch Anzuoni and Peter Christian) at the New Museum. Anzuoni and Christian performed a live playthrough of the game which was followed by a Q&A with Rhizome Curator, Celine Wong Katzman alongside audience questions. Audience members were offered physical copies of “Mymik,” a magazine that exists virtually in the game, which included Mezzanine CD-ROMs. This event accompanies First Look: Mezzanine, the latest in the ongoing series of digital projects copresented by Rhizome and the New Museum.https://video.rhizome.org/videos/embed/3ab396d9-bec9-4ac3-8ff3-c66f090e35e4https://video.rhizome.org/w/wJenwAZnt6KSAw4w92igJwhttps://video.rhizome.org/lazy-static/thumbnails/74046be7-aedc-4455-be6f-1e022ee47d61.jpgChop Suey MoonA lossy capture of a hidden scene in 'Chop Suey.'https://video.rhizome.org/videos/embed/f8d7a36f-13bc-4cd8-b6c7-466425280276https://video.rhizome.org/w/9khJ7LZHc7vur55gPJFsYohttps://video.rhizome.org/lazy-static/thumbnails/594b038e-45e2-4c3b-bdc5-71d97eee8e7c.jpgCollectable.art DemoCollectable.art Demohttps://video.rhizome.org/videos/embed/437a8c7c-0553-4724-bbb5-f425fe928946https://video.rhizome.org/w/3E2RPjbGaDCpSyypkgMExKhttps://video.rhizome.org/lazy-static/thumbnails/aa50e0ff-0e24-4dac-82b4-dbc46ca78a48.jpgConsensual Hallucinations: Early Online Writing from The Thing BBS ArchivesFounded in New York City in 1991, The Thing was a Bulletin Board System–a forum where users could post and exchange messages–focusing on contemporary art and cultural theory. Among the tens of thousands of BBSes that flourished from the late 1970s to the 1990s, The Thing was notable for its design and community dynamics. Considered by its founder Wolfgang Staehle to be a kind of social sculpture, The Thing included features such as an anonymized chatroom, and it was a hub for online experimental writing. This history is little known, because most of the messages posted on The Thing BBS have been lost or otherwise inaccessible for many years. During his tenure as Rhizome’s digital conservator, Ben Fino-Radin began a research project to locate missing archives from The Thing BBS. He succeeded in securing a WordPerfect file containing a screen dump of more than 400 pages of messages saved by a hacker named Blackhawk, former sysadmin of The Thing. With the support of a grant from the National Endowment for the Humanities. Rhizome has undertaken a project to recover, make accessible, and study this material. This event marks the launch of a web-based interface to offer access to a number of the recovered threads from this research process. This online event brings together Lori Emerson, Associate Professor at the University of Colorado at Boulder and Founding Director of the Media Archaeology Lab, The Thing’s founder Wolfgang Staehle, and Rhizome Artistic Director Michael Connor to discuss the early years of The Thing BBS and the community dynamics and cultural practices that it gave rise to. Support This program is supported by a grant from the National Endowment for the Humanities.https://video.rhizome.org/videos/embed/1581afa8-613e-4d04-818f-1135b82a1221https://video.rhizome.org/w/4REmpM8rRhfrsCBiMvDEpWhttps://video.rhizome.org/lazy-static/thumbnails/97bf6c52-70e4-4211-99cb-f038dc3cc9ae.jpgConstant Dullaart, 2015 Prix Net Art Winner, Explains 3 Key Works2015 Prix Net Art Awardee Constant Dullaart discusses "DullTech," "Jennifer in Paridise," and his DVD performances. Video by New Rules (newrules.tv).https://video.rhizome.org/videos/embed/1f3a7ef3-abdf-4b30-8592-bb83cf1f9e3chttps://video.rhizome.org/w/dcf9D9ESAnSdJqicZNpx9Khttps://video.rhizome.org/lazy-static/thumbnails/5cc8547b-3dbb-4c64-a888-00f52f56ca7d.jpgContinual Partial Awareness: Premiere of a new performance by Cory Arcangel"This performance is going to be about 'Continuous Partial Awareness' -- a phrase that was first described to me as meaning 'you know, like, when you have 3 IM windows open, 2 email inboxs dinging away, are txting 5 different people, and also have 5 tabs open on your browser, each with updated content.' It is about paying attention to everything all the time, but not really concentrating on anything. It is different from multitasking, because with multitasking, one actually is expected to concentrate on tasks at some point, even if in small doses. 'Continuous Partial Awareness' is the eroded degenerate modern version of multitasking. I still don't know how this performance will take shape, it might be a lecture, a music show, a broadcast, a chess game, etc, etc, but what I do know is that the feeling of 'non-concentration' that has seeped into today's life through our flat screen displays and wifi will be its starting point." -- Cory Arcangel Friday, November 14th, 2008 at 8:30pmhttps://video.rhizome.org/videos/embed/62bf90a4-2c55-4249-8a7f-6d4f2d38bfafhttps://video.rhizome.org/w/rryE67vj29fctgxioThgeShttps://video.rhizome.org/lazy-static/thumbnails/31944be4-64ca-4b92-8781-a9671471bae6.jpgContinuing Education for Dead AdultsPart of the New Silent Series. Three multi-media performances that riff off the consequences of youth pop culture and adolescent education. East Coast collective Paper Rad premieres two videos: "Problem Solvers" (20 min, 2008) and a short entitled "crank dat spongebob batman dropdead robocop" (3 min, 2008), a ride through Youtube narcissism. New York artist Ben Coonley presents a new performance entitled 'Kindred Spirits is the Working Title,' (15 min, 2008) and Providence-based experimental band Wizardzz (featuring members of Lightning Bolt) will perform in front of a mesmeric animated tapestry composed of images taken from the Web.https://video.rhizome.org/videos/embed/ce062fa7-9c65-47db-ac17-905ea57a5970https://video.rhizome.org/w/9qAVzFP7i4ihrMhG5BByabhttps://video.rhizome.org/lazy-static/thumbnails/d0009348-01b9-4aa9-891f-606698b3977d.jpgContra-Internet Inversion Practice #1_ Constituting an Outside (Utopian Plagiarism)Contra-Internet Inversion Practice #1_ Constituting an Outside (Utopian Plagiarism)https://video.rhizome.org/videos/embed/44387b79-5d47-4f22-809e-dc064b01eabchttps://video.rhizome.org/w/kf9f5k4RJq4FACbQJTHGD9https://video.rhizome.org/lazy-static/thumbnails/526acdf9-a159-4401-8793-1ecd5c743099.jpgDigital Social Memory Keynote: Failures of CareDigital Social Memory: Ethics, Privacy, and Representation in Digital Preservation February 4, 2017 Drawing its title from a question posed by artist Theaster Gates, “Who feels responsible for the failure of care around the legacies of great black people around the world?”, this panel explores the urgent task of archiving black culture in the face of historical erasure. It features panelists Bergis Jules, University and Political Papers Archivist at the University of California, Riverside; Simone Browne, Associate Professor of Sociology at the University of Texas at Austin; Doreen St. Felix, writer at MTV News; and artist, educator, and writer Kameelah Janan Rasheed.https://video.rhizome.org/videos/embed/9bd72085-e82c-4b09-910a-90a685e00de2https://video.rhizome.org/w/rU68LnmLPduTgwydqUCexAhttps://video.rhizome.org/lazy-static/thumbnails/1aa15e6a-fd80-4990-b483-27c727f21d20.jpgEduardo Kac, 'Reabracadabra' (1985)Eduardo Kac's visual poem 'Reabracadabra' used Videotexto, a text-driven pre-internet telecommunication network in Brazil, to explore the timeless question of language and its limits. The work is presented as part of Net Art Anthology, Rhizome's two-year long online exhibition about net art history. Here, Kac narrates the story behind the work.https://video.rhizome.org/videos/embed/d1ba4e70-8dd5-429f-a884-8b9eac6258dchttps://video.rhizome.org/w/gKaD7hUxGWpvTWosDBTnvKhttps://video.rhizome.org/lazy-static/thumbnails/11e08bbc-b2ac-4243-994e-397790919dda.jpgEthics and Archiving the Web: Archiving TraumaArchiving Trauma March 22, 2018 at the New Museum, New York eaw.rhizome.org Memory work is a necessary part of the always unfinished process of healing, fighting for justice, and seeking emancipation. Archives of all kinds can support this work, but they can also amplify the effects of trauma, stage it as spectacle for public consumption, or make victims newly vulnerable. This panel will explore both the potential for web archives to support valuable memory work in the wake of trauma, and to cause further harm. Michael Connor (moderator) Artistic Director, Rhizome Chido Muchemwa Writer, archivist, University of Texas at Austin Nick Ruest Digital Assets Librarian, York University Coral Salomón NDSR Fellow at The University of Pennsylvania Fisher Fine Arts Library Tonia Sutherland Assistant professor, College of Communication and Information Sciences at University of Alabama Lauren Work Digital Preservation Librarian, University of Virginia Libraryhttps://video.rhizome.org/videos/embed/7f8000b4-1f39-4a94-bce7-a89d29807379https://video.rhizome.org/w/ntUDVK1QKqCJcnDzmNm6JEhttps://video.rhizome.org/lazy-static/thumbnails/ce5b6d86-0a37-4719-ada1-495ca0f4b4e9.jpgEthics and Archiving the Web: Building a Community Archive of Police ViolenceBuilding a Community Archive of Police Violence March 23, 2018 at the New Museum, New York eaw.rhizome.org A People’s Archive of Police Violence in Cleveland provides a sustainable, autonomous means for Cleveland residents to share their first-hand accounts of police violence in the region. In this conversation, Drake and Williams will discuss the archive’s conception and development, lessons learned from the process, and its potential as a post-custodial model for other grassroots organizations protesting various forms of state violence. Jarrett Drake Advisory archivist of A People’s Archive of Police Violence in Cleveland; Doctoral Student at Harvard University Department of Anthropology Stacie Williams Team Leader, Digital Learning and Scholarship, Case Western Reserve University Libraryhttps://video.rhizome.org/videos/embed/adf57159-8bd9-48a0-908e-1d83fcb60d9ehttps://video.rhizome.org/w/rNGaeXJmj835x9jRFNLFerhttps://video.rhizome.org/lazy-static/thumbnails/12285dbc-6d6f-41a9-b730-34a77fe16d11.jpgEthics and Archiving the Web: Curation and PowerCuration and Power March 22, 2018 at the New Museum, New York eaw.rhizome.org Decisions about what gets archived, and what gets surfaced as part of archival presentations, reflect the power and politics of institutions. This panel will explore ways in which software and online platforms mediate, amplify, and obscure these dynamics in traditional and algorithmic forms of curation. Morehshin Allahyari Artist, activist, and educator Anisa Hawes Researcher, Victoria & Albert Museum Margaret Hedstrom Robert M Warner Collegiate Professor of Information, School of Information and Faculty Associate, Institute for Social Research at University of Michigan Jess Ogden (moderator) PhD candidate in Web Science, University of Southampton Lozana Rossenova PhD researcher at London South Bank University (in collaboration with Rhizome)https://video.rhizome.org/videos/embed/d0f96dd1-bc44-4302-9aa3-6180c6c4f3e7https://video.rhizome.org/w/ktkBMiNbju53VWAub6W24rhttps://video.rhizome.org/lazy-static/thumbnails/a88425f1-e0a1-4ee1-94f9-70b8e9d1224f.jpgEthics and Archiving the Web: Documenting HateDocumenting Hate March 22, 2018 at the New Museum, New York eaw.rhizome.org This panel considers whether documenting hate speech on the web have a role in dismantling white supremacy. What kind of ethical case can be made for devoting resources to archiving the digital presence of hate groups? What ethical guidelines are needed for archivists working in this context? Patrick Davison Editor, Data & Society Aria Dean (moderator) Assistant Curator for Net Art + Digital Culture, Rhizome Joan Donovan Media Manipulation/Platform Accountability Research Lead, Data & Society Renee Saucier Master of Information student, Faculty of Information, University of Toronto Caroline Sinders Machine learning designer/user researcher, artist, and digital anthropologisthttps://video.rhizome.org/videos/embed/9daece41-4fc3-43f2-b4f0-15442461bfebhttps://video.rhizome.org/w/tmpviDbwnpYfVhhG1b788shttps://video.rhizome.org/lazy-static/thumbnails/cf7ac860-85b4-4b57-b509-e4fdc086e2ff.jpgEthics and Archiving the Web: Fidelity, Integrity, & Compromise3/23/2018, New Museum, New York In many contexts, archives serve as witness and testament to crimes, corruption, and abuse, and hold sensitive information about vulnerable populations. What steps can archivists take before collection and after storage in order to safeguard web archives’ status as credible witness, and to protect the communities they represent? Ashley Blewer Archivist, developer, and technologist Ada Lerner (moderator) Assistant Professor of Computer Science, Wellesley College Michael L. Nelson Professor, Department of Computer Science, Old Dominion University Shawn Walker Assistant Professor of Communication/Social Technologies, Arizona State Universityhttps://video.rhizome.org/videos/embed/dd801ad6-dcea-4230-9ad3-7226e844b93chttps://video.rhizome.org/w/htQnpLzGdGMrteJzhvuVA5https://video.rhizome.org/lazy-static/thumbnails/47ae0fd0-ac55-455c-9232-6d18adc6e204.jpgEthics and Archiving the Web: Introduction and The Internet of Affects-Haunting Down DataThe Internet of Affects-Haunting Down Data March 22, 2018 at the New Museum, New York eaw.rhizome.org This talk offers a critical and practical meditation on haunting, information, and data visualization. What is at stake in parsing some of the differences between social media as data and social media as affective experience? Marisa Parham Professor of English; Director, irlHumanities Lab; Faculty Diversity and Inclusion Officer, Amherst Collegehttps://video.rhizome.org/videos/embed/85751be0-174e-4a22-a7b6-57f0dd288f9chttps://video.rhizome.org/w/hYMJi7GHbTTRUK9P19czGBhttps://video.rhizome.org/lazy-static/thumbnails/4d6c1c94-96ff-4188-a0ef-2f5f6a033a5b.jpgEthics and Archiving the Web: Stewardship & UsageStewardship & Usage March 23, 2018 at the New Museum, New York eaw.rhizome.org This panel explores the tensions that arise between institutional archives–which may have roots in oppressive power structures, including white supremacism and colonialiasm–and the interests of the communities they aim to represent. How can communities be engaged in a long-term effort of record creation, collection, and stewardship? What tools are available to communities–particularly traditional or indigenous communities whose interests often do not align with existing technical and legal frameworks–to assert ownership over their own material? Jefferson Bailey Director, Web Archiving at the Internet Archive Monique Lassere Digital Preservation Librarian, University of Arizona Justin Littman Software developer and librarian at George Washington University Libraries Allan Martell PhD Student, School of Information, University of Michigan Trent Purdy [Travel cancellation] Assistant Librarian & Archivist, University of Arizona Anthony Sanchez Assistant Librarian, University of Arizonahttps://video.rhizome.org/videos/embed/89800d23-145b-4948-8bcc-335841201bcfhttps://video.rhizome.org/w/ccSFsBV1ad4YG4mjeDCd72https://video.rhizome.org/lazy-static/thumbnails/f53c89b7-2ed1-4736-b125-6422eb15e7ce.jpgEthics and Archiving the Web: The Ethics of Digital FolkloreThe Ethics of Digital Folklore March 23, 2018 at the New Museum, New York eaw.rhizome.org Image macros, photos of kittens, and other vernacular forms–created by users, for users–are the most important, beautiful, and misunderstood aspects of internet culture. Digital folklore raises particular ethical issues for archivists and researchers in that users’ labor is treated as data fodder, attribution and permission are difficult to establish, and what gets celebrated and remembered tends to replicate existing cultural biases. Frances Corry Doctoral Student, Annenberg School for Communication and Journalism, USC Dragan Espenschied (moderator) Preservation Director, Rhizome Ruth Gebreyesus Writer & Producer Ian Milligan Associate Professor, Department of History, University of Waterloo Ari Spool Community Operations Manager, GIPHYhttps://video.rhizome.org/videos/embed/5abcf089-0898-4d2b-a45d-65d02e39b69dhttps://video.rhizome.org/w/b8UJNa3gEDQutp2MjTN9nchttps://video.rhizome.org/lazy-static/thumbnails/02176f22-123b-4ad4-b89c-ff4d6ce1f467.jpgEthics and Archiving the Web: The Internet of Affects-Haunting Down DataThis talk offers a critical and practical meditation on haunting, information, and data visualization. What is at stake in parsing some of the differences between social media as data and social media as affective experience? Marisa Parham Professor of English; Director, irlHumanities Lab; Faculty Diversity and Inclusion Officer, Amherst Collegehttps://video.rhizome.org/videos/embed/52161806-8cbe-4037-aa76-50849844994dhttps://video.rhizome.org/w/qatnyM1w1uxkY9j78V2P8xhttps://video.rhizome.org/lazy-static/thumbnails/32f1a180-dfb5-4fca-83ed-c281d82c12df.jpgEthics and Archiving the Web: The Right to Be ForgottenWhen individuals attempt to withdraw their materials from public archives, the goal of preserving the public record comes into conflict with the expectation of “the right to be forgotten.” This panel considers robots.txt, donor forms, and removal requests as negotiated encounters among people, institutions, and the law. Nicola Bingham [Travel cancellation] Lead Curator, Web Archiving, British Library Itza A. Carbajal [Travel cancellation] Latin American Metadata Librarian; LLILAS Benson Latin American Studies and Special Collection at UT-Austin Joyce Gabiola (moderator) PhD student, Information Studies, UCLA Dorothy Howard PhD student, Dept of Communication, UC San Diego Katrina Windon Accessioning and Processing Archivist, University of Arkansashttps://video.rhizome.org/videos/embed/c3ade3e7-5045-4fac-b1e0-1d2bb5c98fa9https://video.rhizome.org/w/fPd9EdPi9FnttUb2cELXkHhttps://video.rhizome.org/lazy-static/thumbnails/aefa111b-9d00-4427-92c1-0eb77219bb12.jpgEthics and Archiving the Web: Web Archiving as Civic DutyWeb Archiving as Civic Duty March 22, 2018 at the New Museum, New York eaw.rhizome.org In this panel, we grapple with the ways in which researchers, archivists, civically engaged citizens, and grassroots activists can keep track of the official public record, even as government agencies seek to delete, destroy, and dissemble it. We look at unique challenges that archivists face in unearthing and preserving federal websites, government social media platforms, environmental data, and born-digital military documents. Together and with an eye towards the future, we reflect on the ways in which web archives and data are understood, (re)imagined, and contested. Amelia Acker (co-moderator) Assistant Professor, School of Information, The University of Texas at Austin Natalie Baur Digital Preservation Librarian, El Colegio de México Adam Kriesberg (co-moderator) College of Information Studies, University of Maryland Muira McCammon Freelance journalist, war crimes researcher, and PhD student, Annenberg School of Communication, University of Pennsylvania Hanna E. Morris PhD Student, Annenberg School for Communication, University of Pennsylvania Stacy Wood (co-moderator) Assistant Professor, School of Computing and Information, University of Pittsburghhttps://video.rhizome.org/videos/embed/77f762bd-1322-4c86-b8af-52428909f993https://video.rhizome.org/w/2V4aUD6BpPr2QoxJKZ8FT2https://video.rhizome.org/lazy-static/thumbnails/ea052a56-ad77-49c4-815d-c1e166aa04de.jpgEthics and Archiving the Web: Web as Witness Archiving & Human RightsWeb as Witness - Archiving & Human Rights March 23, 2018 at the New Museum, New York eaw.rhizome.org In a “smartphones everywhere” world, it’s critically important for archivists, activists, and journalists to think strategically and ethically about using, sharing, and preserving human rights-related web and social media content for advocacy or evidentiary purposes. This panel will explore how web archives can be used in an advocacy context, and the challenges and risks such efforts face. Anna Banchik UC Berkeley Human Rights Investigations Lab Member and Ethnographer; PhD Candidate, UT-Austin Jeff Deutch Lead Researcher, Syrian Archive; PhD candidate, Humboldt University; Fellow, Centre for Internet and Human Rights Pamela Graham (moderator) Director, the Center for Human Rights Documentation & Research, Columbia University Libraries Alex Hopkins [Travel cancellation] Web Producer, Airwars Natalia Krapiva UC Berkeley Human Rights Investigations Lab Member and Legal Mentor; JD Candidate, UC Berkeley School of Law Dalila Mujagic Digital Producer, WITNESShttps://video.rhizome.org/videos/embed/0f818336-f6df-4fa2-af70-6bef5b772b93https://video.rhizome.org/w/htdV6sQvN5xzho1N1CyDPehttps://video.rhizome.org/lazy-static/thumbnails/fa87e006-efa2-4bac-b232-9578fca92bec.jpgFirst Look: Jordan WolfsonConversation between artist Jordan Wolfson and Rhizome assistant curator Aria Dean at First Look: Jordan Wolfson at The New Museum on June 15, 2017https://video.rhizome.org/videos/embed/855f427f-85b2-4358-a060-936545b41da7https://video.rhizome.org/w/pzSZdA5LmKZVUUPHNV8APPhttps://video.rhizome.org/lazy-static/thumbnails/c75fc594-b96d-423b-adfe-33469136dc96.jpgCyberfeminism Index Book LaunchCyberfeminism Index Book Launchhttps://video.rhizome.org/videos/embed/befd27b7-1094-4b91-8584-a99564370d85https://video.rhizome.org/w/t1ZHAe8ZTykVsqtcJzZ7FRhttps://video.rhizome.org/lazy-static/thumbnails/31373224-cd27-4f80-bdff-51ae2229b68f.jpgThe Making of Natural Language: An Evening with the Enron Email ArchiveIn this panel discussion, Tega Brain, Sam Lavigne, Kate Crawford, Devin Kenny, Constant Dullaart, Mimi Onuoha, and Finn Brunton explore the historical and human contexts of an influential dataset. Building on recent New Museum events that delved into the implications of machine learning for issues of subjectivity and bias, this panel discussion convenes artists and researchers who consider the historical and human context of the Enron email archive and its ongoing use in machine learning. This event is organized by New Museum affiliate Rhizome with Sam Lavigne and Tega Brain, in conjunction with their online exhibition “First Look: The Good Life,” which invites users to subscribe to receive hundreds of thousands of emails from the Enron archive over the course of seven years. Recorded October 6, 2017 at the New Museum.https://video.rhizome.org/videos/embed/daca502f-bd7b-409a-b733-a01688e8ce57https://video.rhizome.org/w/u2cePBt3y3UTHGFcAcDH1Mhttps://video.rhizome.org/lazy-static/thumbnails/5cb60ad5-9061-477e-9ca9-eb7dcadf8815.jpgThe Revolving Internet2018 documentation of 2010 work by Constant Dullaarthttps://video.rhizome.org/videos/embed/e2ea8d55-f2a4-4bb1-99a5-c7514e080de9https://video.rhizome.org/w/jNEqpygiqZMXxAyDpquaEjhttps://video.rhizome.org/lazy-static/thumbnails/dba3a712-a9d3-441f-8ace-c6eb8fff1c1d.jpgThe Technology Readings 1/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features Chelsea Peretti)https://video.rhizome.org/videos/embed/9848630f-9231-485b-a583-929622a47972https://video.rhizome.org/w/uoqTDvw6iwc8xd8ZcwCeHghttps://video.rhizome.org/lazy-static/thumbnails/7047c2fa-29d7-4b2b-a6b5-36c721e13e92.jpgThe Technology Readings 2/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features Laura Krafft)https://video.rhizome.org/videos/embed/e5e195af-9e12-4512-af6d-89df6959eb4dhttps://video.rhizome.org/w/8mEExu5JPqbtNH9iiYJLVGhttps://video.rhizome.org/lazy-static/thumbnails/021f7694-d98e-4472-aed2-d9217103911a.jpgThe Technology Readings 3/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features John Roberts)https://video.rhizome.org/videos/embed/3b92ac83-ab58-40be-8847-cfc01c61934ahttps://video.rhizome.org/w/6kB54ZeDPAXzWzPFgJ7rgKhttps://video.rhizome.org/lazy-static/thumbnails/27b87548-dcc4-4f40-96ca-bc830fee3f27.jpgThe Technology Readings 4/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features Anthony Atamanuik)https://video.rhizome.org/videos/embed/2b3a700b-adb9-4637-9e44-8de8d1184c45https://video.rhizome.org/w/vEvqrhJE4z3G9rfrGSnivfhttps://video.rhizome.org/lazy-static/thumbnails/deecc010-6106-4ffa-aad6-64ebfd9f6121.jpgThe Technology Readings 5/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features Amy Poehler)https://video.rhizome.org/videos/embed/f0396a7a-28cf-449a-b873-04cc20c891achttps://video.rhizome.org/w/1JhDa3D17LqREyyT7rXAu7https://video.rhizome.org/lazy-static/thumbnails/c6897be1-d2ac-4ff6-8997-73c155cfa582.jpgThe Technology Readings 6/6Part of the New Silent Series A group of New York comedians perform readings on the joys and pitfalls of a technology-saturated culture. Featuring: Chelsea Peretti, Amy Poehler, John Roberts, Joe Mande, Anthony Atamanuik and Laura Krafft, many whom are notable for gaining fame on the internet, from Roberts' YouTube monologues to Peretti's episodic online shows including the 6-part series "All My Exes." Presented by Rhizome at the New Museum (clip features Joe Mande)https://video.rhizome.org/videos/embed/05e77e55-1ffa-4d6c-8f56-627cb611facehttps://video.rhizome.org/w/tbS82rBq7MV3VLVGKcZrAPhttps://video.rhizome.org/lazy-static/thumbnails/fe7c771c-5778-4380-b846-76c1ef090238.jpgThis is the ENDD: Mathew Dryhurst & Brian RogersThis is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. at the New Museum Matthew Dryhurst & Brian Rogers on the history of the electronic cigarette. NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it. Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.https://video.rhizome.org/videos/embed/dc2b11db-8bf0-4bc1-ba31-3d4622c1495fhttps://video.rhizome.org/w/kTcDHcGG6MLKx6rSrpaZrfhttps://video.rhizome.org/lazy-static/thumbnails/b6b22bd7-8c4d-4637-a77f-1d572b8ef03f.jpgThis is the ENDD: Pinar & Viola; C.A.B. FredericksThis is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. at the New Museum Dutch artists Pinar & Viola Health education professional C.A.B. Fredericks on the technology’s fractious reception in his field. NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it. Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.https://video.rhizome.org/videos/embed/a103bf19-d006-469f-9fa5-55a9c029ed34https://video.rhizome.org/w/8zF2BEy1TWEDoi7jAU7Gzehttps://video.rhizome.org/lazy-static/thumbnails/1f7a460a-f882-403f-9d09-82c188bd5c69.jpgThis is the ENDD: Panel DiscussionThis is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. at the New Museum Artists Mathew Dryhurst & Brian Rogers, health education professional C.A.B. Fredericks, artists Pinar & Viola. NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it. Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.https://video.rhizome.org/videos/embed/3d639119-56d6-43c8-a8c5-9b311190f917https://video.rhizome.org/w/hKv8uhFDVHk9j1QKS1PzEBhttps://video.rhizome.org/lazy-static/thumbnails/b723ffa5-140d-4d26-aed2-f7d8e9c620ea.jpgThis is the ENDD: Pirate Utopia; Orit GatThis is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. at the New Museum Art critic Orit Gat on the vape shop experience, by way of the French e-clopinette. A video intervention initiated by Pirate utopia on the ecig’s sculptural properties. NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it. Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.https://video.rhizome.org/videos/embed/87a526f0-fc5b-4c54-96c9-164b3f28a1bbhttps://video.rhizome.org/w/wNtEiYUPpKTLf6UzuJeL7Xhttps://video.rhizome.org/lazy-static/thumbnails/c6e941ef-b9b7-4b91-9aea-e66386bce34c.jpgThis is the ENDD: Tracy Jeanne Rosenthal; 2nd panel discussionThis is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. Tracy Jeanne Rosenthal's new performance on psychological drives after the cigarette. Second panel discussion. NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it. Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.https://video.rhizome.org/videos/embed/f96f6b6c-2bd1-414d-aa95-64760180932bhttps://video.rhizome.org/w/h6rUdhvFyYDxSm8cq9wEhKhttps://video.rhizome.org/lazy-static/thumbnails/4dbd173e-dc30-4605-8e08-817f658f2e26.jpgTriple Canopy: The Medium is Tedium, Part 1Triple Canopy is an online magazine that explores how the Web informs the experience of reading literature and viewing artworks. The publication’s development has been inspired in part by a critical engagement with the legacy of Aspen magazine (1965-71). Artists and writers contributed projects to Aspen in the form of easily distributable media such as flip books, flexi-disc records, and paper sculpture. These projects coincided with a broader contemporaneous phenomenon: artworks intended to appear exclusively in magazines. The New Silent event, The Medium Was Tedium, examines how this move from the exhibition space to the printed page has been subsequently repeated by artists in relation to other media, such as television programming and the Internet. Triple Canopy’s editors will discuss practices that traverse mediums and the media with artists Mel Bochner, Daniel Bozhkov, and Erin Shirreff. canopycanopycanopy.com/ This event is part of Rhizome's New Silent Series at the New Museum.https://video.rhizome.org/videos/embed/8254e623-61aa-43c8-b6cb-eb7c5663d193https://video.rhizome.org/w/jmSvnFcGVe9oiHrgmp1Fyrhttps://video.rhizome.org/lazy-static/thumbnails/640ce7f6-4c5c-4bc0-a453-38524c4771b5.jpgTriple Canopy: The Medium is Tedium, Part 2Triple Canopy is an online magazine that explores how the Web informs the experience of reading literature and viewing artworks. The publication’s development has been inspired in part by a critical engagement with the legacy of Aspen magazine (1965-71). Artists and writers contributed projects to Aspen in the form of easily distributable media such as flip books, flexi-disc records, and paper sculpture. These projects coincided with a broader contemporaneous phenomenon: artworks intended to appear exclusively in magazines. The New Silent event, The Medium Was Tedium, examines how this move from the exhibition space to the printed page has been subsequently repeated by artists in relation to other media, such as television programming and the Internet. Triple Canopy’s editors will discuss practices that traverse mediums and the media with artists Mel Bochner, Daniel Bozhkov, and Erin Shirreff. canopycanopycanopy.com/ This event is part of Rhizome's New Silent Series at the New Museum.https://video.rhizome.org/videos/embed/94ae7f3a-2e48-4c74-b719-02b16d505405https://video.rhizome.org/w/w7LBYcDK3SUYrREw2puTubhttps://video.rhizome.org/lazy-static/thumbnails/93c827d7-5198-43b4-97d3-0c8afb0a73c8.jpgTriple Canopy: The Medium is Tedium, Part 3Triple Canopy is an online magazine that explores how the Web informs the experience of reading literature and viewing artworks. The publication’s development has been inspired in part by a critical engagement with the legacy of Aspen magazine (1965-71). Artists and writers contributed projects to Aspen in the form of easily distributable media such as flip books, flexi-disc records, and paper sculpture. These projects coincided with a broader contemporaneous phenomenon: artworks intended to appear exclusively in magazines. The New Silent event, The Medium Was Tedium, examines how this move from the exhibition space to the printed page has been subsequently repeated by artists in relation to other media, such as television programming and the Internet. Triple Canopy’s editors will discuss practices that traverse mediums and the media with artists Mel Bochner, Daniel Bozhkov, and Erin Shirreff. canopycanopycanopy.com/ This event is part of Rhizome's New Silent Series at the New Museum.https://video.rhizome.org/videos/embed/f3e41edd-7ca4-4a59-8935-dc7de1f7e87ehttps://video.rhizome.org/w/xmp37hoQBXuCs4KnhSktsDhttps://video.rhizome.org/lazy-static/thumbnails/16eda3cd-b840-49eb-8e59-b1304b751c62.jpgUBERMORGEN — [V]ote Auction — Burden of Proof (2000)The work of UBERMORGEN, an artist duo of lizvlx and Hans Bernhard, Vote-Auction was an online auction platform created during the 2000 US presidential election that claimed to allow Americans to sell their vote online.https://video.rhizome.org/videos/embed/fde45eda-121b-4385-937a-2ae296eceeadhttps://video.rhizome.org/w/1GMLcB9ewt24BSVB4g5jdUhttps://video.rhizome.org/lazy-static/thumbnails/2937acd7-0675-49d5-ac1f-4fa6c604ce29.jpgVelvet-Strike (2002)Velvet Strike (2002) by Anne-Marie Schleiner, Joan Leandre, and Brody Condonhttps://video.rhizome.org/videos/embed/05b1f3e2-b654-4aff-9829-f0547bfb0824https://video.rhizome.org/w/5rk2iu5Jah5pPfFkUHohQBhttps://video.rhizome.org/lazy-static/thumbnails/b776b890-bc00-4bd4-912d-ed0bde04e1cc.jpgUp To The Moment (Original)Up To The Moment (Original)https://video.rhizome.org/videos/embed/23eddf33-d0d6-4c2d-b7b2-a8fa848d7903https://video.rhizome.org/w/2FYCjzTakTtih9qt1tVXZKhttps://video.rhizome.org/lazy-static/thumbnails/d3ab1a22-9ffa-4566-8ef2-0c7df879f3c2.jpgVVORK : Variety Evening at the New MuseumVienna-based collective VVORK present a contemporary variety show, composed of daring and experimental translations of original artworks. Variety is inspired by how culture of all kinds—sound, moving image, graphics—cycles easily between states and forms. For this one-night event, local performers will stage works by artists Wojceich Kosma, Vladimir Nikolic, Tao Lin, Kristin Lucas, Adrian Piper, Pierre Bismuth, and Claire Fontaine. Containing readings, video, performance, dance, and music, Variety will present the acts together in a dramaturgy that can be understood as a single performance, allowing for new interpretations of each piece. When finished, the evening will be carried on as a single score, with instructions for how it can be repeated at different venues in the future. VVORK is a website (vvork.com) and curatorial project by artists Aleksandra Domanovic, Oliver Laric, Georg Schnitzer, and Christoph Priglinger.https://video.rhizome.org/videos/embed/0dae0af7-30ca-4c8c-92fb-2c991ff48389https://video.rhizome.org/w/aMaHSSwckmm6huGfBcZGkuhttps://video.rhizome.org/lazy-static/thumbnails/5cc708dc-00e5-4e9b-af64-77662de7bcb3.jpgWas Being Moved?The poetry film Was Being Moved? (2011) takes the form of a series of postcards to a “Mr. Parade,” interspersed with vignettes of public rituals and street life in Chicago, New York City, and Taiwan. It features music composed and played by Taiwanese musician Yujun Wang. Ye Mimi is a Taiwanese poet and filmmaker. Having earned an MFA in creative writing at Dong Hwa University and an MFA in film at the School of the Art Institute of Chicago, she is the author of two volumes of poetry and has exhibited several of her poetry films internationally. Through collaging her words and images, she improvises a new landscape, trying to erase the border between poetry and image making. A bilingual chapbook of her poems was recently published by Anomalous Press under the title His Days Go by the Way Her Years (2013https://video.rhizome.org/videos/embed/4f30b580-d0d5-4f85-ab7e-40f532ccb502https://video.rhizome.org/w/6QY63Gy7JFABtLU8YHuin9https://video.rhizome.org/lazy-static/thumbnails/09c6d46c-bdcc-4593-b237-9c0e277fabd3.jpgWaiting for the InternetVideo work by the artist duo João Enxuto and Erica Love which portrays internet access as a basic necessity that is distributed unequally. https://video.rhizome.org/videos/embed/2f53f588-11f2-40d2-8055-717b3501d6dehttps://video.rhizome.org/w/uPyQh6NJ8XykNUJDM5f1P8https://video.rhizome.org/lazy-static/thumbnails/fdd38523-1d52-4b94-888e-e2caaf5fdccb.jpgWaterside Residency - clip 1Waterside Residency - clip 1https://video.rhizome.org/videos/embed/e96412c6-4711-45f1-b276-4f4815c3767dhttps://video.rhizome.org/w/fXwgfzY48aiaeiCoBjsqxbhttps://video.rhizome.org/lazy-static/thumbnails/1f9947ba-ae59-4e2b-a5a3-b05b91d56702.jpgWaterside Residency backgroundWaterside Residency backgroundhttps://video.rhizome.org/videos/embed/79207fb1-51c4-411d-aa60-d340757e6d00https://video.rhizome.org/w/wHUAnpjjdZLu7mQxTkkK5Nhttps://video.rhizome.org/lazy-static/thumbnails/ebc51ee7-a47c-4e92-960b-2f7d3c040f6d.jpgWelcome to the Metaverse IDavid Rudnick, Aria Dean, and Michael Connor discuss artistic and political strategies for responding to the current moment in which a person’s everyday experience, sense of self, job, wealth, and future, may be more deeply tied to digital contexts than physical ones.https://video.rhizome.org/videos/embed/f8cc10d1-2f02-46b2-829c-eb2a52d2b7eahttps://video.rhizome.org/w/6DxNiGiC7haWyZNVvGGpkohttps://video.rhizome.org/lazy-static/thumbnails/e551a153-6d41-4f69-afea-d1a4adf5b0ec.jpgWelcome to the Metaverse II“Welcome to the Metaverse II” explores new speculative infrastructures that facilitate virtual shared spaces online. In particular, the panel considers forms of collaboration and exchange that are enabled through the blockchain and decentralized platforms, and how these might take forms beyond skeuomorphic virtual worlds. Panelists include Marguerite deCourcelle, artist and CEO of Blockade Games; Kevin McCoy, artist and founder of Monegraph; Trevor McFedries, founder of Brud and Friends With Benefits; and Rhea Myers, artist, hacker, and writer. This event was presented in conjunction with “World on a Wire,” the first exhibition in a partnership between Hyundai Motor Company and Rhizome to showcase leading digital art globally.https://video.rhizome.org/videos/embed/2dbbcf29-8c81-41fe-ac85-5d4999c74dc0https://video.rhizome.org/w/q7DVNNjoJfxnzcJairSkzhhttps://video.rhizome.org/lazy-static/thumbnails/b5178332-622b-4559-b6b5-bf68ce23d3e3.jpgWorld on a Wire: Rachel Rossin Artist TalkMarch 29, 2021. A Conversation between artist Rachel Rossin and Rhizome's Artistic Director, Michael Connorhttps://video.rhizome.org/videos/embed/c3492a0b-846d-4b55-94a7-cd99a6173576https://video.rhizome.org/w/5zf9jESB6x33xrkY1dQPa5https://video.rhizome.org/lazy-static/thumbnails/2019784b-c779-42de-be6c-815987ad3428.jpgZach Blas: Contra-Internet Inversion Practice #1: Constituting an Outside (Utopian Plagiarism)A short, performative desktop lecture in which texts that originally opposed economic and sexual hegemony are repurposed for a manifesto against the internet itself, critiquing its logic and suggesting possible alternatives. Part of the exhibition "Real Live Online" curated by Devin Kenny and Lucas G. Pinheiro.https://video.rhizome.org/videos/embed/2508d0b6-2de2-4151-bc20-bea8e1815c6ahttps://video.rhizome.org/w/xeTDVErqr8hxBXx49vLQrEhttps://video.rhizome.org/lazy-static/thumbnails/b1efaf22-a46f-476e-9ed1-6da5a6714e63.jpgFrom Black Boxes to Open Systems: Curating Online Exhibitions“From Black Boxes to Open Systems” was a knowledge-sharing initiative. Through events, articles, and a forthcoming website, the project aimed to help artists and art organizations to develop a better understanding of the concepts, skills, and infrastructure necessary for the exhibition, collection, and stewardship of born-digital art of all kinds.https://video.rhizome.org/videos/embed/fcfbcce0-dd58-41e5-9dfc-968ac5310c80https://video.rhizome.org/w/tg88VGWYETG6RJi52UwLURhttps://video.rhizome.org/lazy-static/thumbnails/6cba6d9c-b5f4-4dc1-b047-3b61e97636a1.jpgFrom Black Boxes to Open Systems: NFTs and the Law, June 7, 2021Organized in collaboration with Serpentine Legal Lab, which promotes collaborations across art, science, and technology, this event convened leading art lawyers to discuss the legal implications of NFTs for collectors and artistic collaborators. Panelists were Leila Amineddoleh, founder of art, cultural heritage, and intellectual property law firm Amineddoleh & Associates LLP; Alana Kushnir, founder of art law and advisory firm Guest Work Agency and Principal Investigator of the Serpentine Legal Lab; Megan Noh, Co-Chair of Art Law at Pryor Cashman LLP; and Yayoi Shionoiri, Executive Director of the Chris Burden Estate and the Nancy Rubins Studio; to share brief case studies and discuss legal issues arising in NFT marketplaces.https://video.rhizome.org/videos/embed/dcc34c69-cc6c-43c2-864c-ea01843d0f39https://video.rhizome.org/w/kyhzAXAdaTXJ5itpeW8tdehttps://video.rhizome.org/lazy-static/thumbnails/f526168c-13de-4cce-acd2-93e38ca0a555.jpgFrom yu to meThrough a wide range of archival materials and in-depth interviews, From yu to me narrates a history of the former Yugloslavia's .yu domain, the women computer scientists who administered it, and its relationship with the surrounding political upheaval.https://video.rhizome.org/videos/embed/9e5fa70e-f2ce-4b1e-a0cf-063942becb69https://video.rhizome.org/w/6Ke7YLzyc2k1pAW8bZSoH9https://video.rhizome.org/lazy-static/thumbnails/82485c1f-1811-4e83-8be7-04d5de1987ff.jpgfuture physics 2 infinite sitesRafaël Rozendaal's work is an important inclusion in the Artbase not only for its considerable artistic merits, but also because of his development of new models for selling internet art that allow the work to remain publicly accessible online. The terms of Rozendaal's Art Website Sales Contract stipulate that collectors may purchase the websites (and many have), but that they must maintain it as a public site. This provision makes it possible for Rozendaal to deposit a public, archival copy of the works with Rhizome for conservation and research purposes, even as it is also part of a private collection.https://video.rhizome.org/videos/embed/2e86c2d7-3ad9-4b8b-96c4-2e26008369cahttps://video.rhizome.org/w/wtcpvm4pCSDrCBaZNp5V9Nhttps://video.rhizome.org/lazy-static/thumbnails/cace170f-ca28-4b03-a3e2-9d293f7f9b1c.jpgGoldin+Senneby: The Headless Conference, Part 1Goldin+Senneby are Swedish artists. They are also characters in Looking for Headless, a novel they commissioned, a detective story involving a murder (by decapitation, of course) that has been published serially since 2007. In it, Goldin+Senneby appear as shadowy figures, remotely controlling the action as it unfolds in exotic locales like the Bahamas and Gibraltar—glamorous but bureaucratic hubs of the offshore finance industry. The lectures, documentaries, and didactic displays that have accompanied the presentation of Headless at art institutions share little of the heady cloak-and-dagger suspense found in the fictional texts that the project spawns. The Headless Conference is no exception to this rule. Co-organized by Rhizome and the Office for Parafictional Research, the event will take the form of an academic symposium on issues pertinent to the discourse surrounding Goldin+Senneby's work. Up for discussion are topics as diverse as the economic theories of George Bataille and the nature of virtual spaces built by offshore finance networks. Participants are to include Angus Cameron, lecturer in human geography at the University of Leicester and Goldin+Senneby's chosen emissary; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor at the Yale School of Architecture; Ginny Kollak, director of the Office for Parafictional Research and second-year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University.https://video.rhizome.org/videos/embed/f6be4535-04f8-47db-9831-f1ff38402c02https://video.rhizome.org/w/85UttCTeSUvqSQ8ooKBHnihttps://video.rhizome.org/lazy-static/thumbnails/38d13271-3cda-4bb8-9507-1f1b16aa478d.jpgGoldin+Senneby: The Headless Conference, Part 2Goldin+Senneby are Swedish artists. They are also characters in Looking for Headless, a novel they commissioned, a detective story involving a murder (by decapitation, of course) that has been published serially since 2007. In it, Goldin+Senneby appear as shadowy figures, remotely controlling the action as it unfolds in exotic locales like the Bahamas and Gibraltar—glamorous but bureaucratic hubs of the offshore finance industry. The lectures, documentaries, and didactic displays that have accompanied the presentation of Headless at art institutions share little of the heady cloak-and-dagger suspense found in the fictional texts that the project spawns. The Headless Conference is no exception to this rule. Co-organized by Rhizome and the Office for Parafictional Research, the event will take the form of an academic symposium on issues pertinent to the discourse surrounding Goldin+Senneby's work. Up for discussion are topics as diverse as the economic theories of George Bataille and the nature of virtual spaces built by offshore finance networks. Participants are to include Angus Cameron, lecturer in human geography at the University of Leicester and Goldin+Senneby's chosen emissary; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor at the Yale School of Architecture; Ginny Kollak, director of the Office for Parafictional Research and second-year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University.https://video.rhizome.org/videos/embed/395f48a6-3bf3-40a7-be0a-698778ba1f7fhttps://video.rhizome.org/w/kA6wpU9LrMPaURKLcLQGcehttps://video.rhizome.org/lazy-static/thumbnails/8044fc77-9c00-4689-82ed-fd60da2be30e.jpgGoldin+Senneby: The Headless Conference, Part 3Goldin+Senneby are Swedish artists. They are also characters in Looking for Headless, a novel they commissioned, a detective story involving a murder (by decapitation, of course) that has been published serially since 2007. In it, Goldin+Senneby appear as shadowy figures, remotely controlling the action as it unfolds in exotic locales like the Bahamas and Gibraltar—glamorous but bureaucratic hubs of the offshore finance industry. The lectures, documentaries, and didactic displays that have accompanied the presentation of Headless at art institutions share little of the heady cloak-and-dagger suspense found in the fictional texts that the project spawns. The Headless Conference is no exception to this rule. Co-organized by Rhizome and the Office for Parafictional Research, the event will take the form of an academic symposium on issues pertinent to the discourse surrounding Goldin+Senneby's work. Up for discussion are topics as diverse as the economic theories of George Bataille and the nature of virtual spaces built by offshore finance networks. Participants are to include Angus Cameron, lecturer in human geography at the University of Leicester and Goldin+Senneby's chosen emissary; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor at the Yale School of Architecture; Ginny Kollak, director of the Office for Parafictional Research and second-year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University.https://video.rhizome.org/videos/embed/9ea053c4-9d03-43a1-a016-bed655475fcbhttps://video.rhizome.org/w/jPBwvXK9GNoeaTikg1DLj2https://video.rhizome.org/lazy-static/thumbnails/981b5f7b-2812-4cee-8c2f-dc3b7741e8d9.jpgHiS-StereoHiS-Stereohttps://video.rhizome.org/videos/embed/986a58ca-42df-467e-ab49-d91562143cadhttps://video.rhizome.org/w/pY4JSRn86yjRHkadfomsMDhttps://video.rhizome.org/lazy-static/thumbnails/0b85d846-c58b-43fe-afc6-dd8ad35c0c12.jpgStarrynight in Rhizome’s 2001 promoThis informational video from 2001, recently unearthed in the archives, is a nostalgic reminder of Rhizome's roots. Though the VHS format is near obsolete, our history will never be, and we maintain the same international and community-driven spirit today as seen in this video. Since 1996, Rhizome has evolved and refreshed many times over. From email list-serv to thriving non-profit, the organization always strives to bring together an international and diverse community. We hope to reinvigorate and re-engage the international community featured on our website by bringing our programs and events abroad. By hosting programs in other cities, Rhizome can promote artists and communities beyond New York City in more meaningful ways.https://video.rhizome.org/videos/embed/c216250a-dd13-4128-b8dd-0bcf6ca893bfhttps://video.rhizome.org/w/mFn1jtk3MvouRqQK6tGPCihttps://video.rhizome.org/lazy-static/thumbnails/ee10c847-9966-4221-980e-30e047b38ba0.jpgSeven on Seven LDN: SUSAN PHILIPSZ + NAVEEN SELVADURAIOrganized by Michael Connor, Heather Corcoran, and Emma Ridgeway of Barbican, this edition of Seven on Seven was held on October 27, 2013 at Barbican London. Omar Kholeif was the event respondent. Susan Philipsz’s work deals with the spatial properties of sound and with the relationships between sound and architecture. Born in Glasgow, she completed a BA in Fine Art at Duncan of Jordanstone College of Art, Dundee (1989–93) and an MA in Fine Art at the University of Ulster, Belfast (1993–4). In 2000 she was accepted onto the PS1 artist- in-residence programme in New York and in 2001 she took a residency at Kunst-Werke in Berlin, where she has lived since. In 2010 she won the Turner Prize. Naveen Selvadurai is an adventurer, hacker and co-founder of the location-based social networking site Foursquare. Before this, he was a senior software architect for Sony Music. He received his BS/MS in Computer Science from Worcester Polytechnic while working at Sun Microsystems and Lucent Technologies. He is now engaged in launching a consumer health insurance project with Oscar, a health insurance start-up based in New York.https://video.rhizome.org/videos/embed/a775b9ae-cc41-4717-a05a-6e21fbe2fba5https://video.rhizome.org/w/pivmECY4V1rWxPxD6GgTZWhttps://video.rhizome.org/lazy-static/thumbnails/ff0bfebb-dd0e-46c1-b4ed-294c4fea7aa3.jpgSeven on Seven LDN: JONAS LUND + MICHELLE YOUJonas Lund is a Swedish artist currently based in Berlin and Amsterdam. He makes use of a wide variety of media, combining software-based works with performance, installation, video and photography. He obtained a BFA in Photography at the Gerrit Rietveld Academie in Amsterdam in 2009, and an MA at the Piet Zwart Institute in Rotterdam. His work has been exhibited internationally at institutions including Tent, Rotterdam; New Museum, New York; and the Van Abbemuseum, Eindhoven. Michelle You is co-founder and chief product officer of Songkick, a service that allows users to track their favourite bands and receive gig alerts when they play nearby. It has grown to become the second most-trafficked concert site in the world after Ticketmaster, with almost eight million unique visitors a month. It is backed by Y Combinator, Index Ventures and Sequoia Capital. Michelle You studied English and philosophy at Columbia before receiving her MA in English at Cambridge.https://video.rhizome.org/videos/embed/bcb3ecbb-cb5c-45fc-9d75-5cbe980d4c04https://video.rhizome.org/w/rqNSryMdajK81Z1njuWxNahttps://video.rhizome.org/lazy-static/thumbnails/2fef8cd4-92c3-4f61-8c77-8dff493cf1ed.jpgSeven on Seven LDN: JAMIE KING KEYNOTEDr. Jamie King is founder of innovative online content distributor VODO. He was formerly Media Evangelist at BitTorrent Inc., and is director/producer of the pirate-distributed document STEAL THIS FILM. He was also a writer for ITN / Channel4 News, and an editor of Mute Magazine.https://video.rhizome.org/videos/embed/cdeb3391-865e-4d0e-bb32-c3404d8a8981https://video.rhizome.org/w/rYb6mR5VH6wS5pU2AUuK6Xhttps://video.rhizome.org/lazy-static/thumbnails/0f0d4c6e-d23b-4f6a-8fcf-3d558b462850.jpgSeven on Seven LDN: MARK LECKEY + DANIEL WILLIAMSMark Leckey’s works in sculpture, sound, performance and video explore the power that objects, images and brands exert on us as focal points of desire and identity. Leckey studied at Newcastle Polytechnic and from 2005 to 2009 taught as Professor of Film Studies at the Städelschule, Frankfurt am Main. He was awarded the Turner Prize in 2008. Daniel Williams is a software developer building web apps, mobile apps and physical computing things. He has contributed to numerous critical art and technology projects, both independently and in his former role as creative technologist at Pervasive Media Studios. He currently lives and works in London.https://video.rhizome.org/videos/embed/d24c5658-477a-4a70-af50-a7e1cfe1e885https://video.rhizome.org/w/91yheRK3vGqvmhgTQM6C84https://video.rhizome.org/lazy-static/thumbnails/18391e40-3526-4f35-ba6a-100bee98c669.jpgSeven on Seven LDN: RYDER RIPPSRyder Ripps is an entrepreneur and artist working in New York City and around the internet. He is creative director of the technology-driven creative agency OKFocus, and co-founder of the popular real-time image sharing platform dump.fm. Other projects include Internet Archaeology, LuCkYPLoP and #HDBOYZ.https://video.rhizome.org/videos/embed/40dd00a5-7f9f-4395-918b-ce8a09865f81https://video.rhizome.org/w/6GMnxjBCnZ3N4Z7ozG11xkhttps://video.rhizome.org/lazy-static/thumbnails/4d9e135e-388b-4f1c-8b1f-b13334cd429d.jpgSeven on Seven LDN: GRAHAM HARWOOD + ALBERTO NARDELLIGraham Harwood is a critical media artist, activist and academic now working with his long-term collaborator Matsuko Yokokoji as YoHa. Together they explore the socio-historical context of technology through works such as the 2009 transmediale award-winning project Tantalum Memorial, and Coal Fire Computers, exhibited at the 2010 AV Festival. Their works have been nominated for a BAFTA and are affiliated to the permanent collections of the Pompidou Centre, Paris, and the Centre for Media Arts (ZKM) in Karlsruhe. Alberto Nardelli is co-founder and CEO of Tweetminster, a media platform that dynamically analyses and monitors networks of influencers and experts on Twitter. Tweetminster’s core product is Electionista, a service following and tracking politics, elections and political trends in over 100 countries. Nardelli is also the former CEO of UnLtdWorld.com, the online platform for social entrepreneurs, acquired in March 2011 by Guardian News and Media. He holds a BA in Political Science and an MA in Media and Communication Studies.https://video.rhizome.org/videos/embed/2e2f67bb-960a-4882-ae2b-bc435b2e82b9https://video.rhizome.org/w/qJPQUsXZXEkCdrweWw3Svjhttps://video.rhizome.org/lazy-static/thumbnails/c4d618ce-28a0-4753-b8f5-b1d5bafcfa3e.jpgSeven on Seven LDN: CÉCILE B. EVANS + ALICE BARTLETTCécile B. Evans is a Belgian-American artist based in Berlin. She is the 2012 recipient of the Emdash Award, which resulted in a commissioned work for the Frieze Art Fair in London. She is also the 2013 recipient of the PYA Prize, which will result in the production and exhibition of a new video work at the Palais de Tokyo, Paris. Evans is currently an artist in residence at the Wysing Arts Centre, Cambridge. Alice Bartlett is creative technologist at BERG, a London-based design studio and makers of Little Printers. She graduated from the University of York in 2009 with a BSc in Computer Science. Between 2006 and 2009 she did four placements at IBM working in Java Test, CICS, pervasive messaging and Emerging Technology Services. Alice then joined FT Labs, where she worked on various projects including the Financial Times android app, blogs platform and HTML5 app, moving to BERG in 2011.https://video.rhizome.org/videos/embed/c8560cf3-5bed-4943-8d00-da92b10a08dchttps://video.rhizome.org/w/sTZxv5xDeAeiYGZe9YYTzZhttps://video.rhizome.org/lazy-static/thumbnails/a7461b62-96ca-45ef-9fc4-f243646754a2.jpgSeven on Seven LDN: ALEKSANDRA DOMANOVIĆ + SMÁRI MCCARTHYAleksandra Domanović’s work is concerned with the circulation and reception of images and information. Born in Novi Sad, former Yugoslavia, Domanović lives and works in Berlin. Exhibitions include Based in Berlin, nbk, Berlin (2011); Imagine Being Here Now, 6th Momentum Biennial, Moss, Norway (2011); Shanzai Turbo, Western Front, Vancouver (2010); Free, New Museum, New York (2010); A Painting Show, Autocenter, Berlin (2011). Smári McCarthy is an Icelandic-Irish innovator and information activist. He is executive director of the International Modern Media Institute, a co-founder and board member of the Icelandic Digital Freedoms Society (FSFÍ) and a participant in the Global Swadeshi movement. He is a founding member of the Icelandic Pirate Party and stood as its lead candidate in Iceland’s southern constituency in the 2013 parliamentary elections. He was the spokesperson and one of the organisers of the Icelandic Modern Media Initiative.https://video.rhizome.org/videos/embed/d9cfffe8-826c-4852-91f3-97e25ae592dfhttps://video.rhizome.org/w/w55gjmcNvzfjYA6aj3AxLmhttps://video.rhizome.org/lazy-static/thumbnails/0a1dc278-aafa-4908-90bd-88a26d78183f.jpgSeven on Seven 2017: Olia Lialina & Mike TykaMoscow-born, German-based artist Olia Lialina has produced many influential works of net art: My Boyfriend Came Back from the War (1996), Agatha Appears (1997), First Real Net Art Gallery (1998), Last Real Net Art Museum (2000), Online Newspapers (2004-2017), Summer (2013), best.effort.network (2015), and Bear With Me (2017). She is a professor at Merz Akademie in Germany. Lialina writes on digital culture, net art, and web vernacular. She is an animated GIF model and co-founder of Geocities Research Institute. Mike Tyka is co-founder of the Google Artists and Machine Intelligence program. He studied Biochemistry at the University of Bristol and went on to work as a research fellow at the University of Washington, studying the structure and dynamics of protein molecules. He co-founded ATLSpace, an artist studio in Seattle, and has been creating metal and glass sculptures of protein molecules. In 2013, Mike went to Google to study neural networks, both artificial and natural. This work naturally spilled over to his artistic interests, exploring the possibilities of artificial neural networks for creating art. https://video.rhizome.org/videos/embed/f383c340-ea29-4c40-abd5-0cf233c5a0d8https://video.rhizome.org/w/rGU57Y3td2HtfZDCUwkytXhttps://video.rhizome.org/lazy-static/thumbnails/2b2fc11e-eeec-459e-993a-5be6353ddbb2.jpgSeven on Seven 2017: Jayson Musson & Jonah PerettiJayson Musson is an artist, performer, writer, and filmmaker based in New York City. In January 2017, Musson premiered a new virtuality work, an astral memorial for victims of police violence, for New Museum and Rhizome’s First Look: Artists’ VR. His most well-known creation is Hennessy Youngman, a YouTube art critic who used hip-hop vernacular to critique the exclusionary language of art discourse. Other recent presentations include solo exhibitions at Fleisher/Ollman Gallery, Philadelphia, and Salon94, New York. Jonah Peretti is the founder and CEO of BuzzFeed. After co-founding The Huffington Post in 2005, Peretti launched BuzzFeed in 2006 as an experimental lab focused on tracking viral content and making things people wanted to share. Under Peretti’s leadership, BuzzFeed has grown to have over 1000 employees, with more than 200 million monthly unique visitors, 1.5 billion monthly video views, writers creating shareable and entertaining content, and reporters covering everything from politics to technology. The pair proposed Blockedt, an app that allows constant scrolling without visible users. https://video.rhizome.org/videos/embed/d02a4ea5-b5ee-4271-be06-7dfd1ba7f6adhttps://video.rhizome.org/w/xkzUZTBD7fJGuRrqE96yvrhttps://video.rhizome.org/lazy-static/thumbnails/fdbe53fc-280f-450e-89db-dc104ee3b5fc.jpgSeven on Seven 2016: Trisha Baga & Mike WoodsSeven on Seven May 14, 2016 Inside-Out VR: Artist Trisha Baga & Mike Woods, founder, White Rabbit VR In this new form of theater, users wearing headsets are the performers, not the audience.https://video.rhizome.org/videos/embed/fdc75487-2419-4df7-9fda-3f7358c8e1b3https://video.rhizome.org/w/mmpmamEnUuu6MEBqARhWnAhttps://video.rhizome.org/lazy-static/thumbnails/306012a5-e557-49ab-aab1-f00f02665f80.jpgSeven on Seven 2016: Miranda July & Paul FordFilmmaker, writer, and artist Miranda July and Paul Ford, programmer, writer, and cofounder, Postlight unveil their project for Seven on Seven 2016.https://video.rhizome.org/videos/embed/a4d0097d-beeb-4a30-9c2a-d16216f1fdcchttps://video.rhizome.org/w/wDaDtgGM3Xy6HdeiKCtKtqhttps://video.rhizome.org/lazy-static/thumbnails/b52167cc-f597-46f1-a507-2d7dd65a1f35.jpgSeven on Seven 2016: Rana El Kaliouby & Jennifer SteinkampSeven on Seven May 14, 2016 Jennifer Steinkamp, Artist and Rana el Kaliouby, Cofounder, Affectivahttps://video.rhizome.org/videos/embed/f8229fb6-0ca1-40e1-90ac-59c3858a625ahttps://video.rhizome.org/w/nomBbZy8cFpnXt5BZm2Uq2https://video.rhizome.org/lazy-static/thumbnails/45b5487f-7abf-440d-aeb4-b31e5b9e25ad.jpgSeven on Seven 2016: Jenna Wortham & JunglepussySeven on Seven May 14, 2016 The Patch by rapper Junglepussy & Jenna Wortham, staff writer, New York Times Magazinehttps://video.rhizome.org/videos/embed/ad2ef961-3788-4b1e-b781-26e012305289https://video.rhizome.org/w/5gr2Z9fv4v8M2GjTwDCDH3https://video.rhizome.org/lazy-static/thumbnails/44ea6ee7-29fe-4dac-b873-11588df9b772.jpgSeven on Seven 2016: Ingrid Burrington & Meredith WhittakerIngrid Burrington (artist) and Meredith Whittaker (Founder, Google Open Source Research Group)https://video.rhizome.org/videos/embed/228c239a-cfb9-42c6-8e7d-a39c03df82f0https://video.rhizome.org/w/iDjBnWG2RXBHJ3Ka6tqWybhttps://video.rhizome.org/lazy-static/thumbnails/eafbe53d-0d4a-41de-8ba9-61855cd5e701.jpgSeven on Seven 2016: Hito Steyerl & Grant Olney PassmoreSeven on Seven May 14, 2016 Hito Steyerl, Artist & Grant Olney Passmore, Cofounder, Aesthetic Integrationhttps://video.rhizome.org/videos/embed/8ee15873-79d5-4d5b-9284-e425252fdb32https://video.rhizome.org/w/cx25vg9TbYhTcA8pqb4wZBhttps://video.rhizome.org/lazy-static/thumbnails/55525277-b0da-4254-b53e-3d8fe4280da8.jpgSeven on Seven 2016: Claire L. Evans & Tracy ChouSeven on Seven May 14, 2016 Claire L. Evans, Artist and Writer & Tracy Chou, Software Engineer, Pinteresthttps://video.rhizome.org/videos/embed/5d693f0b-2585-460b-966f-e0788c3ab49dhttps://video.rhizome.org/w/2cC45kwSM5g87UBumELXBBhttps://video.rhizome.org/lazy-static/thumbnails/7f84e3ba-7f2c-4d35-b454-11e12b1a8665.jpgSeven on Seven 2016 in ReviewNew Rules (newrules.tv) explores a few of the pairs that took part in Seven on Seven 2016: Miranda July & Paul Ford Jenna Wortham & Junglepussy Ingrid Burrington & Meredith Whittakerhttps://video.rhizome.org/videos/embed/09b889e0-f5e0-430c-b0a7-ca7cdd637d0dhttps://video.rhizome.org/w/gm2ya7uzxugvzJwocAvGvmhttps://video.rhizome.org/lazy-static/thumbnails/4f57779c-a3fc-43bd-b0d3-18c7c4ce4879.jpgSeven on Seven 2015: Trevor Paglen + Mike Krieger (with Adam Harvey)Trevor Paglen is an American artist, geographer, and author. He constructs unfamiliar, yet meticulously researched ways to see and interpret the world through photography and other media. He has recently been exhibited at the Metropolitan Museum of Art, Tate Modern, and the Walker Arts Center, among others. Mike Krieger is co-founder and Technical Lead of Instagram. A native of São Paulo, Brazil, Mike holds an MS in Symbolic Systems from Stanford University. Prior to founding Instagram, he worked at Meebo as a user experience designer and front-end engineer.https://video.rhizome.org/videos/embed/7c44e9ca-f445-45fd-b9de-9e3e8095694ehttps://video.rhizome.org/w/dkoo87HxGxRunRbEH4aFKzhttps://video.rhizome.org/lazy-static/thumbnails/5b3c1784-4c15-412c-acf0-4f496a1beff8.jpgSeven on Seven 2015: Stanya Kahn + Rus YusupovStanya Kahn is an interdisciplinary artist working primarily in video. Humor, pathos, and the uncanny emerge as central modes in her hybrid media practice. Recent solo exhibitions include the New Museum, Pigna Projectspace, and Cornerhouse, and her works have been included in exhibitions at the Whitney Biennial, The California Biennial, the Museum of Modern Art, and more. Rus Yusupov is co-founder and Creative Director of Vine. A digital product designer and entrepreneur, he holds a BFA in Graphic Design from the School of Visual Arts. Prior to Vine, he founded design studio Big Human and was an adjunct instructor at NYU.https://video.rhizome.org/videos/embed/63e296ae-1003-45c9-bf76-d87c9d626513https://video.rhizome.org/w/r8hu2nhm58X5CTWP5xc3pHhttps://video.rhizome.org/lazy-static/thumbnails/3591d164-b814-4ddf-8149-9a5ed8187469.jpgSeven On Seven 2015: Martine Syms + Gina TrapaniMartine Syms is an artist and conceptual entrepreneur. She is founder of Golden Age, a project space focused on printed matter, and DOMINICA, an imprint dedicated to exploring blackness as a topic, reference, marker, and audience in visual culture. She has had presentations at the New Museum, Institute of Contemporary Art, MCA Chicago, Young Art, and more. Gina Trapani is an award-winning writer and programmer. She is co-founder of ThinkUp, a social data insights engine, and founding editor of Lifehacker. She created Todo.txt, and Narrow the Gap, a US Bureau of Labor Statistics data-driven website about the gender pay gap. Her work translates cutting-edge technology into insights that boost personal productivity.https://video.rhizome.org/videos/embed/cb78d4bc-7c4a-4c0e-b830-4af1e8cafa8fhttps://video.rhizome.org/w/hbzN21epRjoQ9nwB1TUmbnhttps://video.rhizome.org/lazy-static/thumbnails/77532626-91cc-4d55-9b32-a8b1b09fcd5c.jpgSeven on Seven 2015: Liam Gillick + Nate SIlverLiam Gillick is a British artist based in New York. He has had solo exhibitions at the Whitechapel Gallery, Palais de Tokyo, and MCA Chicago, and has work in the public collections of the Museum of Modern Art, Tate Modern, the Guggenheim Museum, and more. He was selected to represent Germany for the 53rd Venice Biennale in 2009. Nate Silver is a statistician, political forecaster and founder of FiveThirtyEight, who became known when his predictions during the 2008 presidential election trumped most mainstream polls. He is a contributor to the New York Times Magazine and has appeared as a commentator on CNN and MSNBC. He was named one of TIME's 100 Most Influential People in the world.https://video.rhizome.org/videos/embed/830c7b70-6429-41f9-9f2d-8b24e215be39https://video.rhizome.org/w/h9z2ygjJVneqyauG2PG5aQhttps://video.rhizome.org/lazy-static/thumbnails/469c06d0-e1cd-4b29-806d-db800b9752b0.jpgSeven on Seven 2015: Laura Poitras on Ai Weiwei & Jacob Appelbaum + Film PanelLaura Poitras is a filmmaker, journalist, and artist. Her film Citizenfour won an Academy Award for Best Documentary in 2015. She has received many honors for her work, including a MacArthur Fellowship, Guggenheim Fellowship, and a Peabody Award. She has attended the Sundance Institute Documentary Labs as both a Fellow and Creative Advisor. Her film My Country, My Country, about the U.S. occupation of Iraq, was nominated for an Academy Award. Another film in the trilogy, The Oath, focused on Guantanamo and the war on terror, and was nominated for two Emmy awards.https://video.rhizome.org/videos/embed/82c485b0-c3c5-4f51-8e25-0f20f507299ahttps://video.rhizome.org/w/nGHpkEWPwFfzoGsoXbWi9Dhttps://video.rhizome.org/lazy-static/thumbnails/5f3f75d2-6aa0-433f-b0dd-d2d93bcb5a03.jpgRhizome Presents: CyberPowWow and Panel DiscussionRhizome Presents: CyberPowWow and Panel Discussionhttps://video.rhizome.org/videos/embed/afbf2d83-f833-4792-93e1-6f31236e7049https://video.rhizome.org/w/siYXpTKNgAtQmAXs8DMyswhttps://video.rhizome.org/lazy-static/thumbnails/dd8a19ff-d4b2-4211-a4ac-e8ecf3b2a8a1.jpgVARIANT. Documenting New Media Art: Annet Dekker, Dragan Espenschied (16 December 2022)0:00:00 Osman Serhat Karaman: Introduction 0:06:08 Annet Dekker: The Tension Between Static Documentation And Dynamic Digital Art 0:34:37 Dragan Espenschied: In Between Performance And Documentation 1:07:50 Questions This conference held in English. Enacted by digitalSSM, the project entitled “VARIANT. Documenting New Media Art🔗” continues with an online conference with contributions from Annet Dekker (Assistant Professor in Archival and Information Studies and Cultural Analysis at the University of Amsterdam) and Dragan Espenschied (The director of Rhizome’s Digital Preservation program). In the first part of the conference, Annet Dekker present several documentation projects and show how documentation can shift from a static representation to a dynamic and performative act, thereby encouraging a rethinking of what documentation means. In the second part, a talk will be delivered by Dragan Espenschied, who proposes that specific types of documentation can become a part of an artwork’s manifestation, and over time, artworks can be moved into a mixed form that is part performance and part documentation.” Annet Dekker is a curator and researcher. Currently she is the Assistant Professor in Archival and Information Studies and Cultural Analysis at the University of Amsterdam and the Co-Director of the Centre for the Study of the Networked Image at London South Bank University, where she is also a visiting professor. She has published numerous essays and edited several volumes, among others, Documentation as Art (co-edited with Gabriella Giannachi, Routledge, 2022) and Curating Digital Art. From Presenting and Collecting Digital Art to Networked Co-Curating (Valiz, 2021). Her monograph, Collecting and Conserving Net Art (Routledge, 2018) is a seminal work in the field of digital art conservation. Dragan Espenschied is the Director of Rhizome’s Digital Preservation program, stewarding ArtBase, a collection 2200+ works of digital art and net art. ...https://video.rhizome.org/videos/embed/d5105968-5c61-4fa2-9eab-e5e2afbf043ahttps://video.rhizome.org/w/hfvdpavp8LkaPdHSxrR62Jhttps://video.rhizome.org/lazy-static/thumbnails/574a6bf6-cb53-4537-85d5-fb4bd78dc5e9.jpgSituated Memes with Cem-A of Freeze_MagazineCem-A of freeze_magazine discussing how to “situate” digital memes in physical environments and the politics of exhibiting memes in (physical) institutions in the first place - as well as does Q/A with rhizome discord membershttps://video.rhizome.org/videos/embed/8398a28d-9569-4238-952b-7245f70d5db0https://video.rhizome.org/w/6apMPdDY4u4Y65CdHqhg48https://video.rhizome.org/lazy-static/thumbnails/75d54d83-d26c-4903-bf2e-1d1e0a68ac15.jpgSeven on Seven 2015: Introductions + KeynoteRhizome Executive Director Heather Corcoran welcomes guests to Seven on Seven 2015; Artistic Director Michael Connor discusses the day's theme, Empathy & Disgust; and a conversation about the cultural imaginaries of surveillance between Laura Poitras (Director, Citizenfour) and Kate Crawford (Principal Researcher at Microsoft Research New York City, a Visiting Professor at MIT's Center for Civic Media, and a Senior Fellow at NYU's Information Law Institute. This documentation was filmed by Fusion, a Seven on Seven 2015 partner.https://video.rhizome.org/videos/embed/29ce0c5b-cc94-4987-aa39-0880b3975b71https://video.rhizome.org/w/14z1inbbRPwM1ncXQnyKYUhttps://video.rhizome.org/lazy-static/thumbnails/f0f5f182-44b4-43c4-a725-c83944fc3f61.jpgSeven on Seven 2015: Hannah Black + ThricedottedHannah Black is an artist and writer. Her work is mostly assembled from fragments of pop music andautobiography, drawing on feminist, communist, and black radical thought. Her videos have been shown at W139, Embassy, and Triple Canopy, and writing in The New Inquiry and Art in America. She participated in Whitney Museum's Independent Study Program and holds an MFA in Art Writing from Goldsmiths. thricedotted is a language hacker who commands a legion of over thirty bots on Twitter, including @portmanteau_bot and @wikisext. They also meta-authored the automatically generated novel The Seeker for #NaNoGenMo 2014. They are a PhD candidate at the University of Washington working in natural language processing.https://video.rhizome.org/videos/embed/007f924b-73b0-45c6-bc74-172c3d471b80https://video.rhizome.org/w/6GP6sMJD6NdAbCtV1AtNXZhttps://video.rhizome.org/lazy-static/thumbnails/b9a622a4-e3eb-458c-a9d2-6ce4fe2b8f39.jpgSeven on Seven 2015: Camille Henrot + Harlo HolmesCamille Henrot lives and works in Paris and New York. Her research-based practice mines archival troves to explore such wide-ranging systems of knowledge as anthropology, ethnography, and the history of technology. She recently presented a solo show at the New Museum and won the Silver Lion at the 55th Venice Biennale. Harlo Holmes is a media scholar, software programmer, and activist. As Head of Metadata at The Guardian Project, she investigates topics in digital media steganography, metadata, and the standards surrounding technology in the social sciences. She works in service of the growing technological needs of human rights workers, journalists, and do-gooders worldwide.https://video.rhizome.org/videos/embed/2e307787-a500-4114-a188-6b74c0b8fe3fhttps://video.rhizome.org/w/abwBCFBu22NbeZaMqAZfmPhttps://video.rhizome.org/lazy-static/thumbnails/8a5940e5-8774-4119-86b5-2840d0eeee01.jpgSeven on Seven 2014: Nick Bilton & Simon DennySeven on Seven 5th Anniversary May 3, 2014 Presented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Nick Bilton is a journalist and author. He is a columnist and reporter for The New York Times and leads The Times Bits blog. He has published two critically acclaimed books. His second book, Hatching Twitter, chronicles the relationship of the four creators of Twitter during inception, development and rise to prominence. The book was New York Times best seller and was voted Readers' Choice Book of the Year by The Wall Street Journal. Hatching Twitter is presently being turned into a TV series after being acquired by Lionsgate. Bilton's work has been featured in Wired, Engadget, Scientific America, CNet, BBC, Guardian, and dozens of other outlets from around the world. He has acted as an adjunct professor at New York University in the Interactive Telecommunications Program and helped co-found NYC Resistor, a hacker space in Brooklyn, NY. Simon Denny is a New Zealand artist currently based in Berlin, where his work explores the culture surrounding internet technology firms, the obsolescence of analogue broadcast technology, neoliberal corporate culture, the demise of ‘welfarism’ and contemporary constructions of national identity. In 2012 he was nominated for the Walters Prize (for Introductory Logic Video Tutorial, which premiered at Artspace, Sydney, in 2011) and also won the Baloise Art Prize at Art Basel for his Channel Document project. This year he exhibited The Personal Effects of Kim Dotcom, at MUMOK, Vienna and presented All You Need Is Data: The DLD 2012 Conference Redux at Kunstverein Munich, Petzel Gallery, New York and Hamburger Bahnhof, Berlin. He will represent New Zealand in the 2015 Venice Biennale. Denny is represented by Galerie Buchholz, Cologne/Berlin; ...https://video.rhizome.org/videos/embed/4a5a8d6a-6d2c-4297-83fc-7a2374f0fd77https://video.rhizome.org/w/1iXZwTd73g4PhpH37da37shttps://video.rhizome.org/lazy-static/thumbnails/44095a76-5123-4baf-8b81-59c28fdb3971.jpgSeven on Seven 2014: Avi Flombaum & Hannah SawtellSeven on Seven 5th Anniversary May 3, 2014 Presented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Avi Flombaum is founder of The Flatiron School. His career began at 16 when he worked for an NYC startup, cityfeet.com. At 20, he was the CTO of a hedgefund. Then he started a site called designerpages.com. He organizes one of the largest Rails meetups in the world, NYC on Rails. Over the past few years, he's taught Ruby to over 500 people, and loves sharing his passion for code with people. Hannah Sawtell is an artist who lives and works in London. She has worked with video, digital image, sculptural installation, printed matter, industrial design, performance and noise. In 2012, Sawtell's linked solo exhibitions, 'Osculator' at the ICA and 'Vendor' at Bloomberg Space, London, considered new technologies of accumulated surplus, valorization and access. Other solo shows include Vilma Gold, London and Clocktower Gallery, New York. Her exhibition ACCUMULATOR, on view at the New Museum 04/23/14 – 06/22/14, is her first USA museum solo show.https://video.rhizome.org/videos/embed/0282267d-3c87-4235-b684-adb4a27a3ba6https://video.rhizome.org/w/d7xhXJsC9pEY2jtagAAyrEhttps://video.rhizome.org/lazy-static/thumbnails/2bdd396b-5ed3-4d3d-8a86-98acc237dbfc.jpgSeven on Seven 2014: Kate Crawford KeynoteSeven on Seven is a conference pairing fourteen artists and technologists in teams of two, to make something new. Following a closed-session collaboration day, the teams unveil their creations in presentations at this public event. A provocative keynote kicks off the day. Join us for a critical and creative afternoon, followed by a social evening. Kate Crawford is a Principal Researcher at MSR, a Visiting Professor at the MIT Center for Civic Media and a Senior Fellow at NYU's Information Law Institute. She researches social, political and cultural practices with media technologies. Her current project is focused on the politics and ethics of big data, for which she recently received a Rockefeller Foundation Bellagio fellowship.https://video.rhizome.org/videos/embed/62176943-64de-439a-bfc5-a49715b863e0https://video.rhizome.org/w/u9oR5J1Ri6PcGS52NPo83Shttps://video.rhizome.org/lazy-static/thumbnails/7ac544be-7abb-47e1-b510-7450cb420727.jpgSeven on Seven 2014: David Kravitz & Frances StarkSeven on Seven 5th Anniversary May 3, 2014 Presented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. David Kravitz is a software engineer and one of the first developers behind the photo-messaging app Snapchat. He almost has a degree in computer science from Stanford University (just 3 credits left). When he's not working on Snapchat, you can find him playing jazz piano and writing comedy. He currently resides in Los Angeles, California. Frances Stark is a Los Angeles-based artist working in multiple media – from works on paper to performance – examining "the conditions of creative labor," and highlighting the aspects of artistic production that are less frequently acknowledged. Stark's work has been exhibited extensively, including in solo shows at MoMA PS1 and the Van Abbemuseum in Eindoven, as well as notable group exhibitions such as the 2008 Whitney Biennial and the 54th Venice Biennale in 2011. In 2011, she was also commissioned to create a new work for Performa 11. She received her M.F.A. in 1993 from Art Center College of Design.https://video.rhizome.org/videos/embed/e3ebe981-60e7-49a7-b39f-700e7f902b02https://video.rhizome.org/w/aqyHtGs4RSrPrQgdQw8z4Phttps://video.rhizome.org/lazy-static/thumbnails/cf374df4-dfda-403a-b8ea-ecbc09be361d.jpgSeven on Seven 2014: Jen Fong-Adwent & Ian ChengSeven on Seven 5th Anniversary May 3, 2014 Presented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Jen Fong-Adwent is a coder inspired by the idea of decentralizing the micro-blog. She created Meatspace Chat and has been developing it as an open source project with multiple contributors. Meatspace Chat is a web service where a user can generate a gif of and allows them to post an update with it in 250 words or less. The Meatspace realm also encompasses Aux, a Youtube and Vimeo video sharing cloud and Meatspace TV, where users can host their own channel and create GIF shows for an online audience of other members. She also was involved in creating crypt-based message distributor Lexicrypt along with database and authentication-free hosting server The Great Brain. She currently works for Mozilla. Ian Cheng (born 1984, Los Angeles) is an artist based in New York. Recent solo exhibitions include La Triennale di Milano, Milan; Baby feat. Bali, Standard (Oslo), Oslo; Frieze Frame, London; Entropy Wrangler, Off Vendome, Dusseldorf; This Papaya Tastes Perfect, Formalist Sidewalk Poetry Club, Miami Beach. Recent group exhibitions include 12th Lyon Biennial, Lyon; Freak Out, Greene Naftali Gallery, New York; ProBio, Expo1, MoMA PS1, New York; DisImages, DIS Magazine, New York; A Disagreeable Object, Sculpture Center, New York.https://video.rhizome.org/videos/embed/4c504284-8e03-47b4-b0a1-a7133f7f45f9https://video.rhizome.org/w/2QnKYifBz9FoeRMWvN23Urhttps://video.rhizome.org/lazy-static/thumbnails/475c593b-78e1-4077-9797-21c485bc4059.jpgSeven on Seven 2014: Kevin McCoy & Anil DashPresented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Anil Dash is a New York based entrepreneur and long-time blogger. He is co-founder and CEO of ThinkUp, a new service that helps people get more meaning out of the time they spend on social networks. He is also co-founded Activate, a consultancy that helps companies strategize at the intersection of technology and media. Dash serves on the board of Stack Exchange, the Data & Society Research, and the New York Tech Meetup. Kevin McCoy is an artist working and exhibiting internationally with his partner Jennifer McCoy. His artworks explore changing conditions around social roles, categories, genres and forms of value. His work has adopted many methodological approaches: exhaustive categorization, recreation and reenactment, automation, miniaturization, and most recently, remote viewing and speculative modeling. His artwork is represented by in New York by Postmasters Gallery and in Geneva by Gallerie Guy Bartschi, and can be seen in the collections of the Museum of Modern Art, The Metropolitan Museum of Art, the Milwaukee Art Museum, and MUDAM in Luxembourg. He is an Associate Professor in the Department of Art and Art Professions at NYU.https://video.rhizome.org/videos/embed/0eda3f9f-f54a-47f9-a49c-bfaee4c06951https://video.rhizome.org/w/rBm7zoYzbbZeu1i9xQDPguhttps://video.rhizome.org/lazy-static/thumbnails/f32a667a-fe14-416d-8632-dec2b140b10e.jpgSeven on Seven 2014: Kate Ray & Holly HerndonPresented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Kate Ray is the cofounder of Scroll Kit, an intuitive web creation tool that allows those who lack coding knowledge to tell powerful visual stories online. She also created Alongside.co, a visualization of your relationships based on Foursquare checkins. She wants more people to cry in front of their computer screens, and builds technology that helps people connect with each other and express themselves. Holly Herndon is an artist currently based in San Francisco, California. As well as touring the world to perform and exhibit new work, she is currently candidate for doctoral study in Computer Music at Stanford University. She received her MFA in Electronic Music and Recording Media at Mills College under the guidance of John Bischoff, James Fei, Maggi Payne, and Fred Frith. While at Mills she won the Elizabeth Mills Crothers award for Best Composer in 2010 for her vocal generated piece ’195′.https://video.rhizome.org/videos/embed/cf63e4cd-5263-4060-9ed2-2adbec3abec6https://video.rhizome.org/w/i1C5KU1VeXjqh9SpfpM1Mnhttps://video.rhizome.org/lazy-static/thumbnails/dd58eb62-22b2-4175-9a14-bdc57f2037d5.jpgSeven on Seven 2014: Aza Raskin & Kari AltmannSeven on Seven 5th Anniversary May 3, 2014 Presented by Rhizome, the Seven on Seven conference pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. Aza Raskin is an interface designer and the Vice President of Jawbone, a San Francisco-based company that creates and sells wearable technology and portable devices. Originally from California, Raskin gave his first talk on user interfaces at the age of 10. He is founder of the music streaming community Songza, and has developed various projects for the Mozilla Corporation. He holds a double degree in mathematics and physics from the University of Chicago. His other projects include Massive Health, Algorithm Ink and Bloxes, a cardboard furniture startup that was acquired by Amazon. Kari Altmann is an artist focused on cultural technology, aggregation, and mistranslation as they relate to all mediums, from images to social networks to sculptures and back again. Her output often exists as new genres and microcultures, which she calls "startups" and "teams", and tracks through her own content management system as they move faster than art product or identity can keep up with. She is one of the most influential artists in the currently titled 'post-internet' canon. Recent features include a solo online exhibition, Soft Mobility Abstracts, for the New Museum, the Art Post Internet survey at Ullens Center in Beijing, and Brands: Concept, Affect, Modularity at Salts Center in Basel, for which her work was a starting point. She has done projects for and with Art Dubai, The Goethe Institute, The New Museum, Fade2Mind, Rhizome, The Hirshhorn Museum, Mixpak, Gentili Apri, Dis Magazine, Nero Magazine, and many more.https://video.rhizome.org/videos/embed/89c197f2-fae9-42cb-9c27-029293fce33fhttps://video.rhizome.org/w/7vQ3ykmHhQrhvtsynRm1oohttps://video.rhizome.org/lazy-static/thumbnails/fbc924b4-deb1-4cfd-8377-aad390e3b7fb.jpgInternet Pigeon Network with Helga Tawil-SouriAn interview between Community Designer, Briana Griffin and Helga Tawil-Souri on the Internet Pigeon Network, a speculative, community-organized, affordable, and resilient internet infrastructure for the Gaza Strip. https://video.rhizome.org/videos/embed/34c1026f-9582-446a-bcac-cc48941a6462https://video.rhizome.org/w/oosPibjQSYnVTp6TXPRN31https://video.rhizome.org/lazy-static/thumbnails/9bcebf73-7e6a-4f55-915b-1503c2d702b8.jpgMultiplayer Miniverses with ARBArthur Röing Baer (ARB) will join Office Hours host Briana Griffin to discuss the kinds of online communities that are made possible through semi-private digital spaces, chat rooms and Discord servers. The conversation will revolve around the Trust discord's experiments with collaboration, as well as Moving Castles, a 2021 report that explored the potential for such spaces to form the basis of self-governed and self-sustaining decentralized institutions. ARB is co-founder of Trust, a project space in Berlin for utopian conspiracy and platform design. https://video.rhizome.org/videos/embed/b54bf066-cf69-4df7-a856-df82b9533e24https://video.rhizome.org/w/kboUqdLsims1gqQhV5o8bYhttps://video.rhizome.org/lazy-static/thumbnails/372d467b-e8b9-4fd2-a09b-fb2aa1f25f2e.jpgAbout RhizomeAbout Rhizome, 2001 VHShttps://video.rhizome.org/videos/embed/9b512fea-e8c2-4127-abf0-9bc3ee12b648https://video.rhizome.org/w/pjyfmaqFQjTWFBkG8LK38Nhttps://video.rhizome.org/lazy-static/thumbnails/6525a1cb-0bad-4432-8bb7-0784ec35527e.jpgMalware Anthology Launch Event with Todd Anderson and Herdimas AnggaraAn office hours to celebrate the release of SFPC_Malware_Anthology.zip, a collection of work created during An Artist’s History of Computer Viruses and Malware, an online class at School For Poetic Computation taught by Todd Anderson and Herdimas Anggara. The zip file anthology contains a mix of desktop software and browser extensions that creatively explore malware aesthetics including a little worm that eats files on your desktop, a browser extension that lets you explore the web on foot, a poetic email spambot, and more! Students featured ~ Alejandra Trejo Antonela De Audrey Lindemann Jessica Stringham Josephine Kirkland Mariana Marangoni Mitch Kucia Rush Johnstone Terkel Gjervig Nielsen Yararasita Yufeng Zhaohttps://video.rhizome.org/videos/embed/bcd9733f-9d1c-4995-963b-c23ced050164https://video.rhizome.org/w/cAVRMZDA3aSYQGVkgW4sSAhttps://video.rhizome.org/lazy-static/thumbnails/152e73b7-4d2d-46e9-9b5d-7bf175ec27d3.jpgSeven on Seven 2013: Rafael Lozano-Hemmer + Harper ReedPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/5df50142-6c98-4dd7-9ae1-a863f42fa096https://video.rhizome.org/w/3eHuDvR9eVN8yFjhsSGgh2https://video.rhizome.org/lazy-static/thumbnails/0e1a88ab-1b5e-4e04-a4b1-953273b2a999.jpgSeven on Seven 2013: Paul Pfeiffer + Alex ChungPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/121c8492-8721-4cd9-a0b7-104f6faee25dhttps://video.rhizome.org/w/t2Y9neSqdaRAQA6PZ43bEShttps://video.rhizome.org/lazy-static/thumbnails/d421ada8-f63a-417e-af5c-e1877f55a9a6.jpgSeven on Seven 2013: Keynote by Evgeny MorozovPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/daed1674-274c-49d6-b474-8a3d77179496https://video.rhizome.org/w/xtXsWXFuTh1grN5i4JmJhrhttps://video.rhizome.org/lazy-static/thumbnails/4a1c8148-6535-44ef-8d12-f140ab34d378.jpgSeven on Seven 2013: Jill Magid + Dennis CrowleyPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/fef28fc0-93dd-47a0-86f3-860cfcf9c481https://video.rhizome.org/w/9bA8JNHx4toab1RytfVAxmhttps://video.rhizome.org/lazy-static/thumbnails/6cdca0ca-f47a-416b-8e54-c71deaac56fd.jpgSeven on Seven 2013: Jeremy Bailey + Julie UhrmanPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/4243951b-09f8-4690-b9ed-9ad0fa91e16ahttps://video.rhizome.org/w/ayBHdAgFT3Q4bWqcKjJ9p6https://video.rhizome.org/lazy-static/thumbnails/19af0d93-a835-4d45-835c-f1e27be7c2b9.jpgSeven on Seven 2013: Fatima Al Qadiri + Dalton CaldwellPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/4d700e58-db74-4a8c-9dd8-41c27774acabhttps://video.rhizome.org/w/mg3tCWqPgkRThGtT5zXHqehttps://video.rhizome.org/lazy-static/thumbnails/fcf80caa-9e9c-4b1f-8be0-f72c28a8d08c.jpgSeven on Seven 2013: Cameron Martin + Tara Tiger BrownPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium.https://video.rhizome.org/videos/embed/a41074b8-dc37-4e72-877e-f3f885500aa9https://video.rhizome.org/w/mjGjx3jwPAP33niM6kztAthttps://video.rhizome.org/lazy-static/thumbnails/b19e99cb-e852-42a6-b1b0-50d1cd39fea8.jpgSeven on Seven 2012: Stephanie Syjuco and Jeremy AshkenasPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/a4930245-e250-4851-99c6-6f96621562d3https://video.rhizome.org/w/rXbPoLPDdpLNb1jKii5TnMhttps://video.rhizome.org/lazy-static/thumbnails/549ecc65-e584-45cb-9743-0b4ab807ea24.jpgSeven on Seven 2012: Michael Herf and LaToya Ruby FrazierPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/d2290a46-2d4f-48a5-83a6-9c34b626cf2bhttps://video.rhizome.org/w/pTStAHjKRoE2F5CPi6PVWxhttps://video.rhizome.org/lazy-static/thumbnails/072162b7-3c24-4702-ba4d-66a894d694c9.jpgSeven on Seven 2012: Khoi Vihn and Aram BarthollPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/c1803a71-251b-424f-980a-5002e2fc10d7https://video.rhizome.org/w/4ZGEwipyn2zNC8vPonWXeuhttps://video.rhizome.org/lazy-static/thumbnails/7bd96177-1ba4-4e25-8c1c-ea2fc682b090.jpgSeven on Seven 2012: Keynote by Douglas RushkoffKeynote by Douglas Rushkoff Presented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/2059defd-db05-4751-944c-44b812d79d8ahttps://video.rhizome.org/w/hddNf7NSQAJz6TdocKHPnyhttps://video.rhizome.org/lazy-static/thumbnails/31ed1db5-f536-4edb-8793-3bd4ec7f8e04.jpgSeven on Seven 2012: Jon Rafman and Charles FormanPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/834707c9-5b2a-4494-baf0-8275c990eef6https://video.rhizome.org/w/eLuTsFfy9kGTngEBEXo3Rxhttps://video.rhizome.org/lazy-static/thumbnails/ec5459db-1820-46fa-ba8a-85fb5962d129.jpgSeven on Seven 2012: Blaine Cook and Naeem MohaiemenPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/6f7d54b2-ddcf-4b72-bc8b-cb2c12d3dfe1https://video.rhizome.org/w/dU48swpm9XkZRT9MhGU38shttps://video.rhizome.org/lazy-static/thumbnails/f1600476-c144-48c4-8926-a4f49514a9ab.jpgSeven on Seven 2012: Anthony Volodkin and Xavier ChaPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/6872449c-749c-4dc3-a2b4-c9aa3e1a36d8https://video.rhizome.org/w/brDKKW6GDo4234aw2WTYA6https://video.rhizome.org/lazy-static/thumbnails/c641667b-c5fe-48f1-8716-b099c5605cf5.jpgSeven on Seven 2012: Aaron Swartz and Taryn SimonPresented by HTC, Rhizome Seven on Seven Conference took place on April 14th 2012 at the New Museum of Contemporary Art.https://video.rhizome.org/videos/embed/54903f73-124a-48f2-897c-1b977470e191https://video.rhizome.org/w/kUfJKmu1hTgMvPLqD6GXREhttps://video.rhizome.org/lazy-static/thumbnails/134d5404-5af9-423d-a7bf-cddb105499c6.jpgSeven on Seven 2011: Rashaad Newsome & Jeri EllsworthRashaad Newsome's works dismantles power structures one shiny block at a time. Using the equalizing force of sampling, he crafts compositions that frequently surprise in their associative potential and walk the tightrope between identity politics and abstraction. Jeri Ellsworth (born 1974) is an American entrepreneur and self-taught computer chip designer. She is best known for creating a Commodore 64 emulator within a joystick, in 2004, called Commodore 30-in-1 Direct to TV.https://video.rhizome.org/videos/embed/a1296481-0fc8-4d13-b1b3-c563eea7b6achttps://video.rhizome.org/w/q1RPCjs6aQdsDUTPYLbhb5https://video.rhizome.org/lazy-static/thumbnails/9a7234ec-e3d6-4dab-bb2e-e157265c5555.jpgSeven on Seven 2011: Ricardo Cabello (mr. doob) & Chris Poole (moot)Ricardo Cabello is a graphic designer and computer programmer focusing on the possibilities the web has to offer. His work goes from simple interactive visual toys to full featured online experiences. Ricardo spends his spare time developing open source libraries with the hope of making web development simpler for everyone. Christopher "moot" Poole is the founder of 4chan, a simple image-based bulletin board, which has grown from a niche site targeting anime fans to one of the most influential communities on the 'Net. With over 12 million users a month, many popular viral videos, Internet phenomena, and memes get their start on 4chan.https://video.rhizome.org/videos/embed/c27a07fd-4bfb-43e2-98e7-654ad2e9cf18https://video.rhizome.org/w/oziUKhyKaHUSjsTNKJCjGdhttps://video.rhizome.org/lazy-static/thumbnails/28ab5b5e-c59c-4dff-b99a-9d4f8df6fe05.jpgSeven on Seven 2011: Introduction and Opening RemarksSeven on Seven 2011: Introduction and Opening Remarkshttps://video.rhizome.org/videos/embed/b6cfa1ca-d7bd-494d-ad7d-7f5113e966c4https://video.rhizome.org/w/j4XJtKw1tzgerVcUXUnVfvhttps://video.rhizome.org/lazy-static/thumbnails/43ef53e4-1845-4e40-b116-5d2dd27ddd1c.jpgSeven on Seven 2011: Emily Roysdon & Kellan Elliott-McCreaEmily Roysdon (1977) is a New York and Stockholm based artist and writer. Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, print making, text, video, curating and collaborating. Roysdon recently developed the concept "ecstatic resistance" to talk about the impossible and imaginary in politics. The concept debuted with simultaneous shows at Grand Arts in Kansas City, and X Initiative in New York. Kellan Elliott-McCrea is the VP of Engineering at Etsy.com. Previously he was the architect at Flickr.com. He's obsessed with projects and products that allow people to collaborate in new ways, that create more value then they capture, and that are self sustaining without reference to broken advertising models and mass consumption of late stage corporate capitalism. He speaks frequently on topics ranging from scaling technical and social systems, open standards, privacy, and data. Other projects include co-authoring the OAuth 1.0 authentication standard, and helping launch Indymedia.org.https://video.rhizome.org/videos/embed/925212d0-7c04-42fa-8945-8f47691ee125https://video.rhizome.org/w/jtASgVvVo5tAMsqcLiY261https://video.rhizome.org/lazy-static/thumbnails/3276de36-d4db-4c62-a497-f0e27868be47.jpgSeven on Seven 2011: Camille Utterback & Erica SadunCamille Utterback is a pioneering artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in playful, yet subtly layered ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world. Erica Sadun holds a PhD in Computer Science from the Georgia Institute of Technology. She has written, co-written, and contributed to almost two dozen books about technology, particularly in the areas of programming, digital video, and digital photography. An unrepentant geek, Sadun has never met a gadget she didn't need. Her checkered past includes run-ins with NeXT, Newton, and a vast myriad of both successful and unsuccessful technologies.https://video.rhizome.org/videos/embed/959f10aa-6707-4a98-8a28-3f8e7e9ca956https://video.rhizome.org/w/wamjXMi1TPFDNv1afWomSthttps://video.rhizome.org/lazy-static/thumbnails/6ac1d252-53f2-4db9-96aa-ea93f4f69c57.jpgSeven on Seven 2011: Ben Cerveny & Liz Magic LaserLiz Magic Laser was born, lives and works in New York City. Her works have involved collaborations with actors, dancers, surgeons, and motorcycle gang members. Ben Cerveny was the founder and president of Bloom Studio, a venture-backed startup building playful visual discovery 'instruments' for mobile devices. He has worked for over 20 years on user interaction and experience design, concept prototyping, and strategy in the context of media applications, operating systems, web services, ubiquitous computing, and massively multiplayer games.https://video.rhizome.org/videos/embed/f4406171-d60e-4c10-85dd-c59c54039f0fhttps://video.rhizome.org/w/oxtb2Ak2xcCKXGzm5jd1Uthttps://video.rhizome.org/lazy-static/thumbnails/6aea2267-0c9f-4a43-9408-8a705e84c792.jpgSeven on Seven 2010: TrailerSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. PARTICIPANTS Tauba Auerbach, Ayah Bdeir, Jeff Hammerbacher, David Karp, Aaron Koblin, Andrew Kortina, Kristin Lucas, Hilary Mason, Matt Mullenweg, Monica Narula, Marc Andre Robinson, Evan Roth, Joshua Schachter, & Ryan Trecartin ORGANIZERS Fred Benenson, John Michael Boling, John Borthwick, Lauren Cornell, & Peter Rojashttps://video.rhizome.org/videos/embed/b68dda70-51d6-4627-b013-ad4b4e7518e3https://video.rhizome.org/w/w86Gei4TGnffN9gE4niUMfhttps://video.rhizome.org/lazy-static/thumbnails/bb378519-b6a8-48a8-bc68-3dbea108fe7a.jpgSeven on Seven 2010: Tauba Auerbach & Ayah BdeirSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Tauba Auerbach Tauba Auerbach is an artist working in New York and San Francisco. Her latest projects center around fractional dimensionality and the simultaneous occupation of apparently conflicting states. Collapsing the structure of opposites has long been a subject of her work, through several text-based series, videos, abstract paintings and photography. Her work is inspired by a recreational interest in math, physics and logic. Auerbach’s work has recently been exhibited at SFMoMA, the New Museum, Deitch Projects, and the 2010 Whitney Biennial. Ayah Bdeir Ayah Bdeir is an artist, engineer and interaction designer. She graduated from the MIT Media Lab with a Masters of Media Arts and Sciences after studying Computer & Communication Engineering and Sociology in the American University of Beirut. Her work spans a range of mediums including interactive installations, electronic fashion, gadgets and active furniture. With an upbringing between Lebanon, Canada and the United States, Ayah’s work uses technology to look at cross cultural dialogue and media representation of the Middle East and its identities. Ayah is now a senior artist fellow at Eyebeam, a gallery for art and technology in Chelsea, New York.https://video.rhizome.org/videos/embed/f3efdfff-fb3e-4cec-8e8e-32a3711d7c68https://video.rhizome.org/w/9SQQKm8EfTjzAjxaGL4EXBhttps://video.rhizome.org/lazy-static/thumbnails/b388527a-9c65-4079-b8bc-74c1626ca739.jpgSeven on Seven 2010: Ryan Trecartin & David KarpSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Ryan Trecartin Ryan Trecartin is a pioneering artist whose feature-length video works update moving image practice for the Internet age. His fast-growing body of work explores the impulses and attitudes of a generation whose self-perceptions and relationships are deeply tied to media. Trecartin’s first major solo exhibition, entitled Any Ever, is currently at the Power Plant in Toronto, and will travel to the Museum of Contemporary Art in Los Angeles this summer before moving to the Musée d’Art Moderne de la Ville de Paris in October and MoCA, North Miami in 2011. His work has been included in The Generational: Younger Than Jesus (2009) and the Whitney Biennial (2006), and he has had solo exhibitions at Elizabeth Dee Gallery, New York and the Hammer Museum, Los Angeles. David Karp Born in 1986, David left high school to run technology at UrbanBaby.com, until CNET Networks acquired it in 2005. He spent two years at the helm of his development firm, Davidville, before his team launched the publishing platform Tumblr.com. After gaining an instant cult following among artists and new-media influencers, Tumblr took on funding in October 2007 from a number of investors including Spark Capital and Union Square Ventures.https://video.rhizome.org/videos/embed/47e26594-08ef-4381-aa5d-a9084e3d75e9https://video.rhizome.org/w/ctix1jaEAvmKPmpfvrByqfhttps://video.rhizome.org/lazy-static/thumbnails/00682d34-73f6-421f-94b5-e5393fb1fd27.jpgSeven on Seven 2010: Monica Narula & Joshua SchachterSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Monica Narula Monica Narula, M.A. is cofounder of the Raqs Media Collective which is based in New Delhi. Raqs is best known for its contribution to contemporary art, and has presented work at most of the major international shows, from Documenta to the Venice Biennale; but the collective is active in an unusually wide range of domains, and it is this breadth that gives their work its originality and scope. The members of Raqs were co-curators of Manifesta 7, The European Biennial of Contemporary Art which took place in Trentino-Alto Adige, Italy in the summer of 2008. Joshua Schachter Joshua is a software engineer at Google. Prior to joining the company in 2008, Joshua was director of engineering for Yahoo! Social Search. He joined Yahoo! through the acquisition of his company, Delicious Inc., which he founded in 2005. His work on Delicious, including inventing “tagging,” a system for organizing information, earned him recognition as one of MIT Technology Review Young Innovators Under 35 and as one of Smithsonian America’s Young Innovators. Earlier, Joshua worked at Morgan Stanley as a quantitative analyst. He earned a B.S. in Electrical and Computer Engineering from Carnegie Mellon University.https://video.rhizome.org/videos/embed/5ce469c1-fbbe-4533-9c50-a6746f65f626https://video.rhizome.org/w/eiokgknruDxctn6HE9RV4Vhttps://video.rhizome.org/lazy-static/thumbnails/0fe22c87-adc6-4dd4-aab4-362f36c80608.jpgSeven on Seven 2010: Marc Andre Robinson &amp; Hilary MasonSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Marc Andre Robinson Marc Andre Robinson works in sculpture, drawing, video and interactive public projects that revolve around a psychology of historical, cultural and familial belonging. Playing with the dialogue between art and artifact, he collects discarded furniture and transforms it into sculptural assemblages with complex and delicately balanced symbols. Robinson’s drawings are often marked by meticulous patterning and repetition, while his public projects have involved creating catalysts for communion with history. Hilary Mason Hilary is a computer scientist with a background in machine learning, data mining, and web applications. She is the scientist at Bit.ly, where she learns thigns from vast amounts of data. She is widely published and regularly speaks at academic and industry conferences, and recently realized her dream of delivering a talk on algorithms while drinking a dry ice martini. She is an enthusiastic developer and often releases code on her personal site, www.hilarymason.com. She has discovered two new species, loves to bake cookies, and asks way too many questions.https://video.rhizome.org/videos/embed/6bb43597-7ea7-47e1-bb6a-dc1368bdf4ffhttps://video.rhizome.org/w/dS1tVQ897uD4mbMu3y4Kfghttps://video.rhizome.org/lazy-static/thumbnails/1e542b2e-a7e3-4b17-9719-1f1f72b1db10.jpgSeven on Seven 2010: Kristin Lucas & Andrew KortinaSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Kristin Lucas Kristin Lucas creates video, installation, interventions, digital images, sculpture, and projects for the web. Positioning herself at the center of her projects, Lucas’ work addresses the effects of rapid-spread technology on the human condition. Reversing a popular concept of infusing humanity into machines she instead applies familiar strategies of electronic media to her own life. Transformations, mutations, and portraiture are the focus of works set to the backdrop of empty and meaningful exchanges with automated tellers, healing arts therapists, celebrity impersonators, police officers, and a judge. Andrew Kortina Andrew Kortina builds social web applications. Recently, he has been working at Bitly, a service for shortening and sharing links, and Venmo, a convenient way to pay friends, shops, and services. He has been working on various other internet startups since he graduated from the University of Pennsylvania, where he studied Philosophy and Creative Writing.https://video.rhizome.org/videos/embed/6829262f-c5c3-494b-b027-bbed8d11e17fhttps://video.rhizome.org/w/u1hXKqMUkTEon8swdLK91zhttps://video.rhizome.org/lazy-static/thumbnails/9da8cdef-768f-460c-aa64-bc2d6d65ee5a.jpgSeven on Seven 2010: InterviewsSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. PARTICIPANTS Tauba Auerbach, Ayah Bdeir, Jeff Hammerbacher, David Karp, Aaron Koblin, Andrew Kortina, Kristin Lucas, Hilary Mason, Matt Mullenweg, Monica Narula, Marc Andre Robinson, Evan Roth, Joshua Schachter, & Ryan Trecartin ORGANIZERS Fred Benenson, John Michael Boling, John Borthwick, Lauren Cornell, & Peter Rojashttps://video.rhizome.org/videos/embed/e2ca55ce-7536-4a56-857b-c2a4fb757db9https://video.rhizome.org/w/xo5eBzecVo9GVBNX3MMLjihttps://video.rhizome.org/lazy-static/thumbnails/fb454c51-0f52-4a3a-898a-f5841b117933.jpgSeven on Seven 2010: Aaron Koblin and Jeff HammerbacherSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Aaron Koblin Aaron Koblin is an an artist specializing in data visualization. His work takes social and infrastructural data and uses it to depict cultural trends and emergent patterns. Aaron’s work has been shown at international festivals including Ars Electronica, SIGGRAPH, OFFF, the Japan Media Arts Festival, and TED. He received the National Science foundation’s first place award for science visualization and is part of the permanent collection of the Museum of Modern Art (MoMA) in New York. Currently, Aaron is Technology Lead of Google’s Creative Lab where he helped to launch Chrome Experiments, a website showcasing JavaScript work by designers from around the world. Jeff Hammerbacher Jeff Hammerbacher is a founder and the Vice President of Products of Cloudera. Jeff was an Entrepreneur in Residence at Accel Partners immediately prior to Cloudera. Before Accel, he conceived, built, and led the Data team at Facebook. The Data team was responsible for driving many of the applications of statistics and machine learning at Facebook, as well as building out the infrastructure to support these tasks for massive data sets. The Data team produced open source projects such as Hive and Cassandra. Jeff earned his Bachelor’s Degree in Mathematics from Harvard University and recently served as a Managing Editor for O’Reilly’s “Beautiful Data”.https://video.rhizome.org/videos/embed/fe204569-093a-43a5-b376-2f17bd73d62dhttps://video.rhizome.org/w/9AdJtfpEfty65SC3Xhq4Dqhttps://video.rhizome.org/lazy-static/thumbnails/586d9105-b818-4fe0-bae8-db3f3865ab49.jpgSeven on Seven 2010: Evan Roth & Matt MullenwegSeven on Seven pairs seven leading artists with seven game-changing technologists in teams of two, and challenges them to develop something new --be it an application, social media, artwork, product, or whatever they imagine-- over the course of a single day. Bios: Evan Roth Evan Roth is an artist and researcher with interests in technology, tools of empowerment, open source and popular culture. Roth’s work spans from the web to the streets, which lead to his co-founding of the Graffiti Research Lab, an organization dedicated to providing public space artists and activists with free tools for urban communication. Whether experimenting online with crowd sourcing, creating art with airport security or collaborating with Jay-Z on the first open source rap video, Roth’s work exists in the overlap between free culture and popular culture. Evan currently lives with his wife in Hong Kong and enjoys spending his free time listening to rap music, drinking coffee and uploading things to the Internet. Matt Mullenweg Matt is the founding developer of WordPress, the open source blogging software that runs millions of sites around the world. In 2005, he started Automattic, the company behind WordPress.com, Akismet, Gravatar, bbPress, IntenseDebate, and BuddyPress. Matt lives in San Francisco and has a crush on Audrey Hepburn in Breakfast at Tiffany’s.https://video.rhizome.org/videos/embed/45903e75-7ea4-4a88-870c-cf4643283e86https://video.rhizome.org/w/pgqVefBTXeauUX2uYC2UZuhttps://video.rhizome.org/lazy-static/thumbnails/54092ce5-872d-4aff-8316-f2f5f1630ea7.jpgSeven on Seven 10th Edition: Tabita Rezaire and Kenric McDowellArtist Tabita Rezaire & Kenric McDowell, Director, Google Artists and Machine Intelligence May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/bc69b3aa-fff3-4f98-9c3d-8ac44e31c43ehttps://video.rhizome.org/w/gBdhorSBXmS6NTSBfv5rv8https://video.rhizome.org/lazy-static/thumbnails/605bb646-cf93-4dbf-8e48-d918c9326bbf.jpgSeven on Seven 10th Edition: Sean Raspet and Francis TsengArtist and Nonfood Co-Founder Sean Raspet & Francis Tseng, Designer and Developer May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/7e63ae65-220b-474f-970c-ebe5fa31ac0dhttps://video.rhizome.org/w/6NHfKxi75tnnrGXZxeWQBdhttps://video.rhizome.org/lazy-static/thumbnails/3e77e321-bdee-4a2e-b0c2-f2da1637e629.jpgSeven on Seven 10th Edition: Petra Cortright and Carl TashianArtist Petra Cortright & Carl Tashian, Engineer and Entrepreneur May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/2f0354a2-273f-4159-84f2-0c1c7d38af1ahttps://video.rhizome.org/w/egsUxG9ZjRfdC7BvBh3eKdhttps://video.rhizome.org/lazy-static/thumbnails/e030f931-59a2-4fc7-89c3-2f65bab6c70d.jpgSeven on Seven 10th Edition: Mika Tajima and Yasmin GreenArtist Mika Tajima & Yasmin Green, R&D Director, Jigsaw at Alphabet Inc. May 19, 2018 at the New Museum in New York City.https://video.rhizome.org/videos/embed/6b6f8a5f-d3d6-4dfe-9412-16f21e05d18ehttps://video.rhizome.org/w/dJkEZ6qxKKzUYNRb8v7n39https://video.rhizome.org/lazy-static/thumbnails/32e1fda1-7b12-4679-9c00-2e90751998f4.jpgSeven on Seven 10th Edition: Dena Yago and Yalda MousaviniaArtist Dena Yago & Yalda Mousavinia, Co-Founder, Space Cooperative May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/67170690-f81c-4c0b-8a2b-8f3451928a90https://video.rhizome.org/w/kXbnKjvcJRcSoiuCEjsarshttps://video.rhizome.org/lazy-static/thumbnails/ab50c1b7-ebdf-40f5-bd3a-b241fc0f0fb1.jpgSeven on Seven 10th Edition: Avery Singer and Matt ListonArtist Avery Singer & Matt Liston, Founding Member & Ambassador, Gnosis May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/a191ef88-907e-43d8-9103-5175e8ff88f8https://video.rhizome.org/w/exPucL9Z6HnKxjt31Jvy3Dhttps://video.rhizome.org/lazy-static/thumbnails/58b9539d-d116-487a-9758-c7aaae8871ff.jpgScreenfullScreenfullhttps://video.rhizome.org/videos/embed/6db81fb7-8785-4c8d-95d4-f72456578441https://video.rhizome.org/w/1vjoVM1ejAdYVdJZYo5HT4https://video.rhizome.org/lazy-static/thumbnails/419aac12-5dda-40c6-a051-b7e8ae906a6f.jpgSarah Rothberg, "BEING IN REAL-TIME (or: SEEING LIKE A MACHINE / A MACHINE SEEING LIKE ME)" (Work...BEING IN REAL-TIME (or: SEEING LIKE A MACHINE / A MACHINE SEEING LIKE ME) is a work-in-progress by artist Sarah Rothberg and Bell Labs creative technologists Ethan Edwards and Danielle Mcphatter. They are using a prototype device called an eyebud (a wifi-connected wearable camera/headphone/speaker) to act as a prosthetic memory: anchoring data (speech-to-text) to objects that are able to be 'recognized' by the eyebud via a machine learning model modified with a small set of data. Both the training data and speech-to-text are generated spontaneously in real-time. The first planned use of this pipeline is a durational performance and resulting interactive experience: Rothberg wears the eyebud first to train the model to 'see.' After the model has been trained, when the eyebud recognizes a significant object, Rothberg is prompted to speak. The next time Rothberg wears the eyebud, when that object is recognized, the last text is read out, and Rothberg adds to it. At the end of the performance, anyone can wear the eyebud and hear the text played back when the eyebud 'sees' the objects.https://video.rhizome.org/videos/embed/0417e7e4-bc61-4fa3-af91-1b3043df5495https://video.rhizome.org/w/q4RUyXDyBJYPD19H6RRuaVhttps://video.rhizome.org/lazy-static/thumbnails/3b414935-2e46-4805-af41-7b44ec854248.jpgRhizome News: Replicant, Virgil de Voldere Gallery"Replicant", on view at Virgil de Voldere Gallery in New York from January 10-February 13th, brings together four artists- Ian Burns, Shane Hope, Gilles Rotzetter, and Scott Wolniak- whose work playfully imagines the course of creative expression within a post-apocalyptic future. In this video, the gallery's Director and Founder Virgil de Voldere discusses the concept behind the show and reviews the works included. Video by Dennis Knopfhttps://video.rhizome.org/videos/embed/c2e550a5-d42a-4b54-b309-a52bfeb47247https://video.rhizome.org/w/8sHJYzdM5vGpsgvmZLHW2Dhttps://video.rhizome.org/lazy-static/thumbnails/4dba3aeb-7d6f-49a2-b356-36d105c88ef6.jpgRhizome Commissions '08 5/5The last in a three-part series that features presentations by artists awarded grants through Rhizome's Commissions Program. Founded in 2001 to support artists working with technology, the Rhizome Commissions Program has awarded fifty-four commissions to date. Projects realized through the Program represent some of the most forward-thinking and innovative works of media and Internet-based art. In this program, the artists discuss their commissioned projects and larger bodies of work. The panel features Will Pappenheimer, John Craig Freeman, Annie Abrahams, Nadia Anderson and Fritz Donnelly, Lee Walton, and Marek Walczak. Presented by Rhizome at the New Museum (clip features Nadia Anderson and Fritz Donnelly)https://video.rhizome.org/videos/embed/3c6b084c-8285-4e54-8e3e-0fa800fd323fhttps://video.rhizome.org/w/e9sKnF14u8KiPivsNMs8FThttps://video.rhizome.org/lazy-static/thumbnails/43d714e9-9929-4eb7-b0e2-fcd6e298e210.jpgRhizome Commissions 4/5The last in a three-part series that features presentations by artists awarded grants through Rhizome's Commissions Program. Founded in 2001 to support artists working with technology, the Rhizome Commissions Program has awarded fifty-four commissions to date. Projects realized through the Program represent some of the most forward-thinking and innovative works of media and Internet-based art. In this program, the artists discuss their commissioned projects and larger bodies of work. The panel features Will Pappenheimer, John Craig Freeman, Annie Abrahams, Nadia Anderson and Fritz Donnelly, Lee Walton, and Marek Walczak. Presented by Rhizome at the New Museum (clip features Annie Abrahams)https://video.rhizome.org/videos/embed/6a753c96-7399-4da3-9f69-920d364671a5https://video.rhizome.org/w/kygYsqrPsMee8jwj7FzZNbhttps://video.rhizome.org/lazy-static/thumbnails/5859bf85-63c7-41a3-9ce0-b24d85906981.jpgRhizome Commissions '08 3/5The last in a three-part series that features presentations by artists awarded grants through Rhizome's Commissions Program. Founded in 2001 to support artists working with technology, the Rhizome Commissions Program has awarded fifty-four commissions to date. Projects realized through the Program represent some of the most forward-thinking and innovative works of media and Internet-based art. In this program, the artists discuss their commissioned projects and larger bodies of work. The panel features Will Pappenheimer, John Craig Freeman, Annie Abrahams, Nadia Anderson and Fritz Donnelly, Lee Walton, and Marek Walczak. Presented by Rhizome at the New Museum (clip features Marek Walczak)https://video.rhizome.org/videos/embed/9e5f4774-6356-45b1-9e5e-814e0a2cd552https://video.rhizome.org/w/huKprt4mvQ75yZX2ncWFE7https://video.rhizome.org/lazy-static/thumbnails/e20305ea-0b1b-4ea9-911e-5ca25c97b95a.jpgRhizome Commissions '08 2/5The last in a three-part series that features presentations by artists awarded grants through Rhizome's Commissions Program. Founded in 2001 to support artists working with technology, the Rhizome Commissions Program has awarded fifty-four commissions to date. Projects realized through the Program represent some of the most forward-thinking and innovative works of media and Internet-based art. In this program, the artists discuss their commissioned projects and larger bodies of work. The panel features Will Pappenheimer, John Craig Freeman, Annie Abrahams, Nadia Anderson and Fritz Donnelly, Lee Walton, and Marek Walczak. Presented by Rhizome at the New Museum (clip features Will Pappenheimer and John Craig Freeman)https://video.rhizome.org/videos/embed/8595caf8-e69a-4515-99bb-aa4037baa41ehttps://video.rhizome.org/w/g18nLCSTTXaSxbKjk5huvuhttps://video.rhizome.org/lazy-static/thumbnails/35d29b59-5173-4eba-ac1c-f53b845d9531.jpgRhizome Commissions '08 1/5The last in a three-part series that features presentations by artists awarded grants through Rhizome's Commissions Program. Founded in 2001 to support artists working with technology, the Rhizome Commissions Program has awarded fifty-four commissions to date. Projects realized through the Program represent some of the most forward-thinking and innovative works of media and Internet-based art. In this program, the artists discuss their commissioned projects and larger bodies of work. The panel features Will Pappenheimer, John Craig Freeman, Annie Abrahams, Nadia Anderson and Fritz Donnelly, Lee Walton, and Marek Walczak. Presented by Rhizome at the New Museum (clip features Marisa Olsen discussing the work of Lee Walton)https://video.rhizome.org/videos/embed/797da007-6a64-41d3-94c9-f6f61fbaac3ehttps://video.rhizome.org/w/cXJi9cuMR978GPTqSP4tJChttps://video.rhizome.org/lazy-static/thumbnails/17b049e3-048c-42ac-8932-a453ef92210e.jpgReflector by Stanya Kahn and Rus YusupovA video produce on the occasion of Seven on Seven 2015.https://video.rhizome.org/videos/embed/60dc7f87-9953-4d7b-a8e0-f2bd494d929chttps://video.rhizome.org/w/bQ8EcwucwbvLCFhh3guJ5zhttps://video.rhizome.org/lazy-static/thumbnails/532ac016-e480-469d-bd14-dff7e144b589.jpgre_abracadabra_4K_pro_res_loop1re_abracadabra_4K_pro_res_loop1https://video.rhizome.org/videos/embed/57b3cead-c409-443b-85d6-3c6e9a8ca781https://video.rhizome.org/w/9ahoXMcZSbEqGsiNwbUN2Thttps://video.rhizome.org/lazy-static/thumbnails/f1456ca7-9e92-4820-91b4-6e8346747102.jpgRafaël Rozendaal discusses fatal to the flesh .comRafaël Rozendaal discusses fatal to the flesh .comhttps://video.rhizome.org/videos/embed/4214e854-5a9f-4254-b16a-c6b5074fc465https://video.rhizome.org/w/aLPSaGfpT1XrTakz3uJXhNhttps://video.rhizome.org/lazy-static/thumbnails/76f3258c-1a9c-464f-9555-584306c415c0.jpgPhysical Tactics for Digital ColonialismDocumentation of a Feb 28 performance at the New Museum. Commissioned by Rhizome.https://video.rhizome.org/videos/embed/4f2478bd-a5ee-450b-bb29-4b3a5e9d02dahttps://video.rhizome.org/w/iVNE3dKXfbbJZi5A1qqSXqhttps://video.rhizome.org/lazy-static/thumbnails/1871df31-2fed-4436-8b8d-e80318fa1398.jpgPhantom Threads: Restoring The Thing BBSFounded in New York City in 1991, The Thing was a Bulletin Board System–a forum where users could post and exchange messages–focusing on contemporary art and cultural theory. Among the tens of thousands of BBSes that flourished from the late 1970s to the 1990s, The Thing was notable for its design and community dynamics. Considered by its founder Wolfgang Staehle to be a kind of social sculpture, The Thing included features such as an anonymized chatroom, and it was a hub for online experimental writing. This history is little known,because most of the messages posted on The Thing BBS have been lost or otherwise inaccessible for many years. During his tenure as Rhizome’s digital conservator, Ben Fino-Radin began a research project to locate missing archives from The Thing BBS. He succeeded in securing a WordPerfect file containing a screen dump of more than 400 pages of messages saved by a hacker named Blackhawk, former sysadmin of The Thing. With the support of a grant from the National Endowment for the Humanities. Rhizome has undertaken a project to recover, make accessible, and study this material. This event marks the launch of a web-based interface to offer access to many of the recovered threads from this research process. Following Tuesday’s event “Consensual Hallucinations: Early Online Writing from The Thing BBS Archives,” this event brings together Rhizome’s Preservation Director Dragan Espenschied, Rhizome Software Curator Lyndsey Moulds, and Ben Fino-Radin, director of Small Data Industries, for a conversation about the philosophical and practical questions that arose in process of offering access to the archives of The Thing BBS.https://video.rhizome.org/videos/embed/912e879a-f2eb-42be-841a-b2e0469afc56https://video.rhizome.org/w/1JJ4FTJC9wcizvyqz3xLmFhttps://video.rhizome.org/lazy-static/thumbnails/818f4433-f796-444f-b8be-8e5bb5aac1ec.jpgPart 3of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993 - So did MTV ge...Part 3of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993 - So did MTV get It_ Not so muchhttps://video.rhizome.org/videos/embed/05f72933-9d87-449f-b7e0-37b74eb72e77https://video.rhizome.org/w/6Nu48QwE3hsSEoXaqsiKiAhttps://video.rhizome.org/lazy-static/thumbnails/551adc7c-f573-43a8-82a7-8a4b8056b5e2.jpgPart 2of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993Part 2of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993https://video.rhizome.org/videos/embed/2efb3215-c784-42e4-a916-194c26723410https://video.rhizome.org/w/kDkcSswXUJ1eMaYFGZdBeqhttps://video.rhizome.org/lazy-static/thumbnails/919ba1af-506e-45ed-8cc4-fa6710c6b21f.jpgOpen Score: Together in Electric DreamsDocumentation from Open Score: The State of Art & Technology, a day-long conference organized by the New Museum and Rhizome, December 10, 2016. Session 2: Together in Electric Dreams How can artists open up new ways of relating to AI systems? Machine intelligence is often figured in popular culture and software applications in the form of the virtual assistant, often female, performing automated emotional labor on behalf of a user. This anthropomorphized, gendered, subservient form of AI bears little resemblance to the diverse forms of machine intelligence that will one day organize many facets of our world. Computation already allows for the automation of crucial aspects of cognitive labor under capitalism, making the task of understanding new theories of mind, and their implications, all the more imperative. Speculating about and planning for the effects of new kinds of intelligence requires greater leaps of the imagination. The panel will ask: how might artists develop new images, new language, and new ways of relating to machine intelligence? What new forms of identity and intersubjectivity might emerge from this process? Speakers: Katherine Cross, writer; Ian Cheng, artist; Sondra Perry, artist; and Patricia Reed, artist. Moderator: Nora Khanhttps://video.rhizome.org/videos/embed/9f13fd43-fbb7-4ed8-847b-6fe25d8be126https://video.rhizome.org/w/s5SFFNstoUpEajmAee8SQzhttps://video.rhizome.org/lazy-static/thumbnails/1b2bf8e5-0d33-42d3-bc75-7f45e02d5b47.jpgOpen Score: Out of IsolationSession 3: Out of Isolation What is the internet’s potential for creating new social infrastructures? Amid the claim that society has never been more interconnected, many continue to be hidden or to hide—within the walls of prisons, through the apparatuses that sequester the sick and disabled, because public life is too dangerous and too hostile, because colonization and globalization have rendered communities diffuse and divided. Even those with relative access and security can understand themselves to be alone. Yet, against and out of the institutions and ideologies that structure isolation, artists and activists seek to connect people and communities. This panel will ask a group of artists, all of whom take social life as both their medium and subject: How might we use digital space to create networks of care and interdependence, as well as structural transformation and economic redistribution? What digitally-driven strategies do we have for reducing the harm of systemic physical and emotional isolation? Why is art (as it is inflected by technology) still a space for seeking liberatory possibilities, even as the state attempts to foreclose the possibility of liberation for so many? Speakers: Christopher Glazek, activist and writer; Jamal T. Lewis, filmmaker and artist; Elizabeth Mputu, artist; and Christopher Kulendran Thomas, artist. Moderator: Grace Dunhamhttps://video.rhizome.org/videos/embed/d33bd0c5-a24d-4d84-88b7-aede653ba891https://video.rhizome.org/w/bgdSPiphoWK4oVgCJBLRMQhttps://video.rhizome.org/lazy-static/thumbnails/34685cb7-b743-4e7d-a0ac-0aa658353795.jpgon and off .org - "Interaction for its own sake"Rafaël Rozendaal discusses interaction in his web-based artwork.https://video.rhizome.org/videos/embed/531b7a74-ee08-4992-98f2-d77daa1d7616https://video.rhizome.org/w/dFi6p4ct5CBu8w8AXBghe2https://video.rhizome.org/lazy-static/thumbnails/dadcf0ef-8bbe-4c5a-9f80-53b33fa03496.jpgNFT AestheticsArtists Harm van den Dorpel, Katherine Frazer, Auriea Harvey, Ryan Kuo, Sara Ludy, and Ezra Miller share their own work, their engagement with NFTs, and their views on the larger implications that NFTs hold for our understanding of art and culture.https://video.rhizome.org/videos/embed/66aa3475-cecb-4b72-bf06-c1791c3c061bhttps://video.rhizome.org/w/b5mUkXYMWKTDkMuQLQnZeEhttps://video.rhizome.org/lazy-static/thumbnails/8c9b99a6-581f-4f67-a3d7-8d0093cf8208.jpgNextcity: The Art of the Possible 3/5 (Eric Rodenbeck, Stamen Design)Nextcity: The Art of the Possible (Part 3 of 5) Featured projects by Stamen Design, J. Meejin Yoon, and Christian Nold blur the boundaries between art, design and technological development. Moderated and introduced by Everyware author Adam Greenfield.https://video.rhizome.org/videos/embed/51973e48-94ab-4813-a638-78eefbcda8e4https://video.rhizome.org/w/vus42JoPLtw4CzWirU7avHhttps://video.rhizome.org/lazy-static/thumbnails/ad4158fe-01c9-4013-9961-b8f23d7a217a.jpgNextcity: The Art of the Possible 2/5 (Christian Nold)Nextcity: The Art of the Possible (Part 2 of 5) Featured projects by Stamen Design, J. Meejin Yoon, and Christian Nold blur the boundaries between art, design and technological development. Moderated and introduced by Everyware author Adam Greenfield.https://video.rhizome.org/videos/embed/eed1e6e6-ff0b-4770-8244-39f6f802b40fhttps://video.rhizome.org/w/q6o6VHzSz54LxSf227CVuWhttps://video.rhizome.org/lazy-static/thumbnails/ee2096b6-7aad-4fcd-8c5c-054da55e7617.jpgNextcity: The Art of the Possible 1/5 (Adam Greenfield)Emergent digital technologies are rapidly changing both the face of our cities and our daily experience of them, whether invoked in the production of architectural form, the representation of urban space, or our interface to the locative and other services newly available there. Dynamic maps update in real time; garments and spaces deform in response to environmental, biological and even psychological conditions. We find our very emotions made visible, public, and persistently retrievable. Somewhere along the way, we find our notions of public space, participation, and what it means to be urban undergoing the most profound sort of change. Featured projects by Stamen Design, J. Meejin Yoon, and Christian Nold blur the boundaries between art, design and technological development. Moderated and introduced by Everyware author Adam Greenfield.https://video.rhizome.org/videos/embed/c31baaea-654a-4574-ba81-c425b7dc69e2https://video.rhizome.org/w/t3eCtVphwKs7hRhbX7jLJZhttps://video.rhizome.org/lazy-static/thumbnails/f41395b0-1dd7-4776-ad04-ea0d7b1ddc74.jpgPart 1of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993Part 1of3 - Electronic Cafe International (G-R) & VIACOM have a play-date in 1993https://video.rhizome.org/videos/embed/daf6a169-f343-4828-99ee-cb182845e5fdhttps://video.rhizome.org/w/aLCkkjzwAjtHuFqYS1fLSchttps://video.rhizome.org/lazy-static/thumbnails/14563455-073a-436b-8d77-21e70a04a99e.jpgSeven on Seven 2011: Andy Baio & Michael Bell-SmithMichael Bell-Smith in an artist based in Brooklyn, New York. His work uses digital forms to interrogate contemporary culture and its relationship to popular technology. Spanning across various media - including video, the internet, installations, and prints - his practice navigates art history, pop, amateur aesthetics, and commercial graphics. Altering, reinterpreting, and compositing elements from these varied contexts, he proposes new cultural meanings for the post-internet age. Andy Baio was a Project Director at Expert Labs, a nonprofit working on improving government by tapping into collective knowledge on social networks. Previously, he was CTO of Kickstarter, the largest funding platform for creative projects in the world, and created Upcoming.org, the collaborative events calendar acquired by Yahoo! in 2005. He produced the first chiptune jazz album, Kind of Bloop: An 8-Bit Tribute to Miles Davis, and original reporting on his blog Waxy.org has been featured in the New York Times, Wired, NPR, Newsweek, and MSNBC.https://video.rhizome.org/videos/embed/4f1d5d72-96f8-486f-85b0-8ca5236f89ffhttps://video.rhizome.org/w/mCUJvs1RAPeBJ1bgpStWvxhttps://video.rhizome.org/lazy-static/thumbnails/33f32a7f-c599-4b3a-85fc-9c0a0c37de7a.jpgSeven on Seven 2011: Zach Lieberman &amp; Bre PettisZachary Lieberman is an artist with a simple goal: he wants you surprised. He creates artwork that uses technology in a playful and seamless way to explore the nature of communication and the delicate boundary between the visible and the invisible. He makes performances, installations, and on-line works that investigate gestural input, augmentation of the body, kinetic response and magic. Bre Pettis makes things that make things. Passionate about invention, innovation, and all things DIY, Pettis builds infrastructure for creativity. He is a founder of Makerbot, a company that produces robots that make things, a founder of Thingiverse which is a universe of downloadable designs, and a founder of NYCResistor, a hacker collective in Brooklyn. He dreams of manufacturing tools being absurdly common and likely finding a place next to your toaster.https://video.rhizome.org/videos/embed/a71e0bf5-c8a2-4b0f-a76a-3f9b42ff9bc1https://video.rhizome.org/w/jaZpkEP7KgiwtCspsMk91jhttps://video.rhizome.org/lazy-static/thumbnails/c70a8351-57b1-4e97-b5ad-064845c9cb07.jpgNext Level: New Independent Gaming 3/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museum (clip features Jason Rohrer)https://video.rhizome.org/videos/embed/932990b7-2ac9-40d0-bb50-c0a2db0acafahttps://video.rhizome.org/w/euQh3YEr4wNpst1H3jS5uAhttps://video.rhizome.org/lazy-static/thumbnails/cc4f621d-4a0f-414a-8df1-cba6cf6ae63a.jpgNext Level: New Independent Gaming 2/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museum (clip features Greg Costikyan)https://video.rhizome.org/videos/embed/6d4d6136-ca7c-413d-a620-c07db414187ahttps://video.rhizome.org/w/tEDj2cedMdHxvn54cAfNwdhttps://video.rhizome.org/lazy-static/thumbnails/7ee42e50-805b-4c00-aec5-40823533d591.jpgNext Level: New Independent Gaming 1/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museum (clip features Introduction)https://video.rhizome.org/videos/embed/e00c0028-5385-41f2-a264-7f443a252340https://video.rhizome.org/w/idams5j1ni1kxphFUrL5aBhttps://video.rhizome.org/lazy-static/thumbnails/d56a78a4-58d5-467c-9cb0-b3a6654a5495.jpgNext Level: New Independent Gaming 7/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/8b5e0bd3-2ee2-4de6-86b7-8663db71156dhttps://video.rhizome.org/w/h9NkNFnUot8ZsG3C97i7eVhttps://video.rhizome.org/lazy-static/thumbnails/c7175a39-0f5c-4490-a1d1-cd66fc7337d0.jpgNext Level: New Independent Gaming 5/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/82ccba47-f7bc-427a-8ae0-239537f57807https://video.rhizome.org/w/wySrgJhTor4yZRw3hD1uJBhttps://video.rhizome.org/lazy-static/thumbnails/00def132-650e-4c74-b263-1fcc1c2a3cdb.jpgNext Level: New Independent Gaming 4/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museum (clip features Mark Essen)https://video.rhizome.org/videos/embed/f7890ae4-9637-449a-89c8-d893c1672167https://video.rhizome.org/w/cbj7jZb4f5VFdeAgG3nzVihttps://video.rhizome.org/lazy-static/thumbnails/e2063958-30cf-42b5-a74b-8042d00c399a.jpgNext Level: New Independent Gaming 6/7Part of the New Silent Series Bringing together prominent game designers, artists and critics, Next Level takes a look at the recent rise of indie gaming: a vibrant new culture of individually made and self-distributed video games that blur the line between digital art and creative entertainment. Featuring artist and game designers Mark Essen, Jason Rohrer and Greg Costikyan. Moderated by Rhizome staff writer Ed Halter, an author, critic, and curator whose book From Sun Tzu to Xbox: War and Video Games was published in 2006. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/5a851f82-758b-4375-a96a-ee774135c9dfhttps://video.rhizome.org/w/iLw1uxKNQEnBwe1F25kQJohttps://video.rhizome.org/lazy-static/thumbnails/ada21e2f-309e-482b-9ff7-e85c8a7c6619.jpgnetart latino database screencastCreated by Uruguayan artist Brian Mackern, netart latino database is a hand-coded, text-only website containing hundreds of links to works by Latin American artists as well as related online discussions and criticism. An archive as well as an artwork, it is described in the introduction to an eponymous 2010 book as “springing from one person’s unprecedented decision to create such a compilation without the help of anything other than his computer and perseverance.”https://video.rhizome.org/videos/embed/8fe29394-9e81-450d-a440-3d09733b5bf2https://video.rhizome.org/w/kcYCJkGABzXG5gMb3kytu2https://video.rhizome.org/lazy-static/thumbnails/17703424-3204-463a-97ff-ec6affad6d45.jpgNet Art Anthology: Distribution and Disappearance After 9/11Marking the conclusion of Chapter Two of Net Art Anthology, this presentation and discussion convenes artists and scholars to revisit the network culture that emerged in the post-9/11 moment and its relevance for artists. The 9/11 attacks were a pivotal moment in the internet’s role in public life in the US, one of the first times that a national tragedy would be consumed and processed online at such a massive scale. In this context, a number of contemporary artists began to grapple with the ways in which content had begun to acquire meaning and power through its circulation in this emerging network, even as it was subject to endless duplication, deterioration, and manipulation. They sought ways to intervene in this complex ensemble, harnessing its capacity to produce and propagate meaning and exploring its blind spots and limitations. Together, these works reflect a moment in which artists were beginning to reckon with the internet as a pervasive social and cultural force, setting up lines of inquiry that remain equally urgent in the present. Following a screening of Seth Price’s Rejected or Unused Clips, Arranged in Order of Importance (2003), David Joselit explores Price’s approach to image circulation as articulated in his seminal work Dispersion (2002-ongoing.) Rhizome’s Assistant Curator of Net Art Aria Dean presents William Pope.L’s work Distributing Martin (2000-2005) followed by Mariam Ghani presents How to See the Disappeared: A warm database (a 2004 collaboration with Chitra Ganesh). Finally, Eva and Franco Mattes, aka 0100101110101101.org, explain what they learned by putting their lives—or at least, the entire contents of their desktop computer—into circulation as an artistic act for the online performance work Life Sharing (2000-2003). Recorded November 3rd, 2017 at the New Museum.https://video.rhizome.org/videos/embed/9b89b7ae-7a08-4db1-8c4d-5a9f60556795https://video.rhizome.org/w/jCRHPVFyVAX5UbCdQKEMSqhttps://video.rhizome.org/lazy-static/thumbnails/2f517bc1-385d-47ed-a203-2c415b57ebd6.jpgNet Aesthetics 2.0 9/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra CortrighNt, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/96e9e9d0-d891-4c70-be9e-6cd6dd4e5b60https://video.rhizome.org/w/j1YN6BqvuHxwcLDJk2efiYhttps://video.rhizome.org/lazy-static/thumbnails/0b312315-1f17-4513-ae7e-73dd7422d87e.jpgNet Aesthetics 2.0 2/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museum (clip features Damon Zucconi)https://video.rhizome.org/videos/embed/91e77f34-eb7f-46c7-8d25-6e7ca8b14d02https://video.rhizome.org/w/fD8V2QymRDdQc9AAbB3R4ghttps://video.rhizome.org/lazy-static/thumbnails/0af02546-2dd7-4243-9963-1c964c337944.jpgNet Aesthetics 2.0 3/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museum (clip features Petra Cortright)https://video.rhizome.org/videos/embed/768f568e-af49-4a54-8ad2-5afd6ea2c9e1https://video.rhizome.org/w/nR7HYJdLATPRMcPZvJEWJLhttps://video.rhizome.org/lazy-static/thumbnails/42d9fea6-0af5-4e2c-b60a-e8c1274a9b3c.jpgNet Aesthetics 2.0 7/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/b0eb8010-a4c7-4816-a6c6-1bce7ee2c3b8https://video.rhizome.org/w/8gwhRtJsCbfJskYAfsW6Uhhttps://video.rhizome.org/lazy-static/thumbnails/7b286677-fc8e-4900-bae2-2e9d55d6e9a1.jpgNet Aesthetics 2.0 1/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museum (clip features Introduction)https://video.rhizome.org/videos/embed/3adacb5d-9b21-4f8d-adfe-a52a2d5703dchttps://video.rhizome.org/w/6nKLtxzrXN5Ju8vcNf8uUGhttps://video.rhizome.org/lazy-static/thumbnails/1d907fc2-015b-470f-b7ed-98826a1d9844.jpgNet Aesthetics 2.0 5/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museum (clip features Jennifer and Kevin Mccoy)https://video.rhizome.org/videos/embed/2b8748e3-ae5d-4f6a-8990-4796868da8d8https://video.rhizome.org/w/4EjNTJohxEZBoPf1KBXJDEhttps://video.rhizome.org/lazy-static/thumbnails/72782041-1746-4b42-a001-354f0206e010.jpgNet Aesthetics 2.0 6/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. (clip features Tom Moody) Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/1da54537-83d8-46a3-b566-aa38a6a80c18https://video.rhizome.org/w/iDtXwThRRMdQv1h6QYTf2Nhttps://video.rhizome.org/lazy-static/thumbnails/fb6366a7-166f-45f8-9276-91a5a276bc6b.jpgNet Aesthetics 2.0 10/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/8ee71b29-acf7-4db3-ae87-2dd817ab0118https://video.rhizome.org/w/pQMNpAJAhakZh7cQdVjRtXhttps://video.rhizome.org/lazy-static/thumbnails/7b28ea02-6d25-4f76-9a87-a2404ec26293.jpgNet Aesthetics 2.0 11/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/c1121d8f-2896-4cda-8400-3193e212ea59https://video.rhizome.org/w/fdHTWE5BMMX84yFeSfgnB8https://video.rhizome.org/lazy-static/thumbnails/fd7f3a55-5bba-4f98-92dd-68b0096e70a0.jpgNet Aesthetics 2.0 8/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museumhttps://video.rhizome.org/videos/embed/7326af7f-3437-4f42-a52d-11bb4b57f121https://video.rhizome.org/w/xvk2R7AMVxnYhQ9znQriuNhttps://video.rhizome.org/lazy-static/thumbnails/a5b5b42c-16cd-484a-8627-0748ac1d5153.jpgNet Aesthetics 2.0 4/11Part of the New Silent Series Convening leading artists, critics and curators, this panel looks at the state of contemporary art engaged with the internet art today. The second in a series of Net Aesthetics 2.0 events, the panelists explore the newest directions and greatest challenges faced by this expansive field. Panelists include artists Petra Cortright, Jennifer and Kevin Mccoy, Tom Moody, Tim Whidden and Damon Zucconi and is moderated by curator, critic and Rhizome staff writer Ed Halter. Presented by Rhizome at the New Museum (clip features Tim Whidden)https://video.rhizome.org/videos/embed/ff2398b9-5edd-45d8-ba45-7ca05d16b732https://video.rhizome.org/w/dgehFVBxhhHPv2CsdemEiyhttps://video.rhizome.org/lazy-static/thumbnails/32078ec2-c0b3-40f4-a78e-a08cb5d760c9.jpgSeven on Seven 10th Edtiion: Sara Cwynar and Cierra SherwinArtist Sara Cwynar & Cierra Sherwin, Director of Color Product Development, Glossier May 19th, 2018 at the New Museum in New York Cityhttps://video.rhizome.org/videos/embed/634e0263-1808-4c07-a826-4c065350e342https://video.rhizome.org/w/wm2BeEnzV6tKNE5NRBBeRjhttps://video.rhizome.org/lazy-static/thumbnails/fb2ad792-9b3c-4165-b741-4b7aabfb44b1.jpgMontage: Unmonumental Online 5/5Rhizome Curator at Large Marisa Olson leads a conversation with four artists from Montage: Unmonumental Online. Michael Bell-Smith, William Boling, Kenneth Tin-Kin Hung, and Nina Katchadourian will give brief presentations of their work and join in a roundtable discussion of their diverse approaches to practices of appropriating, sampling, remixing, and otherwise responding to found material, online. Presented by Rhizome at the New Museum rhizome.org/art/exhibition/montage/ (clip features Nina Katchadourian)https://video.rhizome.org/videos/embed/f5be069e-ed4f-45cc-abc9-1f0a31df25c8https://video.rhizome.org/w/56uQkh8yRabeNsbp9ocypdhttps://video.rhizome.org/lazy-static/thumbnails/ae5b223b-d981-4cad-8eac-5d2d6a5aca17.jpgMontage: Unmonumental Online 4/5Rhizome Curator at Large Marisa Olson leads a conversation with four artists from Montage: Unmonumental Online. Michael Bell-Smith, William Boling, Kenneth Tin-Kin Hung, and Nina Katchadourian will give brief presentations of their work and join in a roundtable discussion of their diverse approaches to practices of appropriating, sampling, remixing, and otherwise responding to found material, online. Presented by Rhizome at the New Museum rhizome.org/art/exhibition/montage/ (clip features William Boling)https://video.rhizome.org/videos/embed/21290aeb-4c30-402d-9359-a20bab12e89ahttps://video.rhizome.org/w/1BzGxG3ZfMJAMGKMuTdTe6https://video.rhizome.org/lazy-static/thumbnails/7ddbbb92-a5a1-41c6-878b-57e8148579c5.jpgMontage: Unmonumental Online 3/5Rhizome Curator at Large Marisa Olson leads a conversation with four artists from Montage: Unmonumental Online. Michael Bell-Smith, William Boling, Kenneth Tin-Kin Hung, and Nina Katchadourian will give brief presentations of their work and join in a roundtable discussion of their diverse approaches to practices of appropriating, sampling, remixing, and otherwise responding to found material, online. Presented by Rhizome at the New Museum rhizome.org/art/exhibition/montage/ (clip features Kenneth Tin-Kin Hung)https://video.rhizome.org/videos/embed/04f7ccbb-f987-492b-988f-5d7a7652d173https://video.rhizome.org/w/aWEYBiF23xTYA3to6mqcy4https://video.rhizome.org/lazy-static/thumbnails/97cd0c81-90ae-4b64-9bf3-5c51519d2f23.jpgMontage: Unmonumental Online 2/5Rhizome Curator at Large Marisa Olson leads a conversation with four artists from Montage: Unmonumental Online. Michael Bell-Smith, William Boling, Kenneth Tin-Kin Hung, and Nina Katchadourian will give brief presentations of their work and join in a roundtable discussion of their diverse approaches to practices of appropriating, sampling, remixing, and otherwise responding to found material, online. Presented by Rhizome at the New Museum rhizome.org/art/exhibition/montage/ (clip features Michael Bell-Smith)https://video.rhizome.org/videos/embed/50846e6c-5997-4e3c-bde7-eb6fcf361fefhttps://video.rhizome.org/w/vn5ffRp6shV8uuXVrRdp1Zhttps://video.rhizome.org/lazy-static/thumbnails/0b625e24-9ad1-49cc-8c69-977c04d37879.jpgMontage: Unmonumental Online 1/5Rhizome Curator at Large Marisa Olson leads a conversation with four artists from Montage: Unmonumental Online. Michael Bell-Smith, William Boling, Kenneth Tin-Kin Hung, and Nina Katchadourian will give brief presentations of their work and join in a roundtable discussion of their diverse approaches to practices of appropriating, sampling, remixing, and otherwise responding to found material, online. Presented by Rhizome at the New Museum http://rhizome.org/art/exhibition/montage/ (clip features the Introduction by Marisa Olsen)https://video.rhizome.org/videos/embed/edca41c2-734f-44a0-a3f7-113f5d5189c5https://video.rhizome.org/w/pdrrE64GbEiKohuT7M6hKHhttps://video.rhizome.org/lazy-static/thumbnails/e6b18654-0539-42aa-923c-211160deee02.jpgMike Myers in The Erotics of Militarised ChickenHamishi Farah, 'Mike Myers in The Erotics of Militarised Chicken', 2017https://video.rhizome.org/videos/embed/bbfecb38-616f-4941-883a-66badcb7913fhttps://video.rhizome.org/w/8BcVNAQ6g7BrpC6bECAirvhttps://video.rhizome.org/lazy-static/thumbnails/96e669e7-d68b-47e0-9928-554e96cb67d4.jpgLets Talk Net ArtThis event, presented alongside the exhibition “The Art Happens Here: Net Art’s Archival Poetics,” featured video clips and presentations exploring several early artistic experiments with networks, illuminating their particular stakes, and addressing their relatively overlooked status in cultural memory. Featuring a talk by art critic and theorist Josephine Bosma, who showed how exploring this early history brings net art, in her words, “into focus as a hugely diverse field in which online and offline works and practices intermingle and co-exist, while older strategies and technologies never really die.” A presentation by art historian Philip Glahn explored Mobile Image’s Electronic Cafe ’84 (1984), an experiment in multimedia telecollaboration that allowed content to be created and shared among hubs in neighborhoods across Los Angeles.https://video.rhizome.org/videos/embed/3d9a5a6e-1f21-416f-a3fd-4f1dc034537bhttps://video.rhizome.org/w/s5KrbZ7oZnNGWXPKydeQPAhttps://video.rhizome.org/lazy-static/thumbnails/df44726d-5d94-4b11-b56d-d278792a1379.jpgKitchen Table Coders Panel DiscussionDocumentation of panel discussion held on August 17th, 2012 hosted by Rhizome at the New Museum, on programming and pedagogy. Panelists included Amit Pitaru of Kitchen Table Coders; Jer Thorp, artist and educator; Sonali Sridhar of Hacker School; Vanessa Hurst of Girl Develop It and Developers for Good; and moderated by Douglas Rushkoff, Code Evangelist for Codecademy, educator, and author of Program or Be Programmed: Ten Commands for a Digital Age.https://video.rhizome.org/videos/embed/d33758fa-e020-4c8b-b4c9-8fd817f35390https://video.rhizome.org/w/nMeB7FcfCdp8m7B8u9yq7Zhttps://video.rhizome.org/lazy-static/thumbnails/b39a1546-4596-408d-a472-bcedf1b7ccd2.jpgKadist x Rhizome Virtuality Salon: Ben Vickers & Jakob Kudsk SteensenKadist x Rhizome Virtuality Salon: Ben Vickers & Jakob Kudsk Steensenhttps://video.rhizome.org/videos/embed/b060c422-c61c-4319-9930-8a665ca6c535https://video.rhizome.org/w/rTPXCQsEvs2iUhn2ABK5U6https://video.rhizome.org/lazy-static/thumbnails/fc291b3e-36a0-432d-9d69-e4fc05d48fdd.jpgJoão Enxuto and Erica Love - ISCA MiamiThe New Museum and Rhizome are proud to premiere Institute for Southern Contemporary Art (ISCA) by artists João Enxuto and Erica Love, an essayistic video that doubles as a promotional piece for the Institute of Southern Contemporary Art (ISCA), a proposed artist platform tailored to optimize the creation of art for market consumption. ISCA’s founding mission is totally preposterous, and yet, amid the onset of programs that analyze and rank art to quantify its future value (for instance, ArtRank and Art Advisor), it doesn’t hew too far from the current ways in which art is considered in terms of its financial potential.https://video.rhizome.org/videos/embed/d1b0f466-be6f-449e-baf0-60b12ed25445https://video.rhizome.org/w/rcBzcqPNULvv71x7qhrDVAhttps://video.rhizome.org/lazy-static/thumbnails/e2b35273-b366-4a84-a5be-493c9bcc6506.jpgjayson-musson-2017Jayson Musson is an artist, performer, writer, and filmmaker based in New York City. In January 2017, Musson premiered a new virtuality work, an astral memorial for victims of police violence, for New Museum and Rhizome’s First Look: Artists’ VR. His most well-known creation is Hennessy Youngman, a YouTube art critic who used hip-hop vernacular to critique the exclusionary language of art discourse. Other recent presentations include solo exhibitions at Fleisher/Ollman Gallery, Philadelphia, and Salon94, New York.https://video.rhizome.org/videos/embed/cc1391f9-c000-422c-9e0f-c7d833e3fb40https://video.rhizome.org/w/3wj45sH1ePPPyZnGVQf6YEhttps://video.rhizome.org/lazy-static/thumbnails/8d3df05f-d748-4175-a7bd-6de540b61d8b.jpgIt's in the Game '17 (small monitor)Sondra Perry, It's in the Game '17 (small monitor), 2017https://video.rhizome.org/videos/embed/146db74c-4287-4f59-b007-68cdc83e9d5ahttps://video.rhizome.org/w/pvWidBMW42D1eFguniUHdDhttps://video.rhizome.org/lazy-static/thumbnails/4457cf55-3a18-46a6-9509-cac3e6dd959c.jpgIt's in the Game '17 (left monitor)Sondra Perry, It's in the Game '17 (left monitor), 2017https://video.rhizome.org/videos/embed/be70385a-c428-4106-a386-2d02f2106f71https://video.rhizome.org/w/qTLXF3qeiwWeUMLUhNH5Fyhttps://video.rhizome.org/lazy-static/thumbnails/c0e0f4e4-11aa-4a28-934a-4963bfb64103.jpgIt's in the Game '17Sondra Perry, It's in the Game '17, 2017https://video.rhizome.org/videos/embed/c995f7b6-0665-4189-acbf-ed09517f6ccehttps://video.rhizome.org/w/fjbRpGtgfB7JxXGPB51Hzfhttps://video.rhizome.org/lazy-static/thumbnails/2e995d67-27af-458a-9d3c-7b484fee3099.jpgISCA_MIAMI_APR8The New Museum and Rhizome are proud to premiere Institute for Southern Contemporary Art (ISCA) by artists João Enxuto and Erica Love, an essayistic video that doubles as a promotional piece for the Institute of Southern Contemporary Art (ISCA), a proposed artist platform tailored to optimize the creation of art for market consumption. ISCA’s founding mission is totally preposterous, and yet, amid the onset of programs that analyze and rank art to quantify its future value (for instance, ArtRank and Art Advisor), it doesn’t hew too far from the current ways in which art is considered in terms of its financial potential. https://video.rhizome.org/videos/embed/73ea044d-3e71-4834-9335-1bdf25193a2chttps://video.rhizome.org/w/wPM1Nr67BthZFnaeDRUcdahttps://video.rhizome.org/lazy-static/thumbnails/a313a1f8-7735-4078-ba69-b80e98a94733.jpgISCA MiamiThe New Museum and Rhizome are proud to premiere Institute for Southern Contemporary Art (ISCA) by artists João Enxuto and Erica Love, an essayistic video that doubles as a promotional piece for the Institute of Southern Contemporary Art (ISCA), a proposed artist platform tailored to optimize the creation of art for market consumption. ISCA’s founding mission is totally preposterous, and yet, amid the onset of programs that analyze and rank art to quantify its future value (for instance, ArtRank and Art Advisor), it doesn’t hew too far from the current ways in which art is considered in terms of its financial potential. https://video.rhizome.org/videos/embed/f99ddb94-46ed-4fa2-8f88-db32c07f925dhttps://video.rhizome.org/w/gRXomn2S8tFNgHhe7reQYhhttps://video.rhizome.org/lazy-static/thumbnails/ee057b77-f0ce-42b0-80c3-84362dbc0a40.jpginvisible cursor Future peopleRafaël Rozendaal describes his working process, his pieces, and his understanding of the web as medium. https://video.rhizome.org/videos/embed/8072a835-ec48-4d99-8a4e-8a3a196b8818https://video.rhizome.org/w/w75LrZb1knvEmPXasaEZUfhttps://video.rhizome.org/lazy-static/thumbnails/bb33fffc-0025-427f-898b-46114ed8a395.jpgic95ic95https://video.rhizome.org/videos/embed/f3cb8f4e-071c-42c0-959b-0e0e6623c35ahttps://video.rhizome.org/w/97dxsjxfZbQUAxq5xQXqJXhttps://video.rhizome.org/lazy-static/thumbnails/7587bf03-0e61-420d-8d9a-e576fde1ecdd.jpgHOLE IN SPACE - 1980 - The sidewalks of NYC & LA merge - Galloway_RabinowitzKit Galloway and Sherrie Rabinowitz’s early collaborative work, which took place under the moniker Mobile Image, imagined “new ways of being-in-the-world” that would be made possible by multimedia telecollaborative environments. Hole in Space (1980), connected people on the streets of New York City and Los Angeles through a vivid, streaming video installation.https://video.rhizome.org/videos/embed/41a74d26-a6e2-4b28-ac30-e0d0906a4d13https://video.rhizome.org/w/fF5dJ1sFW7EKnigrrYrKf9https://video.rhizome.org/lazy-static/thumbnails/d9649ff6-ade8-49c2-98cc-7ed6692d742e.jpgDevil Under My __________Redeem Pettaway, 'Devil Under My _______', 2017https://video.rhizome.org/videos/embed/76d48c6e-4631-4416-8f80-6b2a20c48708https://video.rhizome.org/w/p5zs24goWgVEf37rrHnM1bhttps://video.rhizome.org/lazy-static/thumbnails/abf3e066-6309-41d3-84b2-43a50846a5c9.jpgDigital Social Memory: Fair Use, Publicity, and PrivacyDigital Social Memory: Ethics, Privacy, and Representation in Digital Preservation February 4, 2017 Fair Use, Publicity, and Privacy Social media archives often reuse copyrighted material in order to support the efforts of journalists and scholars. At the same time, this kind of fair use may violate the privacy or contextual integrity of individual users’ posts. Chaired by Rhizome’s Artistic Director Michael Connor, this panel explores the tension between public and private information with participants including Jack Cushman, attorney, programmer, and a developer of Perma.cc; Bruce Goldner, Partner at Skadden and co-head of its Intellectual Property and Technology Group; and Amanda Levendowski, a teaching fellow with NYU’s Technology Law and Policy Clinic.https://video.rhizome.org/videos/embed/bae5c716-685a-496e-b444-484b7e01c216https://video.rhizome.org/w/aVfnBAwMJd1jdgy9pDd3TXhttps://video.rhizome.org/lazy-static/thumbnails/ffa1ae29-61dc-4cf2-925a-27e29f5a9d37.jpgSeven on Seven 2013: Matthew Ritchie + Billy ChasenPresented by HTC, Rhizome's Seven on Seven Conference took place April 20th, 2013 at The New School's Tishman Auditorium. Matthew Ritchieʼs installations integrating painting, wall drawings, light boxes, performance, sculpture, and moving image are investigations into the complex and transient nature of information. His works describe generations of systems, ideas, and their subsequent interpretations in a kind of cerebral web, concretizing ephemeral and intangible theories of information and time. Billy Chasen co-founded betaworks in 2007. At betaworks, Billy built several product prototypes, including Chartbeat, a real-time web analytics service that is today used by over 80% of US publishers. After betaworks, Billy co-founded stickybits, a way to attach digital information to physical objects and turntable.fm, a social music service where people could play music with each other online. https://video.rhizome.org/videos/embed/50518674-2ec0-432c-9143-aed89ff9259dhttps://video.rhizome.org/w/vAxV3C8auUp4YtHtzfmcAChttps://video.rhizome.org/lazy-static/thumbnails/c564cacd-6a64-43ba-b14f-abf4ec1f5fae.jpgOffice Hours With Ryan Kuo and Tommy MartinezOn February 2, artist Ryan Kuo and programmer Tommy Martinez joined Rhizome Curator Celine Wong Katzman to discuss "Puzzle," Kuo's new browser-based artwork.https://video.rhizome.org/videos/embed/efabfa35-2e43-4364-900d-bd168ba08a44https://video.rhizome.org/w/i9mVbdFKpLmihkLSZ82wHThttps://video.rhizome.org/lazy-static/thumbnails/8aee3b33-fd9a-4e01-b323-93ed16748032.jpgAn Informal Screening with Lynn Adler of Optic NerveArtist Lynn Adler will join Office Hours host Briana Griffin and Rhizome co-director Michael Connor for an informal screening and conversation this Thursday, Nov 3, at 2pm EST. Adler is a founding member of Optic Nerve, and will speak about the collective’s video works, sharing clips from Project One (1972) and Fifty Wonderful Years (1973). This conversation is organized in connection with Rhizome’s research on the work of Kit Galloway and Sherrie Rabinowitz. Beginning with their meeting in 1975, the duo developed a decades-long practice that prototyped and model “new ways of being in the world” that would be made possible by virtual space and telecollaborative networks. Prior to beginning their singular and essential collaboration, both artists participated in alternative video collectives—Galloway in the Amsterdam-based Video Heads, an Rabinowitz in Optic Nerve. With the support of the Carl & Marilynn Thoma Foundation, Rhizome is working to publish an unfinished manuscript by Gene Youngblood about the duo’s life and work. Initially a photographers’ collective, Optic Nerve operated out of a basement darkroom at Project One, a “technological commune” in San Francisco’s Mission District in the early 1970s. A five-story, 84,000 square-foot former candy factory, Project One was living and working space for more than 200 artists, designers, architects, alternative media workers, and political activists–and their children. In 1972, Optic Nerve – including Adler, Jules Backus, Bill Bradbury, Jim Mayer, and Sherrie Rabinowitz – expanded to include new members, including Sherrie Rabinowitz, and undertook their first video project. That project arose in 1972, when a young intern at KQED, the San Francisco PBS affiliate, began work on a documentary about the commune, storing his PortaPak in Optic Nerve’s space when it was not in use. When he abandoned the project partway through, Optic Nerve took over. This marked the beginning of their long engagement with alter...https://video.rhizome.org/videos/embed/8ad632a5-4ce7-417e-9363-e40c49c1f76dhttps://video.rhizome.org/w/45q9wZcSVs2NQdziH8MHREhttps://video.rhizome.org/lazy-static/thumbnails/85ad4728-efee-4901-8a0b-54ebfc2fb802.jpgVisionboarding with Molly SodaArtist Molly Soda does a live performance in the Rhizome Discord. Later on she will be joined by Briana Griffin, Community Designer and Kayla Drzewicki, Program Assistant, for a brief Q&A. This event is a part of Rhizome's Office Hours, a series of informal online conversations about our work and digital art at large, hosted by Briana Griffin, Community Designer, Rhizome. Molly Soda is a visual artist working in video, installation, interactive art, performance and print media. Her work is often hosted online, specifically on social media platforms, allowing the work to evolve and interact with the platforms themselves. Soda engages with questions of revisiting one's own virtual legacy, how we present ourselves and perform for imagined others online and how the ever shifting nature of our digital space affects our memories and self concept.https://video.rhizome.org/videos/embed/18e945b3-29f3-40b8-80be-2fc76cbec1dchttps://video.rhizome.org/w/pyoQAfGj4V5LU8LYWZ9d1jhttps://video.rhizome.org/lazy-static/thumbnails/48516962-b583-4e62-ada9-201ef7238343.jpgCelebrating 10 years of One Terabyte Of Kilobyte Age w/ Olia Lialina and Dragan Espenschied10 years ago, on February 7 2013, the very first screenshot of a freshly restored 1995 GeoCities homepage was posted to the One Terabyte Of Kilobyte Age tumblr blog. Since the start of this project by net artists Olia Lialina and Dragan Espenschied, more than 230,000 screenshots were circulated (with more than 160,000 still to come), inviting a new audience to discover and make sense of the history of user culture on the web.In this retrospective event, the artists will talk about different GeoCities design styles, showcase personal and audience favorites, talk about notable GeoCities users, and much more. https://video.rhizome.org/videos/embed/bec81068-8239-4c95-943b-e3c839eba252https://video.rhizome.org/w/sDwH5U5dz3cjfdw6wKXKH9https://video.rhizome.org/lazy-static/thumbnails/ae1578c9-fc38-430b-82b1-0202fa887eae.jpgHow to Make Your Work Last Forever (Almost) with Mark BeasleyMarch 23 at 2pm ET, Rhizome presents: “How to make your work last forever (almost) with Mark Beasley, Lead developer, Rhizome. In this episode of Office Hours, Beasley and Briana Griffin, Community Designer, will discuss various tools artists can use to preserve their work (including conifer), autosaving practices, organizational tips, and mourn the loss of data ⚰️☠️.https://video.rhizome.org/videos/embed/d7cb0ca1-d4c4-4e9b-a086-b1a6104149a6https://video.rhizome.org/w/vksC4RWqf54epd8voy7BKohttps://video.rhizome.org/lazy-static/thumbnails/523afb13-cfcf-4001-acaf-4b76b25df162.jpgBrowsers as a Playground with Pippin Barr This was an office hours with Pippin Barr, held on on March 30! Pippin walked us through some of the philosophy behind their work (as well as a few student projects) - that demonstrate exploring the limitations of the browser-based libraries available to artists. This was a discord called that was meant to be also streamed on Twitch (but OBS did not connect to twitch for this stream :(( ) -- Pippin Barr is an experimental game designer and Associate Professor of Computation Arts at Concordia University. He is a prolific maker of videogames, producing work addressing everything from airplane safety instructions to the nature of videogames and videogame technologies. He is a well-known figure in the independent and artistic videogame scenes, makes his source code and process documentation publicly available via his presence on GitHub. Pippin is the co-host of the podcast GAMETHING and his forthcoming book, The Stuff Games Are Made Of (2023, MIT Press), discusses videogame design from the perspective of its materials. Pippin's website, www.pippinbarr.com, organizes his diverse activities into a central location. https://video.rhizome.org/videos/embed/ed908f1e-8ccd-4d77-ad8c-413d80093d30https://video.rhizome.org/w/n9bxsCcXSwBnpa1ooXBKUJhttps://video.rhizome.org/lazy-static/thumbnails/6c1ae90a-db31-4dd6-aa21-f4530cf34f80.jpgThe Lore Zone with Libby Marrs and Tiger DingsunThis was an office hours held on March 16, Libby Marrs & Tiger Dingsun presented some of their old research from 2021 titled "The Lore Zone : Memes → Memories → Micro-Mythologies" followed by Q&A section led by Community Designer, Briana Griffin. "For decades, researchers have studied how online communities form shared identities and beliefs. But what about shared memories? This series explores Lore: the new modes of self-mythologization developed within network media, and the forms of history and canon stored within media artifacts that online groups produce. The memes we encounter on clearnet feeds are usually parts of larger stories, stemming from semi-private sites more conducive to worldbuilding. The affordances of different types of online space change how information is produced, circulated, and remembered across platforms. What happens when platforms enable the archival of information? What happens when they encourage collective experiences versus personal, inward-facing ones? The way we remember the events that happen on the internet is different than reading a book. Information circulates and gets stored in a way that incorporates personal narratives as documentation, combining textuality with elements of oral storytelling. Bits of text and image serve as artifacts that help piece together complex narratives. The Lore Zone seeks to help us all understand new interesting ways of reading, writing, and remembering the internet." Libby Marrs : https://libbymarrs.net/ Tiger Dingsun : https://www.tiger.exposed/index https://video.rhizome.org/videos/embed/ab345be7-9d35-435f-b4a2-04db34ff7326https://video.rhizome.org/w/sm65YwPBPWLAan7o19JpZthttps://video.rhizome.org/lazy-static/thumbnails/cd446357-4254-4327-bc07-4d80c7532830.jpgThe HTML Review with Shelby Wilson and Maxwell Neely-CohenThis was an online talk held on April 13th to celebrate the second issue of the html review ! It was led by our program assistant, Kayla and featured the creators and editors, Shelby Wilson + Maxwell Neely-Cohen, along with two contributors, Katherine Yang + Katy Ilonka Gero :) :) :) -- Shelby Wilson + https://shelby.cool Maxwell Neely-Cohen is a writer, coder, and dancer based in New York City. He is the author of the novel Echo of the Boom. His nonfiction and essays have been featured in places like The New Republic, Ssense, and BOMB Magazine. From 2018-2021, he was Editor-At-Large for The Believer. His experiments with technology, video games, and performance have been acclaimed by The New York Times Magazine, Electric Literature, and The Financial Times. He was most recently in residence at Pioneer Works, CultureHub, and ENGINE. He is the Publisher of thehtml.reviewhttps://video.rhizome.org/videos/embed/d55b9d62-0741-41d2-967b-e4acb2f51dd1https://video.rhizome.org/w/qhgLZgxyUpsZznUhUJw5FZhttps://video.rhizome.org/lazy-static/thumbnails/0cfdbfc8-a896-43a7-994b-470c0ad06dd2.jpgFrom Black Boxes to Open Systems: Software and Net Art PreservationDragan Espenschied, Rhizome’s Preservation Director, and Lyndsey Jane Moulds, Rhizome’s Software Curator, share an overview of key concepts in their approach to software and net art preservation.https://video.rhizome.org/videos/embed/c4a0f343-53ad-43c4-bedb-ed64b53bd06fhttps://video.rhizome.org/w/orZkXCx9GpAHG85aVG8R3Khttps://video.rhizome.org/lazy-static/thumbnails/7fd4b9df-5d8f-4d5b-9fa7-7dbf234814bb.jpgFrom Black Boxes to Open Systems: Rhizome ArtBase RelaunchRhizome’s Preservation Director Dragan Espenschied, Software Curator Lyndsey Moulds, and Design Researcher Lozana Rossenova unveil the newly relaunched ArtBase and discuss the benefits of LOD for long-term preservation and sustainability in a complex and diverse born-digital archive. Curator and scholar Annet Dekker, author of Collecting and Conserving Net Art published by Routledge in 2018, is a respondent to the presentation.https://video.rhizome.org/videos/embed/b5c9fbfd-c965-469e-ae37-3e9935597d7bhttps://video.rhizome.org/w/rPRnCXSyDkVTWc7oFVCFkihttps://video.rhizome.org/lazy-static/thumbnails/26833de8-848e-4c53-a90b-c6be82d6edb2.jpgPeek 2023-02-15 12-20 rhiz demoPeek 2023-02-15 12-20 rhiz demohttps://video.rhizome.org/videos/embed/d122d9d5-b443-4717-892b-1714eb4765abhttps://video.rhizome.org/w/5SWkwt8R1CGAbdSn9K2MHWhttps://video.rhizome.org/lazy-static/thumbnails/2b91b313-8579-4c26-babf-3570585fa136.jpgStarryNight excerptA short 2001 clip featuring the artwork StarryNight, from a Rhizome promotional video. https://video.rhizome.org/videos/embed/27813ab2-7ee2-4503-bf19-853ea4c9d9echttps://video.rhizome.org/w/fU46VQKnzN4ysbx4vpwwEUhttps://video.rhizome.org/lazy-static/thumbnails/e0d68d42-4a97-46ca-83f7-87c526555f05.jpgcelebration.objcelebration.objhttps://video.rhizome.org/videos/embed/78a48772-2a83-4d46-994f-84a1a8628188https://video.rhizome.org/w/nsg7qtVDoGc78aN8L7msnohttps://video.rhizome.org/lazy-static/thumbnails/7a951534-f3d3-4cbe-a6e8-d9b9c344d4ad.jpgCinema of Transmission TrailerCinema of Transmission Trailerhttps://video.rhizome.org/videos/embed/adba8fec-0988-47d8-9ef1-e94123906940https://video.rhizome.org/w/hoW9m1Nk7h9PiVV7pgtY9thttps://video.rhizome.org/lazy-static/thumbnails/d751a2e9-8aac-4f77-b34a-4c170b521f92.jpgMoMA R&D Salon №43A response to the prompt "Should every web site leave a trace? Or should some be allowed to be forgotton?" for the MoMA R&D Salon №43, taking place 2023-09-19 in New York City. See the [Salon's web site](http://momarnd.moma.org/salons/) for info on the whole series. This is the uncut version of the video.https://video.rhizome.org/videos/embed/84c5f2e7-f1fb-44bc-982d-6ecd05abb653https://video.rhizome.org/w/bYu6vFm93kU2bTp8pDk5L5https://video.rhizome.org/lazy-static/thumbnails/257bcdf0-34b1-4e31-b77f-b8b8a9905bd1.jpgNeural Net Aestheticson October 26 at 6pm, Rhizome presented Neural Net Aesthetics at the New Museum. https://video.rhizome.org/videos/embed/58de5a15-e953-48b6-a6ab-3b38cc270c74https://video.rhizome.org/w/wvcb1HLB4rZFibSCYAJ1Tmhttps://video.rhizome.org/lazy-static/thumbnails/67f2119f-e53e-4557-9b49-af7972998d9c.jpgBook Launch Air Age Blueprint + The Institute for Other IntelligencesBook Launch Air Age Blueprint + The Institute for Other Intelligenceshttps://video.rhizome.org/videos/embed/f7059d50-47e4-4980-9b01-34994d01f352https://video.rhizome.org/w/vGTtPT7hXk1birQNgVwxyshttps://video.rhizome.org/lazy-static/thumbnails/6b695763-4e05-4d65-a5a7-fd1d6f32c184.jpgRhizome Presents Some Tumblrs!Rhizome Presents Some Tumblrs!https://video.rhizome.org/videos/embed/f08e7f59-c053-46e3-9039-4d55d7f38a96https://video.rhizome.org/w/xkBDMZPevTp46tV8P48Wijhttps://video.rhizome.org/lazy-static/thumbnails/008f29fd-a008-4815-bcbe-ce47678d1753.jpgGozentilade Fuckiffilai above the Mountain by BalfuaGozentilade Fuckiffilai above the Mountain by Balfuahttps://video.rhizome.org/videos/embed/fdc866b3-2c05-4973-aaa5-035a31ecc96chttps://video.rhizome.org/w/hvMy7gwrCpJ8Q9mzDzeKzohttps://video.rhizome.org/lazy-static/thumbnails/5367146c-c025-4f2c-9fb9-becdd4a0b1cb.jpgNote by Teng Yung HanNote by Teng Yung Hanhttps://video.rhizome.org/videos/embed/85badc7d-3436-4899-8503-5dbce7c36414https://video.rhizome.org/w/j9HkdfGUE1xJTkMP3oi7JJhttps://video.rhizome.org/lazy-static/thumbnails/6bc7f8c2-e0ac-49ba-8c19-f3082010e934.jpgFeeling Something... by Nichole ShinnFeeling Something... by Nichole Shinnhttps://video.rhizome.org/videos/embed/92fbead5-2022-42c4-bfb0-cb8f1f10ff0ehttps://video.rhizome.org/w/5ftpuibRquDs1XNXmPfE5Uhttps://video.rhizome.org/lazy-static/thumbnails/aaf3f93d-1d00-4723-805a-709be00ff707.jpgRhizome x MoMI Present ArtBase Anthologies w/ Auriea Harvey @ Onassis ONXJoin us online for a conversation about net art history with artist Auriea Harvey, hosted by Rhizome in partnership with Museum of the Moving Image. The event marks the launch of ArtBase Anthologies, Rhizome’s new initiative offering perspectives on digital art history through selected works. The livestream will be hosted at Onassis ONX and starts promptly at 12:30PM. After early encounters with digital culture thanks to text adventure games and the Parsons computer lab, Auriea Harvey began creating her own online work in the 1990s. She designed the first websites for musicians like Janet Jackson, Depeche Mode, and Lenny Kravitz; and created digital artworks that explored narrative, character, and the sculptural qualities of networks. In 1999, she teamed up with Michaël Samyn to form the artist duo Entropy8Zuper!, the first iteration of a collaboration that continues to this day. Over the past year, Rhizome undertook a major restoration of early online artworks by Harvey and Entropy8Zuper! for an online exhibition from Rhizome and an ongoing solo show at Museum of the Moving Image. Learn about how Rhizome preserves early works of net art, the challenges of presenting born-digital art within a museum context, and the curatorial decisions at play in this body of work. Harvey will be joined by Rhizome Co-Executive Director Michael Connor, MoMI Associate Curator of Media Art Regina Harsanyi, and Rhizome Director of Digital Preservation Dragan Espenschied. Following the talk, at 3PM Harvey will lead a special tour of her survey, "Auriea Harvey: My Veins Are The Wires, My Body Is Your Keyboard", at MoMI. This event is free and open to the public, and light refreshments will be served. ABOUT ONASSIS ONX: is an accelerator for a global community of member artists who create immersive XR and AI works. This hybrid experimentation, production and exhibition space is located in the Olympic Tower in Midtown Manhattan and was founded in 2020 in partnership between ...https://video.rhizome.org/videos/embed/2269db38-5a47-41fa-bfb2-fd4ff9017ad4https://video.rhizome.org/w/5oHFEpJVjHXkcTyXZQVhqhhttps://video.rhizome.org/lazy-static/thumbnails/20ad3810-1b0a-4452-a270-69b26b66951a.jpgRhizome 7x7 2024 - Ana Fabrega x Cristóbal ValenzuelaOn January 27, 2024, 7x7 returned from a Covid-induced hiatus with a special AI-focused edition. This video documents the collaboration between comedian, writer, and actor Ana Fabrega and Runway Co-Founder Cristóbal Valenzuela. https://video.rhizome.org/videos/embed/23909b2c-e675-4d4e-8397-4a2db7b9b268https://video.rhizome.org/w/vsKLxDY9GFKbCjCBUu68MWhttps://video.rhizome.org/lazy-static/thumbnails/41a23dcc-48f3-4543-ba9d-ab68f3b750b3.jpgOur Friend the Computer zine launchOur Friend the Computer zine launchhttps://video.rhizome.org/videos/embed/ee955508-e300-4329-9376-13d37c965a2chttps://video.rhizome.org/w/gEavF14LniEZtpgvngED6Xhttps://video.rhizome.org/lazy-static/thumbnails/e05b055c-ce40-40a4-9ec0-d65af09ac3d2.jpgFirst Look: BrushesFirst Look: Brusheshttps://video.rhizome.org/videos/embed/7ecd3473-8543-4fba-8b00-484941305f4dhttps://video.rhizome.org/w/hFbPuMyNotB44qcBQHxRCBhttps://video.rhizome.org/lazy-static/thumbnails/9b3e8139-e6e0-41e3-8a73-36c76484255c.jpgFirst Look: Brushes - LIVESTREAMFirst Look: Brushes - LIVESTREAMhttps://video.rhizome.org/videos/embed/870ae49a-0181-40a4-afae-a2078cec04d7https://video.rhizome.org/w/k6aR6NQKyQa8ySfs3yuTkDhttps://video.rhizome.org/lazy-static/thumbnails/e1db01b2-b501-447e-8137-bec3966b6fcb.jpgWho Owns Digital Social MemoryWho Owns Digital Social Memoryhttps://video.rhizome.org/videos/embed/9a966bea-53a0-467f-92ba-562c3e8b97bfhttps://video.rhizome.org/w/g9zXUvc7WrEozKqtoeCfnShttps://video.rhizome.org/lazy-static/thumbnails/08c93595-8cee-427a-8fb3-0230823f7fba.jpgFirst Look: Artists' VRFirst Look: Artists' VRhttps://video.rhizome.org/videos/embed/7aabf607-263e-4d2d-8c93-b77aace071dchttps://video.rhizome.org/w/1t581Z9Qf3Gb8qGbkEk5vzhttps://video.rhizome.org/lazy-static/thumbnails/5d25b0b8-8491-4dfe-9233-1c3a1947c9a9.jpgDIS: A Good CrisisDIS: A Good Crisishttps://video.rhizome.org/videos/embed/03c79f16-69ae-4cc9-9b2b-0df3f3ba8ffbhttps://video.rhizome.org/w/mpm7oEjwDba9GaoyZtaCYfhttps://video.rhizome.org/lazy-static/thumbnails/399cd38d-f743-41d9-b53a-6ce9a3603334.jpgTrue Lies, Deep Fakes: Platforms, Knowledge, and Alternative CommunitiesTrue Lies, Deep Fakes: Platforms, Knowledge, and Alternative Communitieshttps://video.rhizome.org/videos/embed/a53945f3-cc84-4286-a0a1-4363bf0ed286https://video.rhizome.org/w/61gNBwWbnc4wekmCFtdxqZhttps://video.rhizome.org/lazy-static/thumbnails/3b1b9ed1-9632-4b61-8f5e-c22bc29b3780.jpgSteps towards Conserving Digital Artworks—community preservation Q&A 2025-03-26I was explaining some foundational assumptions about digital art conservation and answering questions Rhizome members submitted via a web form. That was fun! [Announcement on rhizome.org](https://rhizome.org/events/Steps-towards-conserving-digital-artworks/)https://video.rhizome.org/videos/embed/28876ec2-7ffb-4ea0-96a4-bfc4ae839af5https://video.rhizome.org/w/kiMr9Tbcyc9XVFXUzRBWbShttps://video.rhizome.org/lazy-static/thumbnails/5106914d-48e9-450b-9d0b-6b13918cf556.jpg7x7 2025: Nouf Aljowaysir x Alfred Steiner7x7 2025: Nouf Aljowaysir x Alfred Steinerhttps://video.rhizome.org/videos/embed/9c594733-5129-47bc-a838-8720490a20b6https://video.rhizome.org/w/cWgMjxRWG824mcUQEjoPSAhttps://video.rhizome.org/lazy-static/thumbnails/0c3e85a0-dd81-4f59-9203-eeb5feb09fcc.jpg7x7 2025: Morry Kolman x Kendra Albert7x7 2025: Morry Kolman x Kendra Alberthttps://video.rhizome.org/videos/embed/60a86a19-f358-4353-8223-f0223189da62https://video.rhizome.org/w/c9JHTZj5Vx7kfuiT5UTvXjhttps://video.rhizome.org/lazy-static/thumbnails/c25026da-e268-4a06-b693-ff1d77481b22.jpgLori Emerson - Other Networks: Beyond the Internet ImaginaryA talk by Lori Emerson to celebrate the launch of "Other Networks" Other Networks: A Radical Technology Sourcebook (Anthology Editions, 2025) is an archival project that catalogs 80+ networks that preceded or existed outside of the internet. In this talk, author Lori Emerson will share some this boldly creative taxonomy of our networked world. Lori Emerson is Professor of Media Studies; Director of the Intermedia Arts, Writing, and Performance Program; and Associate Chair of Graduate Studies. She is also Founding Director of the Media Archaeology Lab. Emerson is author of Other Networks: A Radical Technology Sourcebook (Anthology Editions, 2025), co-author with Darren Wershler and Jussi Parikka of THE LAB BOOK: Situated Practices in Media Studies (University of Minnesota Press, 2021), author of Reading Writing Interfaces: From the Digital to the Bookbound (University of Minnesota Press June, 2014), and editor of numerous collections. -- Rhizome’s program is made possible by Teiger Foundation for the Arts, Mellon Foundation, NYSCA, Onassis ONX, and DCLA. Rhizome World was Made Possible By Water Street Partners / WSA, Digital Counsel, Duggal Visual Solutions, Rhizome Council New Museum, NEW INC, Mezcal Rosalunahttps://video.rhizome.org/videos/embed/5a4ccdd3-3573-463b-aa11-6e8f55d8c294https://video.rhizome.org/w/kqquwdVgBeToy2WjBqu2HBhttps://video.rhizome.org/lazy-static/thumbnails/b790eb7e-b717-4905-9756-84918cb55f4e.jpgFulfilling AI with Misha Sra & Eugenia KuydaFulfilling AI with Misha Sra & Eugenia Kuydahttps://video.rhizome.org/videos/embed/9d46941e-a479-435f-b816-5728de3089d1https://video.rhizome.org/w/8q4LCh8AAgT9e6UXQtWwuVhttps://video.rhizome.org/lazy-static/thumbnails/42f0daf8-9782-446d-b06d-726e7f2ec06a.jpgFeral File x Rhizome Console Spirituality Exhibition Launch TalkIt’s Not Escapism, it’s Ritual Opening June 24th on Feral File, Console Spirituality is curated by LAN Party (Vienna Kim & Benoit Palop), a Paris- and Tokyo-based duo whose practice centers on digital art, internet culture, and video games. Their curatorial approach draws from gaming subcultures, technostalgia, and worldbuilding—exploring how the narrative structures and symbolic systems of games shape digital visual culture and challenge the conventions of contemporary art. The exhibition brings together five artists working at the intersection of game logic, glitch aesthetics, and digital mythmaking. Works by Emi Kusano, Keiken & Gabriel Massan, John Provencher, and Sabato Visconti channel the emotional power and ritual intensity of video games—and they’re so much more than images. Each is a portal into worlds shaped by identity, memory, technostalgia, and speculative faith. Born from the same conditions that have made gaming a dominant cultural form of the 21st century, these artworks glitch existing systems, render new ones, and ask what it means to make art in an age when our gods are avatars and our temples are rendered in Unity. visit the exhibition: https://feralfile.com/explore/exhibitions/console-spirituality-m6j https://video.rhizome.org/videos/embed/3c0c24e2-4fa4-46d1-8d88-566e6d781ca5https://video.rhizome.org/w/8tBjJuSEX9rXRVioLjZQmhhttps://video.rhizome.org/lazy-static/thumbnails/55c864f3-cd32-40da-8c06-9d58aca26eba.jpg7x7 2025: Máuhan M Zonoozy x Pleasr7x7 2025: Máuhan M Zonoozy x Pleasrhttps://video.rhizome.org/videos/embed/3c8ad22a-fe64-43d4-a178-c613b5165fe0https://video.rhizome.org/w/xncrJHPMU29BC76UYEmJhMhttps://video.rhizome.org/lazy-static/thumbnails/9694df20-6e22-46bf-b509-30cb41be774c.jpgMike Pepi : Against PlatformsMike Pepi : Against Platformshttps://video.rhizome.org/videos/embed/fe00f857-3f94-4118-85f8-2eede63f25b5https://video.rhizome.org/w/3Uo3fskb9tajoCpc9rE6F1https://video.rhizome.org/lazy-static/thumbnails/16b63809-3dfe-44fa-8fc5-1dfe097d5f8b.jpg7x7 2025: Michael bennett x rootoftwo7x7 2025: Michael bennett x rootoftwohttps://video.rhizome.org/videos/embed/17828905-8325-42f8-8c12-70511669b64ahttps://video.rhizome.org/w/oHWsGHcEU9hH9Ek9fYpBLshttps://video.rhizome.org/lazy-static/thumbnails/21121085-92d9-4d82-87f4-e57965863bb1.jpg7x7 2025: Helen Nissenbaum x Operator7x7 2025: Helen Nissenbaum x Operatorhttps://video.rhizome.org/videos/embed/b8041b84-7666-4d21-af48-1e2a30316d56https://video.rhizome.org/w/1C8uecQXyVW9jaBiQ9QfMxhttps://video.rhizome.org/lazy-static/thumbnails/c20a1831-a660-4951-850a-b132475d2cbe.jpg7x7 2025: pleasr x Máuhan Zonoozy7x7 2025: pleasr x Máuhan Zonoozyhttps://video.rhizome.org/videos/embed/050b63b9-bb79-4451-9d04-278f2b79d709https://video.rhizome.org/w/xkmBMzhVoBEBZHroM5imMchttps://video.rhizome.org/lazy-static/thumbnails/91fc5ba9-624f-4fb7-87b5-6eb9632cc606.jpgSteps Towards Conserving Digital ArtworksSteps Towards Conserving Digital Artworkshttps://video.rhizome.org/videos/embed/fdbf22c1-7b2b-437a-95f0-eeb163763e15https://video.rhizome.org/w/3m1NYbmpEEhvM5eChmiYn4https://video.rhizome.org/lazy-static/thumbnails/11499756-2ee5-431b-a78e-ff7ab1c175a4.jpgVibe Shift, October 8 and 9 at ZeroSpaceVibe Shift, October 8 and 9 at ZeroSpacehttps://video.rhizome.org/videos/embed/12fda6da-fd74-4807-b42a-c8a58222540dhttps://video.rhizome.org/w/kxi4LN7DYcR9GrQfADG988https://video.rhizome.org/lazy-static/thumbnails/534e837f-e5da-4c5a-b446-f8cb1846b65e.jpgPanel: Caring for Collections of Software-Based Art 2025Panel with 00:00 Patricia Falcão (Tate Modern) 17:36 Claudia Röck (HEK) 34:19 Dragan Espenschied (Rhizome) Organized and moderated by Amy Brost (MoMA) Panel notes, further resources, and auto-transcribed Q&A session (not included in this video) can be found at <https://sites.rhizome.org/panel-caring-for-collections-of-software-based-art/>https://video.rhizome.org/videos/embed/9e3c3546-fd16-40df-91c4-e230fb49340dhttps://video.rhizome.org/w/djFEhVQzvGw5kZSNLhodDyhttps://video.rhizome.org/lazy-static/thumbnails/61f59184-79af-49a6-aa0c-1e788e8fb9b9.jpgRhizome and TITLES present Model as Medium, March 23 at INDEX SpaceRhizome and TITLES present Model as Medium, March 23 at INDEX Spacehttps://video.rhizome.org/videos/embed/63c97e45-9728-42af-8b37-8623c2b361a2https://video.rhizome.org/c/root_channel/videoshttps://video.rhizome.org/c/hedgehog_central/videoshttps://video.rhizome.org/c/videos/videoshttps://video.rhizome.org/c/m4rk3r_channel/videoshttps://video.rhizome.org/c/net_art_anthology/videoshttps://video.rhizome.org/c/events/videoshttps://video.rhizome.org/c/collection/videoshttps://video.rhizome.org/c/electronic_cafe/videoshttps://video.rhizome.org/c/wbsg_presentations/videoshttps://video.rhizome.org/c/wbsg_workshops/videoshttps://video.rhizome.org/c/whistlegraph/videoshttps://video.rhizome.org/c/despens_presentations/videoshttps://video.rhizome.org/c/office_hours/videoshttps://video.rhizome.org/c/rhizome_history/videoshttps://video.rhizome.org/c/shadowbanned/videoshttps://video.rhizome.org/c/7x7/videoshttps://video.rhizome.org/c/ethics_and_archiving_the_web/videoshttps://video.rhizome.org/c/world_on_a_wire/videoshttps://video.rhizome.org/c/black_boxes/videoshttps://video.rhizome.org/c/net_aesthetics/videoshttps://video.rhizome.org/c/next_level/videoshttps://video.rhizome.org/c/speculative_values/videoshttps://video.rhizome.org/c/this_is_the_endd/videoshttps://video.rhizome.org/c/the_technology_readings/videoshttps://video.rhizome.org/c/nextcity_the_art_of_the_possible/videoshttps://video.rhizome.org/c/stories_from_the_new_aesthetic/videoshttps://video.rhizome.org/c/montage_unmonumental_online/videoshttps://video.rhizome.org/c/rhizome_commissions/videoshttps://video.rhizome.org/c/triple_canopy/videoshttps://video.rhizome.org/c/goldin_senneby/videoshttps://video.rhizome.org/c/2015_ideas_city/videoshttps://video.rhizome.org/c/waterside_residency/videoshttps://video.rhizome.org/c/open_score/videoshttps://video.rhizome.org/c/2022/videoshttps://video.rhizome.org/c/isca/videoshttps://video.rhizome.org/c/its_in_the_game/videoshttps://video.rhizome.org/c/rafael_rozendaal/videoshttps://video.rhizome.org/c/digital_social_memory/videoshttps://video.rhizome.org/c/kadist/videoshttps://video.rhizome.org/c/commissions/videoshttps://video.rhizome.org/c/new_black_portraitures/videoshttps://video.rhizome.org/c/new_silent_series/videoshttps://video.rhizome.org/c/real_live_online/videoshttps://video.rhizome.org/c/2020_rhizome_events/videoshttps://video.rhizome.org/c/net_art_anthology_events/videoshttps://video.rhizome.org/c/galloway_rabinowitz/videoshttps://video.rhizome.org/c/addie_wagenknecht/videoshttps://video.rhizome.org/c/wbsg_meetings/videoshttps://video.rhizome.org/c/2023_events/videoshttps://video.rhizome.org/c/2012_rhizome_events/videoshttps://video.rhizome.org/c/2015_rhizome_events/videoshttps://video.rhizome.org/c/2024_rhizome_events/videoshttps://video.rhizome.org/c/artbase_anthologies/videoshttps://video.rhizome.org/c/first_look_/videoshttps://video.rhizome.org/c/2016_rhizome_events_/videoshttps://video.rhizome.org/c/2018_rhizome_events/videoshttps://video.rhizome.org/c/rhizomeworld/videoshttps://video.rhizome.org/c/conservation/videoshttps://video.rhizome.org/a/peertube/video-channelshttps://video.rhizome.org/a/root/video-channelshttps://video.rhizome.org/a/staff/video-channelshttps://video.rhizome.org/a/despens/video-channelshttps://video.rhizome.org/a/ann_hirsch/video-channelshttps://video.rhizome.org/a/m4rk3r/video-channelshttps://video.rhizome.org/a/artbase/video-channelshttps://video.rhizome.org/a/ecafe/video-channelshttps://video.rhizome.org/a/wbsg/video-channelshttps://video.rhizome.org/a/wg/video-channelshttps://video.rhizome.org/a/addie/video-channelshttps://video.rhizome.org/a/rhizome_conservation/video-channels